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khaos

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Primal Fear - Self-titled debut

Primal Fear - "Black Sun"

Primal Fear - "Devil's Ground"

Primal Fear - "Seven Seals"

Primal Fear - "New Religion"

Primal Fear - "16.6 - Before the Devil Knows You're Dead"

Primal Fear - "Rulebreaker"

Primal Fear - "Apocalypse"

Primal Fear - "Metal Commando"

Primal Fear - "I Will Be Gone" (EP)

Primal Fear - "Code Red"

Yep, it's been a great day!

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Marduk - Those of the Unlight (1993)

Spending my time off work this work trying to get through some more critical listening, with the focus today being on albums I have never really gotten along with but cannot always recall why.  

Moving away from the death metal of the debut (although random leads still punctuate Those of the Unlight which do feel out of place still on a black metal record), the sophomore is a much stronger affair in terms of musicianship and songwriting.  We are a long time before the blasting fury of Panzer Division Marduk and things feel much more controlled here and the bass is given a very open reign across the album, seemingly mapping a mature trajectory in its wake.  

The main challenge I have with this album still is that it is more than a bit boring.  Whilst I am not looking for a dynamic edge to proceedings I do still find that most of Those of the Unlight just passes me by.  I do not get the praise that this record gets from peers who consider this Marduk's magnum opus.  It somehow sounds like black metal only done half-right, occupying this odd environment where it is knocking at the door of bm most definitely but sounds more gothic in places than I would exepct it to.  I can't shitcan it by any means but I just feel the transition to full blown black metal had yet to be completed in full at this stage.

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46 minutes ago, MacabreEternal said:

Marduk - Those of the Unlight (1993)

I confess to knowing little about Marduk. I read your comments and have just listened to a few extracts from Those of the Unlight and I really liked it, unlike their Panzer Division Marduk which I'm unable to listen to in its entirety, so much so that I have the impression that even if I go from one track to another, I'm always listening to the same one.

Thanks for mentioning it, I'm going to get that one.

Seprevation - Consumed (2014)

 

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Bolt Thrower - Realm of Chaos (1989)

Bolt Thrower - Realm of Chaos

This one has always been a struggle for me due to the production job that sounds too suppressed and muffled.  Being familair with all of the Bolt Thrower discography I just cannot fight the feeling that the band are somehow restained from getting into full flow here.  The guitar sounds sterile and there is no weight to the drums or bass for me.  It is ironically like a blistering black metal album in its production values at times.  I had thought this was due to me owning a remastered, FDR version but from listening to the original album I can see that the master tapes are the source of the problem.  Tishy drums and somehow a scratchy effect to Karl's vocals to boot.  Content would be superb if it had been produced properly.

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Immolation - Failures For Gods (1999)

Immolation - Failures for Gods

Normally a guaranteed win with anything I discovered by them, Failures for Gods has always been the exception to the rule for me with Immolation's otherwise fantastic discography.  With only Alex Hernandez new in post, the same line up that produced Dawn of Possession and Here In After somehow managed to go off the boil with album number three.  I will call out early in the review that although Hernandez is a fantastic drummer, his performance on this record is dubious and suffers from some mistiming on top of a poor mix and production that makes the drums sound too wet and tepid.  His perfomance on Failures for Gods is nowhere near the level of confidence that is obvious on the follow up to this record, Close To A World Below (my favourite Immolation album).

To be clear though, the let downs on this album are not all down to Alex.  Paul Orofino does little to help the band with a production job that sounds murky and claustrophic.  Guitars sound stifled, as if struggling to find space to fill with their angular sound.  The clicky sound to the drums does nothing to help this sense of confinement and in the end, only Dolan's vocals get anything like the attention they should in the mix.  Again, this problem did not persist when Orofino continued to produce Immolation albums for the next few releases so I suspect that Failures for Gods was his first death metal production job (or one of his first at least) and so he had quickly learned his trade come the next album.

This album is full of the trademark Immolation attack coming straight out of the traps with the monstrous Once Ordained making the bands intentions clear enough on track one.  But a few of the tracks on here feel cumbersome in nature with that familiar shifting sound becoming more of a lurch, certainly without a consistent sounding percussive backdrop to shape and guide it at least.  The threat of the melodic and lead work of the guitar is all but tamed in the grander scheme of things, sounding more monotone than menacing.  Thankfully little more than a blip on the discography, Failures for Gods is cursed by a tired production job and some lack of focus on all details and is an album that I rarley visit as a result.

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24 minutes ago, MacabreEternal said:

Immolation - Failures For Gods (1999)

Immolation - Failures for Gods

Normally a guaranteed win with anything I discovered by them, Failures for Gods has always been the exception to the rule for me with Immolation's otherwise fantastic discography.  With only Alex Hernandez new in post, the same line up that produced Dawn of Possession and Here In After somehow managed to go off the boil with album number three.  I will call out early in the review that although Hernandez is a fantastic drummer, his performance on this record is dubious and suffers from some mistiming on top of a poor mix and production that makes the drums sound too wet and tepid.  His perfomance on Failures for Gods is nowhere near the level of confidence that is obvious on the follow up to this record, Close To A World Below (my favourite Immolation album).

To be clear though, the let downs on this album are not all down to Alex.  Paul Orofino does little to help the band with a production job that sounds murky and claustrophic.  Guitars sound stifled, as if struggling to find space to fill with their angular sound.  The clicky sound to the drums does nothing to help this sense of confinement and in the end, only Dolan's vocals get anything like the attention they should in the mix.  Again, this problem did not persist when Orofino continued to produce Immolation albums for the next few releases so I suspect that Failures for Gods was his first death metal production job (or one of his first at least) and so he had quickly learned his trade come the next album.

This album is full of the trademark Immolation attack coming straight out of the traps with the monstrous Once Ordained making the bands intentions clear enough on track one.  But a few of the tracks on here feel cumbersome in nature with that familiar shifting sound becoming more of a lurch, certainly without a consistent sounding percussive backdrop to shape and guide it at least.  The threat of the melodic and lead work of the guitar is all but tamed in the grander scheme of things, sounding more monotone than menacing.  Thankfully little more than a blip on the discography, Failures for Gods is cursed by a tired production job and some lack of focus on all details and is an album that I rarley visit as a result.

Huh, it's my third favorite after Here In After and Closer To A World Below, it never stood out as bad to me.

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