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What Are You Listening To?


khaos

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5 hours ago, Dead1 said:

Sorry, meant to say vocals are too high pitched (knowing you don't like Bruce era Maiden etc) but was lazy.

Alright well then in that case you'd be right, the vocals there on Doomsday would be the one thing I might criticize about that album. (especially that high harmony part at the end of She Took an Axe) I don't specifically appreciate all the high-pitched screams and what not, they're definitely not a selling point for me. But overall it's not high-pitched to the point of distraction where it deters me completely from enjoying the music, and in small doses I can dig stuff with vox like this if I'm in the right mood. Definitely not an every day thing for me though when I reach for that 80's metal or thrash with the high pitched vox.

You know it's funny you mention Maiden, I fell asleep at the computer the other night around midnight with my headphones on, and then woke up in my chair at 4:30 or something (just like I did last night and this morning) and a doco was playing, The History of Iron Maiden Part 1 (2004). I actually watched the whole thing (and even some of part 2) despite not being much of a Maiden fan. I did have all their albums up through the disappointing Powerslave back in the day so there is some amount of nostalgia there for me I guess. And in general I love watching docos about bands, especially stuff about the early days and touring and in the studio.

But yeah, I'm squarely in the Di'Anno camp, thought they were a much better band with him behind the mic. He comes across as a bit of a yobbo on the doco all these years later, but in 1981 I thought he was a good front man. I don't like Dickenson, don't like his voice obviously but I just don't like the man personally. I can't watch him speaking to the camera without envisioning punching him in the face. Sort of the same reaction I have to seeing a Tom Cruise interview.

 

 

6 minutes ago, Sheol said:

God damn do they know how to make beautiful videos!

Go back to Umeå with your poseur Rammstein videos!

 

(hahaha j/k Johan)

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3 hours ago, JonoBlade said:

I'm a recent Immolation convert. I think the new one is great, just....you guessed it...too long. It is 15 tracks, 52 minutes.

No thrash or death metal album should ever be longer than 40 minutes unless it has an approved declaration of justification from Cliff or Chuck (dependent on department), signed in triplicate, notarised up to The Lord God Iommi, endorsed by his jester, Ozzy, deemed unsignable, but signed anyway by the eternal timekeeper Bill Ward, spellchecked by lyric guardian Geezer - he whom rhymes "masses" with "masses."

Could have benefitted from trimming at least 10 minutes, but keeping all the cool acoustic-y bits for contrast.

There is also something underwhelming about the production- it needed a little bit more oomph and rawness.

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2 hours ago, navybsn said:

Dukes of the Stratosphear - 25 O'clock

Not sure why I like this so much, it's like fluffy fucking pop music and almost like a parody of mid 60's psychedelia. But I'm halfway through already and I can't turn it off. Don't think I'll be looking to buy it but I'm enjoying the hell out of it for the moment.

 

Before this it was my new favorite German depressive black metal album of the week:

Anti - The Insignificance of Life

 

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8 minutes ago, GoatmasterGeneral said:

it's like fluffy fucking pop music and almost like a parody of mid 60's psychedelia

Exactly what it is. Side project/gag by the boys in XTC back in the 80's. Not surprised you like it.

The Dukes of Stratosphear were an English rock band formed in 1984 by Andy Partridge, Colin Moulding, Dave Gregory, and Ian Gregory. Modeled after psychedelic pop groups from the 1960s, the Dukes were initially publicised by Virgin Records as a mysterious new act, but were actually an XTC spin-off band.....The rules were as follows: songs must follow the conventions of 1967 and 1968 psychedelia; no more than two takes allowed; use vintage equipment wherever possible.

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