Jump to content

What Are You Listening To?


khaos

Recommended Posts

1 hour ago, FatherAlabaster said:

How does it compare to their other stuff? I'm a big fan of Autumn Aurora and The Swan Road but I've had a hard time connecting with the more recent albums I've heard.

I have only listened to it once, but it no longer has the warm earthiness of their previous albums.  It is closest to "A Furrow Cut Short."

Horna/Peste Noire split

Link to comment
Share on other sites

On 10/03/2018 at 12:56 AM, Fraser said:

It is not that bad to be fair. Not as good as In a Reverie or Comalies but it is ok. Delirium the track is good as is Bleed the pain. Granted it is not their strongest album but it is better than Karmacode or Broken Crown Halo. 

I would be surprised if it is genuinely the worst thing you have heard. 

It was certainly not ok for me.

‘In a Reverie’ and ‘Comalies’ are great atmospheric and melodic albums. But that bass heavy single note nu metal style ‘riffing’ from the start of ‘Delirium’ is really terrible to my ears. I couldn’t listen past track one. It appeals to a completely sort of different music fan to me. That’s fine but it’s not for me.

Link to comment
Share on other sites

3 hours ago, Balor said:

I have only listened to it once, but it no longer has the warm earthiness of their previous albums.  It is closest to "A Furrow Cut Short."

Horna/Peste Noire split

 

4 hours ago, MattCantina said:

It's probably their best work since Microcosmos, I really liked it. The overall tone is particularly upbeat, but you'll probably like it if you already enjoyed Autumn Aurora 

Thanks guys - no substitute for hearing it myself, but I'm away from a good listening connection. I'll have to wait till Monday to give it a spin. "Furrow" didn't really do much for me, but I'm interested to check it out anyway.

Link to comment
Share on other sites

9 minutes ago, FatherAlabaster said:

 

Thanks guys - no substitute for hearing it myself, but I'm away from a good listening connection. I'll have to wait till Monday to give it a spin. "Furrow" didn't really do much for me, but I'm interested to check it out anyway.

Fair enough, no worries

Also I checked out Perverse Offerings To The Void by Golgothan Remains, I think I'm satisfied with it so far. Any opinion about that album?

Link to comment
Share on other sites

1 minute ago, MattCantina said:

Fair enough, no worries

Also I checked out Perverse Offerings To The Void by Golgothan Remains, I think I'm satisfied with it so far. Any opinion about that album?

I've only heard it all the way through once, but I loved it. They've done a great job of melding modern dissonance with a decrepit old-school vibe, and the songwriting was consistently energetic. I think I foresee good times with that album in my future.

Link to comment
Share on other sites

3 minutes ago, MacabreEternal said:

First time with either, found Wardruna really calming to the point of being ethereal.  "Isa" is going to take a few more listens to fully absorb but all good so far.

Isa is one of my favorites - great energy, tight songwriting, and the extra sheen of professionalism that Cato's drumming brought to the table. Wardruna is an entirely different animal, but I really dig their stuff as well. I've been a fan of Scandinavian folk for a long time and I love Wardruna's atmosphere. Have you spent any time with Skuggsjá?

Link to comment
Share on other sites

54 minutes ago, FatherAlabaster said:

Isa is one of my favorites - great energy, tight songwriting, and the extra sheen of professionalism that Cato's drumming brought to the table. Wardruna is an entirely different animal, but I really dig their stuff as well. I've been a fan of Scandinavian folk for a long time and I love Wardruna's atmosphere. Have you spent any time with Skuggsjá?

No, just keeps floating around the edge of my “to do list”.  On a Windir trip at the minute which has unearthed a more folky vibe to my current taste. Will check out Skuggsja soon.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.


  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...