Jump to content

Why do some bands refuse to publish their lyrics?


Allotar

Recommended Posts

I cannot come up with a reason that actually makes sense to me, so maybe some of you know any? Sometimes it is hard to understand the lyrics of a song (even clear vocals) and I like to look them up. Depending on the band, the lyrics actually have a deeper meaning and for me knowing what they are singing about is part of the fun. I cannot see, why they don't want their lyrics published. Any ideas?

Link to comment
Share on other sites

Hmm, good question. I always want to know what I'm hearing. I still appreciate lyric sheets or at least listings on the group's website. With many singers, you can figure it out, but some styles such as black metal or death metal are hard to work it out without help. I like to sing in the car, and I hate to think I've been getting some of these songs completely wrong! :)

Link to comment
Share on other sites

Re: Why do some bands refuse to publish their lyrics? I choose not to publish my lyrics because they are very personal to me. If you can make out the vocals and perceive them that way, I would much rather have them revealed within the context of the song with sounds to accompany their meaning. Despite the personal nature of the lyrics, I've always believed that the music comes first, and would rather have the music be the larger factor in communicating the emotions of the song with the lyrics as reinforcement. Sent from my HTC PH39100 using Tapatalk 2

Link to comment
Share on other sites

maybe because of the whole explicit lyrics thing' date=' if people don't know what they are, they can't be censored can they?[/quote'] This is actually a good point. If the lyrics aren't available that leaves people free to concentrate solely on the music. Of course, that's annoying for someone like me who filters his lyrics, but I can understand the reasoning.
Link to comment
Share on other sites

I choose not to publish my lyrics because they are very personal to me. If you can make out the vocals and perceive them that way' date=' I would much rather have them revealed within the context of the song with sounds to accompany their meaning. Despite the personal nature of the lyrics, I've always believed that the music comes first, and would rather have the music be the larger factor in communicating the emotions of the song with the lyrics as reinforcement.[/quote'] Ok, that is a valid point, but there are also other ways to chiper personal meanings. You could use metaphors for example or substitute personal elements with "harmless" words that still cary the same intention. It is the song that carries the emotion, but the lyrics often explain where this emotion comes from. If I am sad for example, a sad song often helps me, but a sad song that has my problem as a theme helps me even more. If you only want the music to speak, you cold also make an accoustic song or if you want the sound of the vocals make a "meaningless" songtext. In some way, if I publish something my intention is that people hear it.
Link to comment
Share on other sites

I think it's important when lyrics carry such meaning to the individual who writes them that they not be published. I've shared some of my own in another thread here that are incredibly personal but I'm comfortable having in a public place but have others that even if I do use them I would never publish the lyrics I simply don't want them out there and it should be up to the artist not the listener to decide if their lyrics will be made freely available or not if a fan is able to decipher them and circulate them the artist can do nothing about that but they can control how easy it is to find the lyrics to a small degree at least

Link to comment
Share on other sites

Re: Why do some bands refuse to publish their lyrics?

Ok' date=' that is a valid point, but there are also other ways to chiper personal meanings. You could use metaphors for example or substitute personal elements with "harmless" words that still cary the same intention. It is the song that carries the emotion, but the lyrics often explain where this emotion comes from. If I am sad for example, a sad song often helps me, but a sad song that has my problem as a theme helps me even more. If you only want the music to speak, you cold also make an accoustic song or if you want the sound of the vocals make a "meaningless" songtext. In some way, if I publish something my intention is that people hear it. [/quote'] I do use metaphors and don't get extremely specific, but still would rather not publish them. I wrote many lyrics so that they could be interpreted in different ways, but still prefer the music to cone first. Our vocals aren't very difficult to understand and our lyrics can be deciphered, and if you want to listen for them and they work for you, great. Sent from my HTC PH39100 using Tapatalk 2
Link to comment
Share on other sites

@RelentlessOblivion: I did not mean to say, that it is not the artists choice and I think it is right to remove lyrics online, if this is the wish of the artist. I just want to understand why, because at the first glance, it sounded a bit like a contradiction to me and the motives interest me. @BlutAusNerd: Ok, I think I understand what you mean now. So it is less about "hiding" them but rather making sure they are experienced in the right context (with the music)?

Link to comment
Share on other sites

Re: Why do some bands refuse to publish their lyrics?

@RelentlessOblivion: I did not mean to say, that it is not the artists choice and I think it is right to remove lyrics online, if this is the wish of the artist. I just want to understand why, because at the first glance, it sounded a bit like a contradiction to me and the motives interest me. @BlutAusNerd: Ok, I think I understand what you mean now. So it is less about "hiding" them but rather making sure they are experienced in the right context (with the music)?
It's more about making sure the music comes first. I think that lyrics can be the icing on the cake, but great lyrics are nothing without great music. If my music can stand on its own then I'm happy, but I have to be saying something when I'm growling. I make the lyrics fit the mood of the song so I can feel it as I growl them, and if you want to listen to the words then go for it, but the music should project what the lyrics merely reinforce. Sent from my HTC PH39100 using Tapatalk 2
Link to comment
Share on other sites

dave does a good point there with explict lyrics point but maybe it is sometimes written in a contract with the publisher or the record company even though they wrote the lyrics maybe some contracial thingy with publisher prohabits them form putting booklet of the album

Link to comment
Share on other sites

I choose not to publish my lyrics because they are very personal to me. If you can make out the vocals and perceive them that way, I would much rather have them revealed within the context of the song with sounds to accompany their meaning. Despite the personal nature of the lyrics, I've always believed that the music comes first, and would rather have the music be the larger factor in communicating the emotions of the song with the lyrics as reinforcement. Sent from my HTC PH39100 using Tapatalk 2
No, you didn't just write "some lyrics" you wrote a fucking series of novels. Seriously, you'd give Dani Filth a run for his money with how much you wrote. But, somethings are too personal to post.
Link to comment
Share on other sites

No, you didn't just write "some lyrics" you wrote a fucking series of novels. Seriously, you'd give Dani Filth a run for his money with how much you wrote. But, somethings are too personal to post.
I can't exactly write just a few lines to fill up a 17 minute song now can I? Especially with the more stream of consciousness writing style that I use, once I've taken off I usually end up with a great deal written. I had to cut a few lines off of mine to make them fit, and none of my lyrics repeat. I'm hoping to be able to use a central lyrical theme for the new album to sort of link the songs together, as otherwise I might have a bit of difficulty trimming my passages down to fit our 7 and 9 minute songs. With your idea for the 3rd song's title/album title, I think I'll have a good amount to work with, as it fits with what I see in my mind when I hear what we are playing, and also sort of ties in with the lyrics that I have for Potato thus far.
Link to comment
Share on other sites

With your idea for the 3rd song's title/album title' date=' I think I'll have a good amount to work with, as it fits with what I see in my mind when I hear what we are playing, and also sort of ties in with [u']the lyrics that I have for Potato thus far.
DLw90.jpg
Link to comment
Share on other sites

Potato is the handle we've given to identify our track for the EP/single/split release. There's a beat in the song that our bass player has always had a hard time with, and when we get to it in the song, I always say the word "potato" to the rhythm that the beat should be in. I don't know why I picked potato, but the name stuck and that's just what we have been calling it since. NTNR tried to carry on the theme by naming some of our other new songs parsnip and some other vegetable that I can't recall off hand, but now we've just been using sequenced numbers to refer to the album tracks.

Link to comment
Share on other sites

  • 4 weeks later...

Intersting thread...with many many great points. My band decided to release our first album in digi-pack format because it suits the album cover better and it saved a few bucks..as did not putting the lyrics in. I've always believed too that music speaks louder than the vocals and anyone can figure them out by working on their metal decoders, or they can always just ask! \m/

Link to comment
Share on other sites

Guest
This topic is now closed to further replies.
  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...