Jump to content

What Are You Listening To?


khaos

Recommended Posts

1 hour ago, GoatmasterGeneral said:

I see you're having a metal day today. 

Ruim - Black Royal Spiritism, bm France/Portugal, hadn't heard this one yet. I've had a pretty high success rate with stuff from Portugal, and there's lots of cool black metal from France so I'm going in. Which reminds me what happened to Arioch? I was getting used to him coming in every morning (my time) like clockwork posting whatever he's listening to for the day. It is August, maybe he's on vacation.

 

It's Blasphemer from Mayhem's new project. Doesn't really sound like the Mayhem albums he played on but you can definitely tell it's him. 

This evening's playlist:

Mayhem - Ordo Ad Chao

Isolert - World in Ruins

VA - True Kings of Norway comp

Cult of Eibon - Black Flame Dominion

Tomb Mold - Manor of Infinite Form

Teitanblood - The Baneful Choir

Horna - Kuoleman Kirjo

Pakkt - To Brocken Heights

Demoncy - Enthroned is the Night

Oath of Cruelty - Summary Execution at Dawn

Nordligblast - Light That is called Darkness 

Link to comment
Share on other sites

NP: Dusk Chapel - Astrophysics and Abnormal Activities

▶︎ Astrophysics and Abnormal Activities | Dusk Chapel (bandcamp.com)

a1014588466_10.jpg

I like this. I was on the fence at first, but it did grow on me. I'm kind of surprised a band from Russia was able to wrangle production this slick out of whatever studio they used. I'm too used to viewing Russia as the shrouded land from which unthinkable death metal grotesqueries and icy obscure black metal monoliths emerge. This is neither. There's something to be said for wanting quality studio production to allow your work to stand on it's own merit. There's also no doubt these guys bring some cool hooks to the party. 6.5-8.8/10 adjusted for personal preference.

Link to comment
Share on other sites

14 minutes ago, Nasty_Cabbage said:

Dusk Chapel - Astrophysics and Abnormal Activities

I like this. I was on the fence at first, but it did grow on me. I'm kind of surprised a band from Russia was able to wrangle production this slick out of whatever studio they used. I'm too used to viewing Russia as the shrouded land from which unthinkable death metal grotesqueries and icy obscure black metal monoliths emerge. This is neither. There's something to be said for wanting quality studio production to allow your work to stand on it's own merit. There's also no doubt these guys bring some cool hooks to the party. 6.5-8.8/10 adjusted for personal preference.

6.5-8.8/10 that's quite a range. 8.8 being something you love and find to be list-worthy, or at least in the conversation. 6.5 being something you might listen to once, not buy, and then never come back to it again. It's prog but it's not all weird and obnoxiously prog so I'd probably put it around 6.5 - 7 give or take. Well played, competent and professional sounding record, inoffensive, nothing at all wrong with it, but my head's not banging. Now excuse me while I go in search of some filth. 

 

 

Disgorge - Espousal Bleeding demo, dm Sweden 1994. One of those 2 demos in the 90's then disappeared off the face of the earth bands.

 

Coercion - Forever Dead, dm Sweden 1997. This band got out 3 demos '93 - '94 then 2 albums '97 & '98. Last gasp EP in 2003 then they broke up in '05 and were never heard from again. Good shit though, definitely a must hear for fans of 90's Swedeath.

 

Link to comment
Share on other sites

1 hour ago, GoatmasterGeneral said:

6.5-8.8/10 that's quite a range. 8.8 being something you love and find to be list-worthy, or at least in the conversation. 6.5 being something you might listen to once, not buy, and then never come back to it again. It's prog but it's not all weird and obnoxiously prog so I'd probably put it around 6.5 - 7 give or take. Well played, competent and professional sounding record, inoffensive, nothing at all wrong with it, but my head's not banging. Now excuse me while I go in search of some filth. 

Meant to put 6.5-8.5. The 1-10 thing was always a little ridiculous to me. I understand why it's used since it does help machete through some of the semantic thicket and get where you need to be, but it's also by it's nature very reductive and not all that informative. Maybe if I limited the preferential range to 1.5 so you'd have like a 4-5.5 for something middling and an album like that one would be 6-7.5 Who knows?

NP: Garmskrik - Великанская Зима

▶︎ Великанская Зима (2018) | Garmskrik (bandcamp.com)

a2155091869_10.jpg

I'm kinda bouncing around Soundage Prod.'s roster right now. Most of it's solid. Haven't come across any complete oddballs yet.

Link to comment
Share on other sites

Haven't heard this one before. I do own Goat of Mendes because I have a buddy Ricc who's a big 'Cocke lover and he made me listen to them. These guys are obviously very good musicians, like really really good, I get why they're so well loved. There are passages here where I think wow these dudes are absolutely killing it. A band so tight it's like a well oiled machine that can do whatever it wants which is quite impressive. But then they slow it down and hit me with the clean vox and that takes my head right out of it. Some low key dissonant passages that don't work very well for me either, but there's a lot more good than bad here though, for sure. I'm not a huge fan of some of the lead guitar work (do they both play lead or just one of them?) which sounds a bit jazzy/proggy/tweedly-deedly at times which I know is probably a big plus and adds a lot to the music for most people but not for me. Still I'm getting enough out of this to stay with it and keep listening even though I'll probably never listen to this again. Won't try to come up with a silly number but if I did it would definitely be less than a 9, probably have to be less than 8 as well but not less than 7. The foundation is solid, the finishing touches and proggy lead guitar flourishes and not all but some of the clean vox (some of them are actualy ok like the ones on track 7) are the only things keeping this from being Goat-tastic. I don't even mind the brass. Like a lot of things out of my comfort zone it's getting better to me as it goes along and I become immersed in it. Somehow there's only 8 minutes left to go on a 55 minute album, went by pretty quick.

 

Akercocke - Renaissance In Extremis, UK 2017

 

Link to comment
Share on other sites

8 minutes ago, GoatmasterGeneral said:

Haven't heard this one before. I do own Goat of Mendes because I have a buddy Ricc who's a big 'Cocke lover and he made me listen to them. These guys are obviously very good musicians, like really really good, I get why they're so well loved. There are passages here where I think wow these dudes are absolutely killing it. A band so tight it's like a well oiled machine that can do whatever it wants which is quite impressive. But then they slow it down and hit me with the clean vox and that takes my head right out of it. Some low key dissonant passages that don't work very well for me either, but there's a lot more good than bad here though, for sure. I'm not a huge fan of some of the lead guitar work (do they both play lead or just one of them?) which sounds a bit jazzy/proggy/tweedly-deedly at times which I know is probably a big plus and adds a lot to the music for most people but not for me. Still I'm getting enough out of this to stay with it and keep listening even though I'll probably never listen to this again. Won't try to come up with a silly number but if I did it would definitely be less than a 9, probably have to be less than 8 as well but not less than 7. The foundation is solid, the finishing touches and proggy lead guitar flourishes and not all but some of the clean vox (some of them are actualy ok like the ones on track 7) are the only things keeping this from being Goat-tastic. I don't even mind the brass. Like a lot of things out of my comfort zone it's getting better to me as it goes along and I become immersed in it. Somehow there's only 8 minutes left to go on a 55 minute album, went by pretty quick.

 

Akercocke - Renaissance In Extremis, UK 2017

 

Nice 'cocke. I think Words That Go Unspoken, Deeds That Go Undone is their masterpiece, but Choronzon is chocke full of great stuff as well, and the upside for you is less awkward clean vocals.

On a more General note I wonder how you'd find yourself liking some of this stuff that you say you don't mind but would never listen to again, if you actually listened to it more frequently. I know you're looking for different things than (say) me. I don't usually love stuff like this last Akercocke the first time through; I hear a couple things that grab me and I can tell there's something there for me to come back to. After hearing the promo tracks and the full album once, I wasn't sure if it was going to take. Lo and behold, a couple more listens pulled me in further and now it's a favorite.

Link to comment
Share on other sites

1 hour ago, FatherAlabaster said:

Nice 'cocke. I think Words That Go Unspoken, Deeds That Go Undone is their masterpiece, but Choronzon is chocke full of great stuff as well, and the upside for you is less awkward clean vocals.

On a more General note I wonder how you'd find yourself liking some of this stuff that you say you don't mind but would never listen to again, if you actually listened to it more frequently. I know you're looking for different things than (say) me. I don't usually love stuff like this last Akercocke the first time through; I hear a couple things that grab me and I can tell there's something there for me to come back to. After hearing the promo tracks and the full album once, I wasn't sure if it was going to take. Lo and behold, a couple more listens pulled me in further and now it's a favorite.

The (reasonably) short answer is that I have so much other stuff that's more in my usual lane, call it evil goat filth or whatever, that I'm dying to listen to. Music is a lot like sex in that you think if you could only have just a little bit more of it you'd be completely satisfied and satiated. But what actally happens in both cases is the more of it you get the more you want. If there were 48 hours in each day and I had the time to do nothing but listen to music for 47 of them I still wouldn't feel like I had enough time to get to all the music I wanted to get to each day. It's never enough. You'll roll your eyes, but the way I see it every hour spent listening to prog or something that I might not really mind is one hour less I'll have to listen to evil filth of the more straightforward simplistic variety which is the music I love the most.

What some of you guys find static and boring and derivative and been there done that I find comforting. I know you've said more than a few times as a musician that you hate that bands get forced into having to follow the template and stick to the rules of whatever sub-genre they're a part of, often to the point where they feel boxed in and limited by fan expectations. But to me as a fan a great album is a great album even if (or maybe especially if) it's in a very simillar style and feel to a lot of other albums I listen to all the time in that genre. I'm one of those idiots that drive you nuts who wants death metal to sound like what I think of as death metal and black metal to sound like what I think of as black metal.

I will try to explore stuff outside my comfort zone every now and then because I never know when something might unexpectedly click with me. Stranger things have happened. But I don't need or usually want bands to push the envelope and be unpredictable and give me more. I'm looking for new riffs and consistently great execution within the boundaries of the  styles I prefer, not progressiveness or originality. Every now and then  a fairly original band that I think is completely awesome will come along and that's great, another band to listen to. But I don't require that from bands to do something different or original and it's not something I seek out. Just want bands to kick ass, raise the blood pressure and make the head bang and I'm a happy goat. 

 

Link to comment
Share on other sites

2 hours ago, GoatmasterGeneral said:

Haven't heard this one before.etc

Conclusion. Bugger, I rather like it.

CLARET ASH - Worldtorn: Anemois The good bits are good -  and that is most of it - but the acoustic track is just an excuse for someone to show he can play the piano. I've heard plenty of piano.

NP - MAHAVISHNU ORCHESTRA - Inner Mounting Flame. I haven't listened to this album for a few years. It's interesting to me to remember the hype and even criticism of Billy Cobham's drumming back in the day - he was an unprecedented overpowering rock noisemaker. Nope. He is a very adept but tidy jazz drummer well adapted to the rockier forms of this music.

3 hours ago, FatherAlabaster said:

We already did that, get with the times.

But we could go again. where's your sense of fun.

Link to comment
Share on other sites

21 hours ago, GoatmasterGeneral said:

Tetragrammacide - Primal Incinerators of Moral Matrix, Indian war metal 2017

 

Impalement - The Impalement, black/death Switzerland 2020

 

Both of these happen to be personal favorites!

These two promo tracks from new  Invultation are monsters, expectations for Feral Legion are now quite high.

Feral Legion | Invultation (bandcamp.com)

 

 

Link to comment
Share on other sites

Demolition Hammer - Epidemic of Violence - two things let this one down.  First run time of 40 minutes is too long and secondly the vocals grate after a while.  I actually think it would have been better with death metal vocals instead of thrash ones (in which case run time is fine).

 

Overkill- I Hear Black - thought I would give this one a second changce but on better speakers.  No change - there is some good stuff here but far too many pointless fillers.  And the falsetto on Undying is fucking irritating.

 

Riot City - Electric Elite - probably one of the best NWOTHM albums out there.

Sodom- Obsessed By Cruelty 

Link to comment
Share on other sites

NP: Issolei - Devouring Current, Pt. 2 - Treacherous ascent.

Devouring Current pt.2: Treacherous Ascent | Issolei | TERRATUR POSSESSIONS (bandcamp.com)

a2648747471_10.jpg

Now here's a weird one. Some of this borders on math metal (boy that term feels outdated). I play kind of fast and loose with the rules as to what's black metal and what's not, but even I can't give this one a pass. There's definitely a little black metal in there somewhere, but it's clearly not the focus which is strange since their full length a year later definitely falls on the slower black metal side of things. Nothing mathy about it.

Link to comment
Share on other sites

50 minutes ago, Nasty_Cabbage said:

Some of this borders on math metal (boy that term feels outdated)

No genre name has ever repulsed me harder than mathcore or math metal. Don't know I've ever heard any, or at least not more than for the few seconds it'd take to click it off. That album cover art is pretty cool though, too bad I'll never hear the music inside. Once you said math metal they're dead to me. And I always liked math. Just don't want any in my metal.

 

OBITUARY - Dying of Everything

 

Link to comment
Share on other sites

listening to loudwires top 50 thrash albums 

44. Hellish crossfire (1985) - iron angel

Loudwire was doing so well with this list before this entry. We can argue all day which albums up to this point should have been higher or if they should have been put aside to let others shine but every single one still could have an argument as to belong on here. This album does not. it’s a speed metal album not thrash sure it’s more aggressive than most speed metal albums but so is helloween’s walls of jericho but you don't hear anyone say that's thrash do you and this isn’t the only time they would make this mistake. Outside of this the record is still fantastic. It's everything you would want from a German metal album. It's fast paced, intense, and heavier than most of the speed metal coming from the US and UK at the time.

 

43. Nightmare logic (2017) - power trip

Loudwire have given so much praise to this album since it dropped in 2017 even going as far as to call it the best metal album that year and for good reason this album is great and despite how relatively new the album is I absolutely agree with it’s placing on this list. It is the standard that every thrash album since it’s release should be held to.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.


  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...