Jump to content

What Are You Listening To?


khaos

Recommended Posts

23 hours ago, navybsn said:

Love me some Charles Mingus. I've been on a Blue Note/Hard Bop binge for the past 2 days. Setting up my new home office and rearranging the hifi and nothing is better for calibrating a sound system than jazz.

Killer. Yeah, jazz gives you a good idea of what your system can do. Here’s the show if anyone’s interested:

Also this from the same show:

 

Link to comment
Share on other sites

Thanks for the Blut Aus Nord recommendations. It is quite a lot to sift through. 

The main band floating my boat in the last few days is:

https://kingbuffalo.bandcamp.com/album/acheron

A healthy back catalog to work through.

I think it was a Dom Lawson Blabbermouth review that peaked my interest. I am almost put off by the "you must smoke a massive blunt to get this" rhetoric when it comes to these kinds of bands. It is just well made (production and vibe) music.

Image is nothing; metal is everything.   

Link to comment
Share on other sites

Panopticon/And Again into the Light-Panopticon is one of those bands I should love on paper, but never quite delivers 100% for me. After Roads to the North, Autumn Eternal and the hot mess of the double album The Scars of Man.....with a split between BM and roots American, do I really need another album that largely delivers more of the same? I think this might be the best distillation of what he does. Not completely decided for a purchase, but I get why it's on lists. Solid album.

Melissa Nadler/The Path of the  Clouds-for those not in the know-a Cheaslea Wolfe, Emma Ruth Rundle song writer who sometimes works with metal artists. Often come across these artists on metal sights, ironically. She has a softer dark folk sound-this album  has more rock instrumentation. Dig this.

Tribulation/When the Gloom Becomes Sound-sounds like Tribulation-not much to say

Mystras/Empires Vanquished....need more time with this one-

Link to comment
Share on other sites

More 2021

Code/Flyborn Prince

Helloween/Helloween-Good lord, sat through most of the tracks.  Pretty dreadful afIc. I can absolutely do early Heloween, Blind Guardian and Gamma Ray.in the early 2000's I went through a classic PM phase to break up the black and death I was discovering.  Back then I found the classic late 80's-90's PM refreshing and fun. Shoot, I've even got some of Helloween's 2000's output. I remember getting Blind Guardian's, A Night at the Opera in 2002 and then bailed and I even liked Gamma Ray's Land of the Free II in 2007. That was probably the last actual power metal I picked up.  Don't get the appeal of this album....sounds like manufactured Disney Channel metal.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.


  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...