Jump to content

What Are You Listening To?


khaos

Recommended Posts

1 hour ago, GoatmasterGeneral said:

Wode - Burn In Many Mirrors, Manchester UK 2021, haven't listened to this since the month it came out 3 years ago. It's not a bad album, it just pales in comparison to the first two which were pretty formidable and superior.

Sadly, I must agree.

Link to comment
Share on other sites

NP: Misotheist - Vessels By Which The Devil Is Made Flesh

▶︎ Vessels by which The Devil is Made Flesh | Misotheist | TERRATUR POSSESSIONS (bandcamp.com)

a0496050331_10.jpg

Don't know the band, but I feel like their label (Terratur Possessions) has a pretty good nose for this stuff, so we'll see. For those not sent running for the hills by the "disso" tag, there are Deathspellesque moments and use of dynamics. Their tone and mood is rooted slightly more in traditional black metal than others.... At least the first couple minutes, or so it would seem. I've got no beef with dissonance or most of Deathspell Omega's work so it works for me. Your experience may vary.

Link to comment
Share on other sites

6 hours ago, GoatmasterGeneral said:

Wode - Burn In Many Mirrors, Manchester UK 2021, haven't listened to this since the month it came out 3 years ago. It's not a bad album, it just pales in comparison to the first two which were pretty formidable and superior.

 

Crowbar - Sonic Excess in its Purest Form, NOLA 2001. The only Crowbar album I've ever bought.

 

 

Dude! We'll be needing to see those Kirkstein snaps forthwith bro. Forth-motherfucking-with!

Didn't realize Exhorder was your album of the year JT. Thought it would have been Pweest. Heavy rotation down there in Carolina eh? Hope my earlier comments about Omnium didn't hurt your feelings too deeply.

Seems to me though when all you have left of a 30+ year old band that was dormant for many years is the vocalist, and your style has changed that much from where you started, you can't even really consider it Exhorder anymore. They should definitely change their name.

How's it going, my friend?!  Oh yes, the new Judas Priest will be hard to beat for my album of the year.  Exhorder is really good, but not album of the year for me.  The only other competitor I anticipate as of now is the new Accept album, "Humanoid", due out April 26.  We'll see how it goes!

I'll see if my technologically challenged self can figure out how to post my pics with Mr. Windstein as soon as I can!  What an incredible show it was.  I believe there were around 500 people or so, over in the state capital of Raleigh.  Really cool that you bought "Sonic Excess in Its Purest Form"!  That album is in my top 5 of their catalog - truly underrated.  My favorite Crowbar album tends to flip-flop between "Broken Glass" (1996) and "Odd Fellows Rest" (1998), but "Symmetry in Black" (2014) and the newest album, "Zero and Below" (2022) give them both a run for their money.  There's not a single weak album in the Crowbar discography, and truthfully, very few weak moments in general.  Love them to death and will be playing through their albums on my commute over the next few days!

Link to comment
Share on other sites

12 hours ago, GoatmasterGeneral said:

You know that Wode album is from 2017, right? Love the first two Wode albums. The last one from 2021 not so much. Not aware of any new one incoming, but I miss a lot of announcements like that.

I remember now... I got the first two Wode albums and like them well enough, but the 2021 one is (still) £666 on bandcamp to download, so fuck those guys.

Link to comment
Share on other sites

3 hours ago, Arioch said:

Dimmu Borgir - Enthrone Darkness Triumphant (1997)

 

 

I remember around the time that Death Cult Armageddon came out this and Spiritual Black Dimensions were fairly well regarded, and they even got a small live tour stateside. I went to see them in St. Louis in a smaller club on the East side ( St. Louis East side at the time had some major gang issues, and was generally regarded as unsafe) and wondering how they intended to pull off the more orchestral sounding material in a live setting like that. The truth unfortunately proved that they kinda couldn't. I get they wanted to go for the truly "symphonic" sound, but overall it just didn't carry in a smaller venue. It's understandable considering you're just not going to get a professional orchestra jammed into that kind of setting, but I had to wonder if maybe the extra spice on the album was due to them moving away from the much more synth oriented material, or perhaps the material itself was just weaker. either way this one and Enthrone... played much better in a live setting.

NP: Miasis - Consumacion Humana

▶︎ Consumación Humana | MIASIS | Nebula Forest Prod. (bandcamp.com)

a1661045278_10.jpg

If you're going for brutal death, this is probably how you want to do it. Distinct and clear, but still with a foul enough sound to wilt the local plant life. Pretty good.

Link to comment
Share on other sites

8 minutes ago, Nasty_Cabbage said:

I remember around the time that Death Cult Armageddon came out this and Spiritual Black Dimensions were fairly well regarded, and they even got a small live tour stateside. I went to see them in St. Louis in a smaller club on the East side ( St. Louis East side at the time had some major gang issues, and was generally regarded as unsafe) and wondering how they intended to pull off the more orchestral sounding material in a live setting like that. The truth unfortunately proved that they kinda couldn't. I get they wanted to go for the truly "symphonic" sound, but overall it just didn't carry in a smaller venue. It's understandable considering you're just not going to get a professional orchestra jammed into that kind of setting, but I had to wonder if maybe the extra spice on the album was due to them moving away from the much more synth oriented material, or perhaps the material itself was just weaker. either way this one and Enthrone... played much better in a live setting.

I lost interest in the band when the symphonic part took over from everything else. I often listen to Enthrone Darkness Triumphant, but much less to the other albums I own.

Link to comment
Share on other sites

NP: Udad - s/t

▶︎ UDAD | UDAD | Peaceville (bandcamp.com)

a3852813904_10.jpg

Nice production value that's very much in the comfort zone for black metal of this sort, but not deliberately indiscernible at all. Organic sounding drums as well. Everything on here has a very DIY feel, but DIY like the handyman was actually really skilled. Nothing completely unfamiliar on the musical front, but the riffs and song craft have a suitably eerie quality. Don't mistake me, this isn't Venom or the first two Bathory albums by any means. That level of raw punk energy is not what you're looking for from an album like this. I'd say it's closer to A Blaze In The Northern Sky or some other form of low-key hedonistic primitivism in the atmosphere. A suitable soundtrack to whatever pagan misdeeds strike your fancy on a chilly evening. I'm honestly fairly impressed.

Link to comment
Share on other sites

4 hours ago, Arioch said:

I lost interest in the band when the symphonic part took over from everything else. I often listen to Enthrone Darkness Triumphant, but much less to the other albums I own.

I hate the symphonic side of Dimmu (and black metal in general). But there's still tons of great riffs and atmospheres to be found on their later albums. Tracks like Maelstrom Mephisto, Cataclysm Children, The Foreshadowing Furnace just a few I can think of. The non-synth stuff on their later album beats any of their old stuff from SBD or before.

 

This chick I met was listening to this the other day and it caught my ear. I asked what it was. Turns out it was Watain and I've never listened to them before. Aside from a few filler tracks I thought it was one of the best black metal albums I've heard in a long time (I don't listen to a lot of bm usually). 

Link to comment
Share on other sites

Watain hasn't done anything worth listening to since Sworn to the Dark in 2007. And even that was nothing special, and had worked its way out of the rotation by 2010 when I really started diving into the sub-genre and finding a ton of much better black metal. There are far worse bands than Watain to be sure, but with so many hundreds of truly superb raw black metal albums to be discovered, I just don't need to waste any time on this kind of mediocrity. But hey, whatever floats your boat man.

Dimmu though I can't even listen to a single note of it with a straight face. I can't help but to crack up laughing. It's like black metal being presented as a Broadway musical, or maybe as a cartoon for little kids. 

 

Vargsang - In the Mist of Night, Germany 2014. Now this is a proper fucking black metal album, I'll be humming these riffs for days. Guess I have my playlist for tonight all worked out.

 

Armagedda - Only True Believers, Sweden 2003

 

Förgjord - Ilmestykset, Finland 2019

 

Deus Mortem - Kosmocide, Poland 2019

 

Link to comment
Share on other sites

32 minutes ago, GoatmasterGeneral said:

Watain hasn't done anything worth listening to since Sworn to the Dark in 2007. And even that was nothing special, and had worked its way out of the rotation by 2010 when I really started diving into the sub-genre and finding a ton of much better black metal. There are far worse bands than Watain to be sure, but with so many hundreds of truly superb raw black metal albums to be discovered, I just don't need to waste any time on this kind of mediocrity. But hey, whatever floats your boat man.

Dimmu though I can't even listen to a single note of it with a straight face. I can't help but to crack up laughing. It's like black metal being presented as a Broadway musical, or maybe as a cartoon for little kids. 

 

Vargsang - In the Mist of Night, Germany 2014. Now this is a proper fucking black metal album, I'll be humming these riffs for days. Guess I have my playlist for tonight all worked out.

 

Odd, cuz that Watain album blows most black metal albums shared here out of the water. (Well, only the albums shared here which I've checked out which isn't that many...)

I will give your 'proper' bm albums a listen. There will be a head-to-head comparison vs Watain. It might take a few days. This shit BETTER be good! 

 

Dimmu has some good stuff, regardless of the ridicule they get from the troo crowd, who are usually total sheep / scared to like anything outside a certain limit. (Not implying you are one). At the same time I can understand if Dimmu isn't someone's taste at all, there's a lot about them I don't even like.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.


  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...