Jump to content

Controversial Metal Opinions


7YearsOfBlood

Recommended Posts

  • 4 weeks later...
ok here goes nothing. I find Blind Guardian, and Motorhead to be slightly overrated. Most black metal sucks. I find Tobias Sammet's vocals to be highly annoying.
I disagree with your first point, but I could see someone thinking that if they didn't like the music from those two bands, as they are highly praised. Not sure how you could emphatically state that "black metal sucks" though, at least make sure to give more than the mainstream bands a chance before you throw that out there. Edguy symbolizes everything that is wrong with European power metal to me, so I can't disagree with your last point. Sent from my HTC PH39100 using Tapatalk 2
Link to comment
Share on other sites

Edguy symbolizes everything that is wrong with European power metal to me' date=' so I can't disagree with your last point.[/quote'] There are also some horribly saccharine Euro power metal songs in addition to the idiotic drivel that Edguy writes, so I'd say make sure to throw the latest Masterplan in there to complete the picture.
Link to comment
Share on other sites

I disagree with your first point' date=' but I could see someone thinking that if they didn't like the music from those two bands, as they are highly praised. Not sure how you could emphatically state that "black metal sucks" though, at least make sure to give more than the mainstream bands a chance before you throw that out there. Edguy symbolizes everything that is wrong with European power metal to me, so I can't disagree with your last point. Sent from my HTC PH39100 using Tapatalk 2[/quote'] I actually like Blind Guardian but I just don't think they are the be all end all. And the black metal bands I like are Dimmu Borgir, Naglfar, Watain, Dark Funeral, Marduk and a few more.
Link to comment
Share on other sites

I actually like Blind Guardian but I just don't think they are the be all end all. And the black metal bands I like are Dimmu Borgir' date=' Naglfar, Watain, Dark Funeral, Marduk and a few more.[/quote'] Looks like you tend to gravitate toward the more melodic/blastbeat driven end of the spectrum, but there's nothing wrong with that. Be sure to check out Dawn, Sacramentum, Necrophobic, Mörk Gryning, Arckanum, Dissection, Svartsyn, newer Immortal, Unanimated, Ondskapt, Merrimack, Lunar Aurora, etc... for more along similar lines. Sent from my HTC PH39100 using Tapatalk 2
Link to comment
Share on other sites

Looks like you tend to gravitate toward the more melodic/blastbeat driven end of the spectrum, but there's nothing wrong with that. Be sure to check out Dawn, Sacramentum, Necrophobic, Mörk Gryning, Arckanum, Dissection, Svartsyn, newer Immortal, Unanimated, Ondskapt, Merrimack, Lunar Aurora, etc... for more along similar lines. Sent from my HTC PH39100 using Tapatalk 2
thanks man, i'll have to check them out.
Link to comment
Share on other sites

  • 7 months later...
Hmm' date=' why not? So many people would shout at me saying "oh my god how could you like that album it's not true priest", or something like that.[/quote'] I won't say that it's not true Priest, but I don't see how anything they, or most other rock and metal artists, have done could even compare to the genius of Sad Wings of Destiny, Sin After Sin, and Stained Class.
Link to comment
Share on other sites

I won't say that it's not true Priest' date=' but I don't see how anything they, or most other rock and metal artists, have done could even compare to the genius of Sad Wings of Destiny, Sin After Sin, and Stained Class.[/quote'] I love all of those albums, but the first time I heard Jugulator, I thought, wow, why do people hate this guy he's awesome! And gradually over time, it has become my favourite priest album, I love Rob, but I often prefer the underrated albums, e.g. Headless Cross and Born Again by Sabbath, Tim Owens is just a fantastic Vocalist, and he really shines on Jugulator (he is still very good on Demolition but the album isn't as good).
Link to comment
Share on other sites

In The Nightside Eclipse is inferior to Anthems and Prometheus.
So much wrong in this statement. I like Prometheus and Anthems - although I agree with BAN that Anthems is the weakest by far of the 3 in discussion - but Eclipse is great. There is something very significant and tangible going on throughout the whole album which often doesn't shine in most BM albums,
Link to comment
Share on other sites

If we're talking about all albums' date=' Equilibrium would be my least favorite album. I like Eclipse and it's true that ItNE succeeds in sustaining the mood it tries to awake. I also can't argue on the fact Eclipse is more solid when looking at how the album progresses, but Anthems keeps swinging me from one direction to another and this constantly recaptures my attention without having even lost it in the first place. There are some quite poorly integrated elements on Anthems, but I can't say they bother me to the point they really become a nuisance. Prometheus is quite hard to compare with the other Emperor albums. It seems sufficient enough to say I simply prefer the execution of the style on Prometheus over the other albums.[/quote'] Prometheus is unfairly shit on by the supposed "black metal elite" for going progressive and using a ton of different elements, and it does show the end of Emperor and the start of Ihsahn's solo career, but it's not as though that's a bad thing. Equilibrium was the last true Emperor album, and was their most ambitious at the time, more seamlessly integrating the newer elements that were introduced on Anthems, but the riffs and atmosphere on ItNE are the best of their career IMO.
Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.


  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...