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khaos

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On 9/3/2021 at 8:09 AM, navybsn said:

 

I'll be at MDF for sure. If you don't get to Mass Destruction, I'll hook up with you there for sure. Maybe we can drag @markm up there again.

I'm down depending on COVID. MDF always falls on the Friday my students graduate but I'm probably good for the rest of the weekend unless I have a kayaking teaching gig but I can negotiate.  

 

 

 

Foscor/Les Irreals Visons

Demilich/20th Adversary of Emptiness

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On 9/3/2021 at 4:57 PM, GoatmasterGeneral said:

No idea why you'd want to play it at all tbh but....Maybe you could play side 1 a few times now then play side 2 in six months? Problem solved!

That would be a logical remedy but Maiden, for all their faults, do make great epic outro tracks on most albums. Therefore, just cutting it in half and listening to disc 1 is not likely to be very satisfying. What I really meant was they should halve the running time and release two albums closer together, but they still need to put some effort into making each album flow well and end epically, as is their trade mark.

I know I am a broken record, but it is so blindingly obvious to me why the early albums of these old bands are WAY better than what they put out now. They are simply shorter and hence more digestible. The Priests, Maidens and Metallicas of the world are still capable of writing rocking tunes but there is no competent producer or record exec saying "what do you mean a double album? No. We are not paying for that. There is an oil crisis going on." 

Metallica shit the bed at ...And Justice for All. Maiden shit it on Fear of the Dark (which arguably is a better album than No Prayer for the Dying, but at least that was short), Priest shit it on the first Ripper album and never recovered. There is a clear line for each band when they started to...well not suck, just get it wrong

All the goat-y albums tend to be short and thereby maximise impact.

 

NP - Witch Vomit : Abhorrent Rapture (ok. it's an EP)

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Richard Strauss/Salome-had this one on the shelf for a long time -This opera is metal AF-teen lust, eroticism and obsession, finally satiated in an act of necrogphelia with none other than the decapitated head of John the Baptist. 

16 year old Salome step daughter of Herod becomes obsessed with the imprisoned prophet John the Baptist. Her lustful step father asks her to dance. She agrees as long as he promises to give her one unconditional wish. Sure, why the fuck not, right? She does a kind of strip tease for stepdad with the famous dance of the seven veils and removes her clothes. Her wish is the head of the prophet who refused her advances. which finally brings the young's girl's execution by her step father King who has the hots for her the whole time.

 Back in the day it was banned in Britain and is still considered shocking but it lives on as an epic of the grotesque. 

Just now, markm said:

Richard Strauss/Salome-had this one on the shelf for a long time -This opera is metal AF-teen lust, eroticism and obsession, finally satiated in an act of necrogphelia with none other than the decapitated head of John the Baptist. 

16 year old Salome step daughter of Herod becomes obsessed with the imprisoned prophet John the Baptist. Her lustful step father asks her to dance. She agrees as long as he promises to give her one unconditional wish. Sure, why the fuck not, right? She does a kind of strip tease for stepdad with the famous dance of the seven veils and removes her clothes. Her wish is the head of the prophet who refused her advances. which finally brings the young's girl's execution by her step father King who has the hots for her the whole time.

 Back in the day it was banned in Britain and is still considered shocking but it lives on as an epic of the grotesque. 

That should have read "necrophilia" 

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4 hours ago, markm said:

Richard Strauss/Salome-had this one on the shelf for a long time -This opera is metal AF-teen lust, eroticism and obsession, finally satiated in an act of necrogphelia with none other than the decapitated head of John the Baptist. 

16 year old Salome step daughter of Herod becomes obsessed with the imprisoned prophet John the Baptist. Her lustful step father asks her to dance. She agrees as long as he promises to give her one unconditional wish. Sure, why the fuck not, right? She does a kind of strip tease for stepdad with the famous dance of the seven veils and removes her clothes. Her wish is the head of the prophet who refused her advances. which finally brings the young's girl's execution by her step father King who has the hots for her the whole time.

 Back in the day it was banned in Britain and is still considered shocking but it lives on as an epic of the grotesque. 

That should have read "necrophilia" 

That's probably the most metal opera plot I think I've ever read.

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