Jump to content

Black Metal


Caedere

Recommended Posts

  • Replies 222
  • Created
  • Last Reply

Top Posters In This Topic

Maybe calling Kenose an album is wrong, its three tracks in 36 minutes. Thats the last one who have some sort of coherence, A few random stops and notes are there but not to the extent that it annoys me. Thats the problem with the later material. 'Si Momentum Requires, Circumspice' Is also a good album i would recommend.
I like the older and newer periods. The old stuff is Darkthrone style black metal, but better than many of the more unoriginal clone bands out there. The new stuff reminds me of the newer works of Blut Aus Nord, Gorguts, Ulcerate, etc..., chaotic, dissonant, fierce, and sort of otherworldly. Starting with Fas they did get pretty avant-garde, and it's not for everybody, but it is my favorite album of theirs. SMRC is up there though, it's the perfect bridge between their older and newer material.
Link to comment
Share on other sites

I like the older and newer periods. The old stuff is Darkthrone style black metal' date=' but better than many of the more unoriginal clone bands out there. The new stuff reminds me of the newer works of Blut Aus Nord, Gorguts, Ulcerate, etc..., chaotic, dissonant, fierce, and sort of otherworldly. Starting with Fas they did get pretty avant-garde, and it's not for everybody, but it is my favorite album of theirs. SMRC is up there though, it's the perfect bridge between their older and newer material.[/quote'] The only understanding I have of avant-garde is that i dont use to like bands labeled with it, I dont really know what makes a band avant-garde to be honest. But at Fas i kind of stopped interesting me to new material. Just heard a track or two from Paracletus for example.
Link to comment
Share on other sites

I have duly begun to check out the Black Metal Recommendations thread in my name and so far I've heard Aeternus and am listening to Ancient Wisdom.

also women look sexy in black icon_e_wink.gif
easty there tiger lol
You have absolutely no idea of the monolith of sexuality that motivated that statement. :P Such is the nature of DAV3.
wtf is Avant gard anyway
It is the musical equivalent of the small chili pepper next to an item on a restaurant menu.
Link to comment
Share on other sites

Or you could be like Blut Aus Nord and make totally awesome' date=' fucked up, and otherworldly sounding metal with regular metal instruments...[/quote'] Yeah, I like to imagine that MoRT's guitar was actually just one guy whacking the strings using a really really sustained phaser.
Link to comment
Share on other sites

I dislike most black metal from a stylistic standpoint, inverse dogmatism aside. I don't care for blast beats at all, and tremolo riffs can get very old very quickly. I also can't take the vocals seriously much of the time, they can often sound like neutered croaking. Of course, they don't always sound like this but when they do it totally kills whatever mood the band was trying to set up. I have heard some black metal that I do really like (all Asian, oddly: Chthonic, Rudra, and Sigh) but that's owning to the distinctive spin that each band puts on the basic template. The specifically folky bent of Melechesh and Chthonic help to vary the tremolo riffs enough to make them interesting, as do the avant-garde elements in Sigh's music.
I know what u mean! Thats the reason I can't stand certain bands. And I really cant stand depressive black metal! Too much annoying croaking, and crying!
Link to comment
Share on other sites

They're French' date=' so I doubt that they're the type to get dirty, let alone live in caves.[/quote'] Have you ever seen a video of Trepalium performing live? They're probably the grubbiest metal band I've ever seen.
Link to comment
Share on other sites

Black metal is a really weird genre for me. At the first it took me long to get into black metal, I started to like Dimmu Borgir at some point and began to like more symphonic black metal (Graveworm, Stormlord, Carach Angren, etc.). From there, I got more into black metal, mostly atmospheric and depressive black metal. Strange thing is in black metal, there are many bands I like, but also many I dont. I like for example Immortal and Watain, but I don't like Mayhem or Gorgoroth. Same thing in dsbm, I am a big fan of Austere and Woods of Desolation, but I cannot listen to Silencer. On the corpsepaint subject: I don't care. The music matters, not the way how people look.

Link to comment
Share on other sites

I'm much the same, I can't stand Burzum or the entire DSBM scene (that stuff really just takes me to a dark place I'd rather not spend any time given the choice) but I love Melechesh, Necromantia, Darkthrone (before they became the world's most pathetic pseudo-black metal band) Immortal, Master's Hammer and Ulver (just to name a few)

Link to comment
Share on other sites

I'm much the same' date=' I can't stand Burzum or the entire DSBM scene (that stuff really just takes me to a dark place I'd rather not spend any time given the choice) but I love Melechesh, Necromantia, Darkthrone (before they became the world's most pathetic pseudo-black metal band) Immortal, Master's Hammer and Ulver (just to name a few)[/quote'] Same for me! I'm not into Burzum's politics, and don't see how that fits into BM. How can u call your band/project BM and be political?
Link to comment
Share on other sites

Guest
This topic is now closed to further replies.

  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...