Jump to content

What Are You Listening To?


khaos

Recommended Posts

Blacksoul Seraphim - Alms And Avarice

This was given to me by a fellow I met at that doom show a couple days ago. Melancholic melodic doom with somewhat "chant" style baritone clean vocals. I'm not sure if it's eventful enough for me, but the melodies are nice and the vocals are pretty alright. Gorbo would probably dig, maaaaybe True Belief as well?

Link to comment
Share on other sites

Listening to the rest of Sepultura's "Arise", since I didn't get to finish it last night. BAN, does this album drag or get too poppy for you?

I can't say that I've ever liked it as much as their prior albums, but no, Sepultura doesn't fall victim to that for me until Chaos AD. The pace is more varied and the overall result on Arise is more accessible, but without losing their punch. It hits every bit as hard as Beneath the Remains, it's just not as relentless, and I prefer that from Sepultura.

Sent from my HTC6535LVW using Tapatalk

Link to comment
Share on other sites

10 hours ago, BlutAusNerd said:

I can't say that I've ever liked it as much as their prior albums, but no, Sepultura doesn't fall victim to that for me until Chaos AD. The pace is more varied and the overall result on Arise is more accessible, but without losing their punch. It hits every bit as hard as Beneath the Remains, it's just not as relentless, and I prefer that from Sepultura.

Sent from my HTC6535LVW using Tapatalk

Man, I loved Chaos AD when it came out, but it's aged so poorly, I can't even listen to it anymore. Just finished listening to Beneath The Remains again - as a kid I always preferred Arise to any of their older stuff, but my current mood for thrash is getting me back into all of it. I regret selling all this stuff.

First snow of the season last night, and I got to listen to most of Enslaved's "Below The Lights" while driving down a windy highway through swirling flakes. Pretty close to perfect.

Link to comment
Share on other sites

10 hours ago, BlutAusNerd said: I can't say that I've ever liked it as much as their prior albums, but no, Sepultura doesn't fall victim to that for me until Chaos AD. The pace is more varied and the overall result on Arise is more accessible, but without losing their punch. It hits every bit as hard as Beneath the Remains, it's just not as relentless, and I prefer that from Sepultura.

Sent from my HTC6535LVW using Tapatalk

Man, I loved Chaos AD when it came out, but it's aged so poorly, I can't even listen to it anymore. Just finished listening to Beneath The Remains again - as a kid I always preferred Arise to any of their older stuff, but my current mood for thrash is getting me back into all of it. I regret selling all this stuff.

First snow of the season last night, and I got to listen to most of Enslaved's "Below The Lights" while driving down a windy highway through swirling flakes. Pretty close to perfect.

That sounds awesome. I love when powerful weather combines with a powerful album, it makes for really profound listening.

Sent from my HTC6535LVW using Tapatalk

Link to comment
Share on other sites

12 minutes ago, BlutAusNerd said:

That sounds awesome. I love when powerful weather combines with a powerful album, it makes for really profound listening.

Sent from my HTC6535LVW using Tapatalk

That album in particular has a perfect vibe for the scenery I occasionally find on a good drive. It first hit me about eleven years ago when I was driving to work one day. Everything lined up with the sunrise while I was driving across a series of low bridges in the middle of some marshy flats, and I was enveloped by a feeling of mystical isolation. Then, of course, I got to work, and was reminded of how un-mystical everything else in my life was at the time.

NP: Sacramentum - Far Away From The Sun

Link to comment
Share on other sites

Khonsu - The Xun Protectorate

This kicks ass. Billed as "industrial black metal", and there are some parts that recall Thorns or "Supervillain Outcast"-era Dodheimsgard, but I'm also reminded of Devin Townsend and the more melodic tendencies of Akercocke, especially during the clean vocal sections. There's a lot going on that I don't have a definite reference for, which is cool. Varied release, deserves to be listened to in full.

Link to comment
Share on other sites

1 hour ago, FatherAlabaster said:

Hyperion - Seraphical Euphony

Found this mentioned in some year-end lists that have been floating around in response to Decibel's premature ejaculation. Swedish-style black/melodeath that's actually from Sweden, for that extra bit of cachet. True Belief, Fabulous Disaster, you guys might dig. It's free on Bandcamp.

I don't really get the hype around this one. For sure, it's a good album, but not very groundbreaking either. Just quite solid.

Np:

Mono - Requiem for Hell

Link to comment
Share on other sites

1 minute ago, Frostaudn said:

I don't really get the hype around this one. For sure, it's a good album, but not very groundbreaking either. Just quite solid.

Np:

Mono - Requiem for Hell

Has there been hype? I saw it on a commenter's "albums they should have included" list. I agree with you; it wasn't covering any new ground like some of this year's top-shelf releases have. I wish bands would do more original things with their melodies in that style, and the sound was a bit sterile. But it's well-done, and I think it'll have a lot of appeal for people who are into that particular style.

Link to comment
Share on other sites

5 minutes ago, FatherAlabaster said:

Has there been hype? I saw it on a commenter's "albums they should have included" list. I agree with you; it wasn't covering any new ground like some of this year's top-shelf releases have. I wish bands would do more original things with their melodies in that style, and the sound was a bit sterile. But it's well-done, and I think it'll have a lot of appeal for people who are into that particular style.

I remember that it received quite some praise among some Dutch forums at least, earlier this year. And a couple of other friends from Europe came up with it as well. Further, I agree with you. It's a very good release for when you love that kind of style, but otherwise it's just a decent album and nothing more than that. And it's true that a lot of bands are a bit of copycats. It would be nice for sure if they did something interesting with it.

Np:
Mono - Recoil, Ignite

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.


  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...