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Black metal is the snow-covered forest at sunset; the full moon glimpsed through jagged trees; the candle that flickers in ghost winds; the indelible emptiness of the lonely human soul that cries out to empty skies.
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I’ve been watching a bunch of nature documentaries recently. Dangerous animals only, for the most part, because I refuse to devote an hour of my life watching turtles mosey around the deep blue. Additionally, I’ve sought out very in-depth material so I can appreciate the animal being analyzed. As a result I’ve been able to watch a decent amount of material closely scrutinizing the habits of predators, and that’s given me a particularly good context for understanding Sadist’s 2015 album “Hyena”.

This album is intended to track the habits of a hyena. Seems a bit on the nose, but bear with me; the album’s style is important. The album takes the listener on a markedly violent safari in an open-top jeep. Feel the wind in your hair, enjoy the natural splendor of the savannah, watch some animals murder and/or eat each other. Bring along some Mango Jive but for goodness sake leave your droewors back at the hut. Musically, as far as the metal goes – it’s a technical death/thrash album with the ferocity of the latter and the substance of the former. The vocals are higher-pitched snarls, characteristic of Sadist and perfect for the concept; in fact the entire production isolates the smooth bass to allow for moodier lines from said instrument.

I’ve always noticed that in the grand sweep of folk metal African music usually gets left out. Makes some sense – I’ve heard quite a lot of traditional African music and it’s way too happy and tropical. Then again, Dan Swano, Skindred and even Equilibrium have managed to make Caribbean music work in metal, so it’s not impossible. The next best thing is something thematically evocative, which is what “Hyena” represents. It’s not perfect; Sadist could have paced out the textures better and deepened the nature sounds, perhaps taking influence from the largely untouchable Russo-Finnish metal masters Second To Sun. That being said, it’s a one-of-a-kind work and Sadist deserves credit for taking their vicious brand of tech-death on a sun-bleached adventure into the wild.
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After listening to both albums, I am having difficulty deciding which I think is better.  Both have excellent songs and guitar work, and express the atmosphere of Burzum extremely.  Personally, however, I think that the vocals are delivered better on Filosofem.  Filosofem also has more songs, but the 25 minute synth track is not as good as Tomhet.  What do you all think?
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Post photos of your various collections here! 

Here are three shots of my black metal collection. The first is the whole thing, but i've also included two closer shots that should be clearer when zooming in etc.  

Entire Black Metal CD collection: 


Top half:


Bottom half: 
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On BM scene there are also good worth of attention female vocalists. Some of my fav bands.

1 Astarte - All female black metal band from Greece. In my opinion Tristessa is one of the best female growler.

2 Darkened Nocturn Slaughtercult - Onielar and her growls and style are something amazing. Nothing more nothing less. 

3 Gedanken Toten Lebens - Interesting one-woman atmospheric black metal project. Lyrics are about naure, death and philosophy. 

Who is your favourite black metal female vocalist? Do you like these bands? Or maybe you think black metal isn't for women? Let's start the discussion!
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Amazing band from Oakland, California. Pioneers of their genre really and a prime example of music being a catalyst to something greater. My favorite album is probably A Sun That Never Sets but I'm still getting into their other releases. The difficulty with hard drawn genre lines is that it's hard to place a lot of bands. I don't consider Neurosis a pure doom band, far from it, but I'm not sure where this thread would fit better so I'm creating this thread here. Feel free to move it if you want.

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You're walking your way home one night, & a rogue genie pulls you side and tells you that for the rest of your life you can only own & wear 1 jacket or vest. The genie gives you the option of leather or denim.

I think leather is ultimately more badass, but for the sake of practicality I would have to go with a bleached denim jacket. I'd be screwed come winter time, but would rather deal with that 6 months out of each year than a stiff leather. Patching a beat up leather proves to be a difficult task as well...just my two cents.
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cannibal corpse is my favorite band. anyone else like them?
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Which Thrash do you prefer?
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'Bleach is good for you, its mostly water...and we're mostly water...therefore, we are bleach' Nathan Explosion, Dethklok, from an episode in season 3, im not entirely sure which, the one when they all have to go to the doctors
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So this has been brought up in another thread and I think it's a worthwhile discussion to be had. There is quite possibly a higher ratio of males to females in Metal and fans of Metal. I don't have the figures but I would think so anyways. I think Metal fans are extremely brotherly and fraternal, even females if thats even possible. It does seem quite male i.e. if we're French I might say Le Metal rather than La. However, I don't see our awesome genre and it's fan base as because being chauvinistic beyond what might come naturally to a Viking... what are your thoughts?
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The first thing obvious once the quick picked strings of the intro subside is that there's an energy, a raw freshly unrestrained emotion to this sound.  As "Denial" jars and jolts its way through a varied and pacy five and a half minutes it is as instant on the senses as that first coffee of the morning or first beer of the weekend on a Friday night.  It's immediate without being overly accessible, memorable without being predictable and varied without being confusing.

 

Once "Solace" plonks you the roller coaster ride of its riffs and melodies you are soon yelling for more with your arms in the air as Kish's vocals provide that perfect blackened death narrative to proceedings.  There's so much flow to this track embracing the progressive tendencies of the performer whilst still showing the technical edge of their ability without it ever becoming boring or showy.

 

As the track closes in an almost psychedelic haze you are soon hauled back into the frenzied tremolo sound of the opening to "Hecatomb".   Showing an eloquence for pace, track four sees an acoustic interlude.  As the mid-track on the EP I at first found "Dawn" a little odd but as I have made repeat listens to the release it has grown on me significantly.  It offers a brief yet appropriate reprise for what's to come.

 

Both "Capture" and "Attrition" are strong finishers to the mini-release format Black Harvest have employed this time around.  The former track bleeds in nicely after the acoustic interlude with its underlying dark choral tones building the track perfectly as it gathers pace.  The same choral vocals return to haunt the end throes of the track setting up nicely the acoustic intro of the title track....
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