Jump to content

MESUGGAH


Radio ollerhead

Recommended Posts

  • 2 weeks later...
  • 2 years later...
  • 2 months later...
  • 4 months later...
  • 2 months later...

Boring? Really? Those ultra-high gravity albums like Catch 33 or Nothing are total killers. Obzen tries to be more commercial... LOL, no, I'm joking. It's heavy as hell and every their longplay (maybe except last one) was a very fresh approach to try play heavy, hard, technical metal without guitar masturbation, 5-minute solos, using 5 riffs in 2 seconds, like most "progressive" bands do.

Link to comment
Share on other sites

I understand it. It's very uncommon (or maybe "was", cause there's so much copyists nowadays) music and don't fit to every ear. It's also f***g heavy in very particular way, there's lot of thrash or even death in their music, but combined with very low sound and broken beats it makes new quality. Their first LP is thrashing hard. Personally, I don't prefer "modernity" in metal, but this kind of expression really does appeal to me. I saw them last year on Brutal Assault fest and they we're great - precise, robot-like playing, vocals not so dehumanized, and very good overall sound.

Link to comment
Share on other sites

I understand it. It's very uncommon (or maybe "was"' date=' cause there's so much copyists nowadays) music and don't fit to every ear. It's also f***g heavy in very particular way, there's lot of thrash or even death in their music, but combined with very low sound and broken beats it makes new quality. Their first LP is thrashing hard. Personally, I don't prefer "modernity" in metal, but this kind of expression really does appeal to me. I saw them last year on Brutal Assault fest and they we're great - precise, robot-like playing, vocals not so dehumanized, and very good overall sound.[/quote'] I enjoyed their live set too, although I wish I could have seen them when I (and they) were all younger. I can tell that Kidman's voice has suffered a bit. They've been a favorite of mine for twenty years, but I have to say I still think Destroy Erase Improve was their high point. I like Koloss and Obzen, kind of, but don't listen to them that much, and I never liked I or Catch 33.
Link to comment
Share on other sites

I dig them pretty well, not something I set out to listen to fairly often but they've got more than a few songs that I find legitimately erotic (Perpetual Black Second is the sexiest metal song ever imo) and I really like how they don't take themselves too seriously, they seem to have a good sense of humor from videos and interviews. I however do not like the wave of "djent" they inspired, biggest bullshit excuse for subgenrification ive ever heard of. But that's not their fault.

Link to comment
Share on other sites

I dig them pretty well' date=' not something I set out to listen to fairly often but they've got more than a few songs that I find legitimately erotic (Perpetual Black Second is the sexiest metal song ever imo) and I really like how they don't take themselves too seriously, they seem to have a good sense of humor from videos and interviews. I however do not like the wave of "djent" they inspired, biggest bullshit excuse for subgenrification ive ever heard of. But that's not their fault.[/quote'] I have never heard someone refer to Meshuggah as erotic before.
Link to comment
Share on other sites

Await a new Ib 9string lol (saw Thordendal photo with 9 string axe)Think it's some kind of trend or hype to play on 7+ strings, despite only few people can really use it in practice. Playing septa+ strings is much harder (anyone who plays guitar know that suppresing strings is a difficult shit) and not everyone needs it. Especially -core bands playing in drop...

Link to comment
Share on other sites

I like low tunings, and I've always been fine with six strings. I didn't find seven to be that hard to adapt to, but having that extra fourth in whatever direction never seemed worth the investment in a quality instrument, especially considering that most of them don't have a true baritone scale length. I've tried playing an eight string a couple of times and found it different enough that it was difficult to adapt to. Couldn't imagine finding any use for nine. I've seen some players who are able to use them effectively. More power to them. If I ever get to buy another quality instrument, it'll probably be either a really good 5 string bass or a 12 string acoustic guitar.

Link to comment
Share on other sites

  • 4 weeks later...

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...