Jump to content

What Are You Listening To?


khaos

Recommended Posts

25 minutes ago, Dead1 said:

Actually I am pretty sure that according to each of us, everyone here has questionable tastes!

No doubt. But I'm sure the good Doctor knows I'm just prodding him a little.

 

 

3 hours ago, Nasty_Cabbage said:

Xalpen - The Curse of Kwanyep

Chilean blackened thrash, and I am all about it. I have no idea why this particular strain of metal always seems to resonate with me, but it does.

Good shit Cabbage. I just grabbed their 2020 debut full length Sawken Xo'on back in November. I like that one a little better than this new one because the production was a bit more raw and less polished. But this one's still pretty killer and will likely be a purchase as well. I too would never be able to restrain myself from clicking on Chileaan black/thrash. 

 

Xalpen - Sawken Xo'on, Chile 2020

 

 

NP: Nocte Obducta - Karwoche, Germany. Posted this Friday, come back for another listen, just can't decide if I want this or not.

 

Link to comment
Share on other sites

4 hours ago, GoatmasterGeneral said:

NP: Deiquisitor - Apotheosis, Danish death

 

Woah. Hadn't heard these guys before. Love the sound they're getting out of their guitars, and whatever the drummer is doing. It's like he's trying to make his cymbal crashing that lead into some cool fills sound just slightly sloppy (well not sloppy, but more uncontrolled) only to completely recover with a razor sharp double bass fill. Really adds a sharp edge to the drumming that I'm not used to hearing in albums from this era.

Link to comment
Share on other sites

NP: Demoncy - Enthroned is the Night

Enthroned Is The Night | Demoncy | Forever Plagued Records (bandcamp.com)

a3600475633_10.jpg

Album has energy and heft. Pretty much what I wanted. I will admit though, I had hoped their debut or Joined in Darkness would have been available on my music player of choice. No such luck, but I can't complain too much since this is still very good and hits the mark.

Link to comment
Share on other sites

The new Alkaloid sounds superfuckingboring. Werid and proggy but in all the wrong ways. Like trying to open up a planetary gate but the translation is all wrong and the book upside down.

Alkaloid - Numen

 

Blut aus Nord - Disharmonium: Nahab

Much more what I'd assume a jaunt through otherwordly, eldritch worlds would sound like. Funny, this is good but I can't really call it an enjoyable listen. It's way too disturbing for that.

Link to comment
Share on other sites

Forbidden - Green (1997)

It took me a long time to get interested in this album, but I finally started to enjoy it.

As a Thrash fan since 1986, the first two Forbidden albums are untouchable. After that, things start to go wrong with Distortion, ending in a Thrash disaster with Green. There's nothing Thrash about this album, riffs aside. I'm well aware that the trend at the time was not the same as it had been in the early 80s for my favourite style. So, in 1997, when Green came out, I didn't even buy it.

And it's now, this year, that I'm getting interested... I put Thrash aside when I listened to it and, finally, what is this Green? Russ Anderson's inimitable (or almost inimitable) vocals, Craig Lociciero's beloved riffs and the rhythm section's work. It's still Forbidden. Not pure Forbidden, but Forbidden nonetheless. And as we say in France: everything that's forbidden is allowed, or something like that 😁

 

Link to comment
Share on other sites

more albums i listened to at work

from enslavement to obliteration (1988) - napalm death

well I got what I wanted napalm death at Krispy Kreme. before hearing this I only listened to the debut and I'm not sure which I like more. I dont know what are you guys opinions on this and scum.

 

here are the sonics (1965) - the sonics

 

the seeds (1966) - the seeds

I swear it just seems impossible for 60s rock to be anything other than great. I don't know quite what it is but that time period from 64-69 just has some of the most interesting music to me especially when comes to the more psycadellic rock bands.

Link to comment
Share on other sites

4 hours ago, agamerwholovesmetal said:

more albums i listened to at work

from enslavement to obliteration (1988) - napalm death

well I got what I wanted napalm death at Krispy Kreme. before hearing this I only listened to the debut and I'm not sure which I like more. I dont know what are you guys opinions on this and scum.

 

Both good choices. Harmony Corruption should not be overlooked though.

Link to comment
Share on other sites

2 hours ago, GoatmasterGeneral said:

Don't mind FETO, never cared much for Scum really. Harmony Corruption would be my no-brainer pick of their early stuff.

Mine too although I like Scum better than you I guess. I'd put it last of the 3 and essential if you're just getting into Napalm. They definitely improved with time. Lots of mid tier albums but an essential band. For me, I only ever listen to HC, FETO, and the newest full album. Never miss them live though. Always a killer show.

Link to comment
Share on other sites

2 hours ago, Innominate said:

Corrosion of Conformity - Wiseblood

Wait, what? Based on the Flannery O'Conner novel? Doesn't seem like the type of thing a metal band would find fitting for an album or song. Maybe it's just a coincidence, or maybe it's like Pale Fire and that sequel Blade Runner movie, and the connection is just surface level. Either way it'd kind of get in the way for me if I were listening to it.

Link to comment
Share on other sites

On 8/21/2023 at 7:37 AM, Nasty_Cabbage said:

I basically never kept up my practice regimen when I played the guitar. A lot of it had to do with the fact that growing up, while we certainly weren't poor, we weren't wealthy either, and had to rent our instruments. So every time we moved it was a case of not knowing when or if we were going to have access to instruments to practice on. Fortunately we did have a beat to shit piano that I learned on, and can still pretty well keep up with.

Basically I was speaking as a listener, even though I can read music and tablature. There was a long period where nu-metal was in it's hey day that it felt like every piece I might want to learn showed those drop tuned power chords, and eventually you come to realize that it's completely overused. You can practically just work out an entire song by ear when it uses those chords. Granted nobody expects you to just pick up a guitar and play like Leo Kottke, but man those chords are boring.

As far as technical playing goes, you're just never going to get an album/single out of a professional studio because of the way major labels provide easy outs, but you also want something the band can pull off live. Hell the guy from Third Eye Blind could be a musical genius and I wouldn't know because the studio absolutely will take out and and all humanizing flaws in a studio release including removing the sounds of fingers scraping against the strings and all sorts of little things that make a performance what it is. So who knows whether crumby playing is a factor. I'm certainly not going to buy a ticket to Third Eye Blind just to see. 

You could be right that the criticism is unfair, but if it is, it's an unfair criticism born out of fatigue and general despondance to most music these days.

I get it. I have my own version of bias against stuff that sounds "too easy", in the sense of being automatic paint-by-numbers writing. That's what turns me off to nearly all the new melodeath and melodic "black metal" I've come across for the last few years. It takes a lot to cut through the noise of another ten fucking bands putting some trem picked melodies over a root-to-minor 6th progression. Maybe worse because those were styles I loved when I was younger and I feel like they're just getting trampled into the dirt. Right now that's my impression of everything, even stuff I should probably like, which means it's a me problem and not a music problem. At least some of the time. 

Anyway, tunings are just means to an end for me. Best to be adaptable, especially when it's for a recording project with somebody else's music. Lazy writing is lazy writing. I don't think it's ever even crossed my mind what tuning something is in unless I'm learning it for a cover. But I do get it. Cheers.

Link to comment
Share on other sites

1 hour ago, navybsn said:

Mine too although I like Scum better I guess. I'd put it last of the 3 and essential if you're just getting into Napalm. They definitely improved with time. Lots of mid tier albums but an essential band. For me, I only ever listen to HC, FETO, and the newest full album. Never miss them live though. Always a killer show.

I agree Napalm Death's last 3 have been pretty amazing.

I still enjoy their early stuff though except Fear Emptiness Despair which I can't stand.  They also got a bit stale between 2000 and 2009 when they got stuck doing the same album over and over.  Utilitarian really brought it back for them IMO.

 

Leper Colony - Leper Colony

Riffy death metal.  Very good IMO.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.


  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...