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  • FatherAlabaster

    Obsequiae - The Palms Of Sorrowed Kings

    By FatherAlabaster

    Obsequiae established a very well-defined style on their first record, and they've stuck with it ever since. The Palms Of Sorrowed Kings is their third album, and much like the second one, it offers subtle refinements and expansions of their sound, but no big surprises. If you haven't heard them, it's a great place to start; if you have, you know what to expect. That's not a bad thing at all. If you like what they do, you'll like this album. It's chock full of flowing, triumphant medieval-E
    • 2 comments
    • 267 views
  • MacabreEternal

    Gorguts - Full Length Discography Review (1991 - 2016)

    By MacabreEternal

    1991 – Considered Dead – R/C Records It is hard to remember Gorguts as anything other than boundary pushing, avant-grade and unique purveyors of some of the most challenging music out there.  But everybody has to start somewhere and their debut was a straight up death metal record.  No evidence was shown in 1991 of much of anything in the way of technicality with the focus instead being on the release of the familiar sound that was infecting much of the metal world in the early nineties.
    • 0 comments
    • 64 views
  • MacabreEternal

    Immortal Bird "Thrive on Neglect"

    By MacabreEternal

    Immortal Bird have been on my radar for some time now.  Having thoroughly enjoyed their debut full length of 2015, 'Empress/Abscess' (and their debut EP - 'Akrasia' some 2 years earlier) I have been eager to see what their sophomore full length would offer.  The label I commonly see applied to the band is of a "blackened crust/sludge metal" description which whilst accurate for the fledgling part of their career does not by any means cover the plethora of styles, genres and sounds explored on 'T
    • 1 comment
    • 1,698 views
  • MacabreEternal

    Sacred Reich "Awakening"

    By MacabreEternal

    Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little too comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron
    • 3 comments
    • 948 views
  • MacabreEternal

    Memoriam "Requiem For Mankind"

    By MacabreEternal

    Okay, I am going to be honest.  This is my first taste of Memoriam, albeit the release that is purportedly their best; according to the internet at least.  Things start well, on the riffing front at least.  'Shell Shock' motors like a fucking tank, being driven with precision through its destructive and relentless path.  Similiarly, 'Undefeated' with it's groovy as fuck riff and chopping rhythm continues in a full on attack of the senses.  The sophistication and poise both come up a couple of no
    • 0 comments
    • 438 views

Gorguts - Full Length Discography Review (1991 - 2016)

1991 – Considered Dead – R/C Records It is hard to remember Gorguts as anything other than boundary pushing, avant-grade and unique purveyors of some of the most challenging music out there.  But everybody has to start somewhere and their debut was a straight up death metal record.  No evidence was shown in 1991 of much of anything in the way of technicality with the focus instead being on the release of the familiar sound that was infecting much of the metal world in the early nineties.

Kreator - 80's Releases (Full-Length only)

***This artilce was originally written for my blog back in 2017*** In comparison to most I am relatively late to the Kreator party.  One of the first digital albums I ever bought when settling back into metal after a brief hiatus some 12 years ago was "Pleasure To Kill" and I have spent many a neck snapping evening in its company since, but only over the past 18 months or so have I developed my exploration of the discography further than the excellent 1986 sophomore release.  Furthermore, I

Ulcerate "Stare Into Death And Be Still"

It is no secret by now that I have a lot ( i mean a fucking lot) of time for Ulcerate.  I have been listening to metal for over 30 years now and I am sadly at a time now were very little excites me in the way of new releases.  I have over-indulged in the past, trying to consume as many new releases as possible in a given year and just ended up stuffed with underwhelming music that makes no impact on what little hunger of mine still remains for the pursuit of new releases.  If I look at the music

Obsequiae - The Palms Of Sorrowed Kings

Obsequiae established a very well-defined style on their first record, and they've stuck with it ever since. The Palms Of Sorrowed Kings is their third album, and much like the second one, it offers subtle refinements and expansions of their sound, but no big surprises. If you haven't heard them, it's a great place to start; if you have, you know what to expect. That's not a bad thing at all. If you like what they do, you'll like this album. It's chock full of flowing, triumphant medieval-E

FatherAlabaster

FatherAlabaster

Mizmor "Cairn"

Up until two weeks ago, I hadn't even heard of Mizmor.  One look at that cover and I had this record in my ears within thirty seconds.  Good album artwork should pull you into a record, give some promise of what lies beneath but then also not give everything away.  The songwriting, like the artwork, follows this thesis perfectly.  I have listened to this everyday since discovery and I am still learning more and more about it. 'Desert of Absurdity' sets the tone perfectly with its acoustic p

MacabreEternal

MacabreEternal

Sacred Reich "Awakening"

Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little too comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron

MacabreEternal

MacabreEternal

Memoriam "Requiem For Mankind"

Okay, I am going to be honest.  This is my first taste of Memoriam, albeit the release that is purportedly their best; according to the internet at least.  Things start well, on the riffing front at least.  'Shell Shock' motors like a fucking tank, being driven with precision through its destructive and relentless path.  Similiarly, 'Undefeated' with it's groovy as fuck riff and chopping rhythm continues in a full on attack of the senses.  The sophistication and poise both come up a couple of no

MacabreEternal

MacabreEternal

Immortal Bird "Thrive on Neglect"

Immortal Bird have been on my radar for some time now.  Having thoroughly enjoyed their debut full length of 2015, 'Empress/Abscess' (and their debut EP - 'Akrasia' some 2 years earlier) I have been eager to see what their sophomore full length would offer.  The label I commonly see applied to the band is of a "blackened crust/sludge metal" description which whilst accurate for the fledgling part of their career does not by any means cover the plethora of styles, genres and sounds explored on 'T

MacabreEternal

MacabreEternal

Essential Finnish BM Releases - Impaled Nazarene "Tol Cormpt Norz Norz Norz" (1993)

Could any list of 'essential' FInnish BM releases be complete without the first full length venture of Impaled Nazarene present?  Not that this is an easy listen by any means, even for the most extreme-loving metalhead, 'Tol...' is a full on assault that takes some unpicking before you can recognise the dexterity behind the slashes and blows it deals. Upon first hearing this some five years ago, I immediately dismissed it.  Not because of the sound  but more due to the structure of the albu

MacabreEternal

MacabreEternal

The Fallen Ones

@BlutAusNerd @Iceni @NTNR @Midi @Frostaudn @jfk36 @Black Milk @SBird94 @~Mere~ @mindy6158 @Ghouly @forge @salmonellapancake @Thrashman @Skull_Kollektor @Ikard

MacabreEternal

MacabreEternal

Vltimas 'Something Wicked Marches In'

2019 is slowly unveiling some fine releases.  With Altarage, Overkill and Candlemass all making me grin thus far in the past three months, despite a slow start and some disappointments (Venom, Queensryche and Legion of the Damned).  Naturally, your ears prick up when you hear Flo Mounier, Rune Eriksen and David Vincent have decided to get together and make some unholy communion.  Straight away I thought we had potential AOTY material right here given the obvious talent and experience present on

MacabreEternal

MacabreEternal

Essential Finnish BM Releases - Förgjord "Ajasta Ikuisuuteen" (2008)

After a few changes of band name, Valgrinder and Prokrustes Thanatos eventually settled on the name Förgjord (Swedish for 'destroyed') and since 2001 have been releasing demos, compilations, full lengths and splits.  "Ajasta Ikuisuuteen" was the debut full length release from 2008 on Hammer of Hate Records and is probably not a record you would hear discussed in the same pages as releases from Horna, Behexen or Beherit. The most prominent factor in the sound of "Ajasta Ikuisuuteen" is its b

MacabreEternal

MacabreEternal

Queensryche "The Verdict"

The verdict is in.  The jurors have been recalled into the courtroom.  The journalists have all sharpened their pencils and the public gallery is filling up with any interested parties still left out there.  Let's get the background check out of the way first.  This is not the Geoff Tate version of the band that eventually ended up not being called Queensryche.  This is the "original" version of Queensryche (albeit with only 3 original members) and one time Crimson Glory crooner Todd la Torre do

MacabreEternal

MacabreEternal

Essential Finnish BM Releases - Horna/Behexen split EP - (2004)

The first entry in this new blog section celebrating the Finnish BM scene is dedicated to one of the finest split releases I have ever heard.  In July 2004, Grievantee Productions released this split EP from two of the most established and revered acts on the BM scene in Finland.  A split of real contrast, this offering gave two sides of the coin in every aspect.  The lo-fi production of Horna with the shrieking vocals of Corvus at the front of the delivery giving marked difference to the scathi

MacabreEternal

MacabreEternal

Candlemass "The Door to Doom"

Two reviews in one weekend?  All work and no play makes Macca a dull boy!  Wait a minute...not when I am reviewing top notch releases such as the latest from Overkill and Candlemass.  I mean it is like I fell asleep on Thursday night and woke up in the eighties on Friday morning.  Like Overkill, the Swedish doom legends are enjoying a new lease of life, this time in the form of Johan Languist (yes,him) who returns to the band after a 32 year gap to ingratiate the memories of anyone with a copy o

MacabreEternal

MacabreEternal

Overkill "The Wings of War"

Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy

MacabreEternal

MacabreEternal

Rotting Christ "The Heretics"

Last Rotting Christ album I enjoyed?  "Triarchy of Lost Lovers".  Last Rotting Christ album I bothered to listen to upon release?  "Aealo".  It is fair to say that the Greek stalwarts of the Black Metal scene now have a sound that rarely ventures into the territory so well tread on "Thy Mighty Contract" and "Non Serviam" but it is also fair to say that "The Heretics" sounds from start to finish like a band who firmly stamp themselves on the metal map for 2019.  What album number thirteen from Ro

MacabreEternal

MacabreEternal

Drudkh/Windswept "The Onlooker"

So here I am reviewing the new Drudkh album...oh...wait a minute...no apparently it isn't Drudkh, it is Windswept.  A quick look on the internet tells me that Windswept are Drudkh minus keyboards in terms of members.  Therefore Windswept is just a less atmospheric version of Drudkh?  That's not really a question as I have heard "The Onlooker" and I know it is in fact a statement of truth. I don't get it.  If I want to hear a Drudkh record I will just put one on.  Similarly, if I was a membe

MacabreEternal

MacabreEternal

Ossuarium "Living Tomb"

When it comes to death/doom, variety is not necessarily top of the average listener's appeal list.  Usually when I review such a release I find myself typing "doesn't reinvent the wheel but does the genre justice with this solid offering" or words to that effect.  Ossuarium's debut full length falls under that banner most definitely.  Nobody is fucking around here with a saxophone to make the offering standout with some eclectic and unnecessary deviation from tradition.  If you like your death m

MacabreEternal

MacabreEternal

Altarage "The Approaching Roar"

The roar has always been approaching.  As far back as three years ago when Altarage dropped their debut full length 'Nihl', this scribe could already hear the threat of their ability, feel the menace of their presence from over hills far away and sense the nefarious intent as the raw fury howled over my skin.  Sophomore effort 'Endinghent' further cemented the prowess of these blackened death metal Basque country residents.  Although slightly less of an impact than the opening salvo of 'Nihl' it

MacabreEternal

MacabreEternal

Malevolent Creation "The 13th Beast"

There's life in the old dog yet it seems.  In terms of original members only Phil Fasciana remains in the ranks of Malevolent Creation now and after the passing of Brett Hoffman last year you could almost forgive fans for thinking the curtain had fallen on Malevolent Creation.  The fact is that whilst "The 13th Beast" reinvents no wheels it does exhibit the sound of a band in the throes of something of a regeneration phase.  There's nothing tired sounding here, no dull interludes to build unnece

MacabreEternal

MacabreEternal

Legion of the Damned "Slaves of the Shadow Realm"

Variety is the spice of life, so they say.  Someone might want to mention this to Legion of the Damned.  Picking up right were Venom left off last week in the the generic stakes, "Slaves of the Shadow Realm" churns out largely unvaried, unremarkable and unmemorable thrash metal with the odd splash of death and black metal smatterings here and there.  To give you some idea of how hard going this is I have to wait three whole tracks to here a lead guitar!  I love good chug fest as much as the next

MacabreEternal

MacabreEternal

Venom "Storm The Gates"

So, my first review of 2019 is of the latest offering from UK legends Venom.  37 years after the debut full length and the band are still active, albeit as a much changed line up from that which recorded "Welcome to Hell".  I'll be honest, I haven't bothered with Venom beyond "At War With Satan", so I really had a blank slate in terms of expectations when I put "Storm The Gates" on this afternoon.  To say it is generic is something of an understatement.  Each track just morphs into the next

MacabreEternal

MacabreEternal

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