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NP: Eye of Fenris - The House of Hades

▶︎ The House of Hades | Eye of Fenris (bandcamp.com)

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Alright, I feel like I'm being a little harsh in my judgement on this one. They're clearly not shooting for the ultra professional sound you'd associate with other melodic death metal bands. By all accounts they just sound like they're having fun writing and playing music they enjoy. That said there's a serious case of going nowhere quickly with the songs here. The recording also has some weird issues that I find jarring. The one track they have a decidedly clean singing guest vocalist uses double tracking that doesn't sync up quite right, creating a weird sort of dynamic where you have to wonder if they had taken a little more studio time and extra takes they might have been able to smooth some of that over. It's a bit of a nitpick, but sometimes those smaller errors can pile on and really hurt an album.

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Metallica - Master of Puppets (1986)

Doing my self-assessment for the tax office this afternoon (yes it is that magical time of the year already), where despite every penny I have earned being visible to them already I have to waste four hours of my life giving them all the data they already have for me all over again, just on the off-chance I have found time to undertake a second job/secondary source of income that I have not declared.

Relevant tracks here: Battery, Master of Puppets, The Thing That Should Not Be and of course Damage Inc.

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1 hour ago, MacabreEternal said:

Doing my self-assessment for the tax office this afternoon (yes it is that magical time of the year already), where despite every penny I have earned being visible to them already I have to waste four hours of my life giving them all the data they already have for me all over again, just on the off-chance I have found time to undertake a second job/secondary source of income that I have not declared.

Relevant tracks here: Battery, Master of Puppets, The Thing That Should Not Be and of course Damage Inc.

Yeah, fuck the HMRC

Swap out TTTSNB for Disposable Heroes as wel as Damage Inc for Leper Messiah and you've got yourself a deal. 

 

Shitgrinder - Eternal Death, Brisbane 2018, good way to start the day's tunage after getting my fill of reports concerning the Israeli/Gaza massacre early this morning. 

 

Ceremonial Bloodbath - Genesis of Malignant Entropy, Vancouver, BC, sort of a war metal supergroup of the Vancouver underground, with members of Encoffinate, Radioactive Vomit, Grave Infestation, Mass Grave, Temple of Abandonment, Nightfucker, Deathwinds etc...

 

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Ch'ahom - Knots of Abhorrence, black/death Germany. This Sentient Ruin label out of Oakland puts out some good shit, if you're into this sort of thing of course, which I know many are not.

 

Uranium - Pure Nuclear Death, one-man dense, apocalyptic, industrial black/death, album title says it all really.

 

Egregore - Synchronistic Delusions, Ogden, Utah

 

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Believer - Extraction from Mortality (1989)

Believer - Sanity Obscure (1990)

Believer - Dimensions (1993)

Believer - Gabriel (2009)

Believer - Transhuman (2011)

Believer. It's a name that comes up quite often in articles on the web devoted to technical or progressive thrash metal. And it's a band I only knew by name, so today I decided to take a look at all their studio albums, in chronological order of release.

Hailing from Pennsylvania, this Christian Thrash band released 5 albums: 3 over 5 years from 1989 to 1993, with a big break of 16 years before releasing the 4th, then 2 years between this album and the last one in 2011. Since then, nothing.

Musically, Believer's Thrash is technical, progressive, aggressive and packed with excellent riffs, and even on their older albums, the production is still very acceptable in 2023.

At the end of the record, the band generally incorporates lyrical female vocals and wind instruments, some folk elements too. This comes as a surprise on the first album, and you can feel it coming on subsequent albums.

Of all of them, Extraction from Mortality is the album that could well enter the very closed circle of my essential Thrash Metal albums, so packed is it with irresistible riffs that make you want to shake your head in all directions. There are some good (and sometimes very good) ideas on subsequent albums, but it's this one that really stands out for me.

So Believer is an excellent discovery, even if it took me a while to get interested.

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