Jump to content

Horna


MacabreEternal

Recommended Posts

  • 1 year later...

I really enjoy their debut. Also, I personally have a thing for demos, so I often listen to their demos on their split "Viha Vuodet", which also features the band Musta Surma. You've probably come across this already, but here's a link to the split on Spotify:

https://open.spotify.com/album/5Ur7C4OsnYtlbxt5oKlgpq?context=spotify%3Aalbum%3A5Ur7C4OsnYtlbxt5oKlgpq

 

 

I also assume that you've listened to Sargeist, but if not get on that. I think they shared some members with Horna, or something like that. Awesome Finnish Black Metal.

Link to comment
Share on other sites

  • 3 years later...

I have recently picked up the following releases:

Kohti Yhdeksän Nousua
Haudankylmyyden Mailla
Viha Ja Viikate
Kuolleiden Kuu
Kasteessa Kirottu

...the first and last of which being my favourites for sure, but they're all good.

I also downloaded a few tracks from Hiidentorni and Envaatnags Eflos Solf Esgantaavne on Bandcamp, didn't feel I needed to get physical copies of those.

Link to comment
Share on other sites

  • 1 month later...
  • 10 months later...
  • 6 months later...

I actually never tried to get into Horna. I've heard good things about them, like they get their shows shut down much in the same way that Marduk and Watain do, but I can't verify whether this is true or not so I haven't started buying their merch or vinyl yet.

Basically, my M.O. is that if a band is getting their shows shut down by wuss activists, that I want to buy their stuff before it gets to the point where it's outright banned and is impossible to get my hands on. I don't believe that anyone has any right to be telling me what music I am allowed to buy or what shows I am allowed to pay to attend. I would like to go to Europe so that I can see some of these bands perform live, but the chances of that actually happening are slim to none because I don't think I'm actually ever going to be allowed to leave the US.

Link to comment
Share on other sites

Call me kooky but wouldn't it make a lot more sense to just buy the music you like the best and know you'll want to listen to? Instead of collecting expensive vinyl from bands you might not even like just because you heard they might be controversial? Buying a band's music solely based on the fact that other people you don't even know may have a problem with them is about the dumbest thing I've ever heard. And dreams of going to Europe to see bands you don't know simply to defy "wuss activists?" I'm beginning to think you're trolling us.

Link to comment
Share on other sites

6 hours ago, GoatmasterGeneral said:

Instead of collecting expensive vinyl from bands you might not even like just because you heard they might be controversial?

I actually buy and resell vinyl though, and controversial bands are always good to have because they're hard to find in a lot of shops because people cave to wuss activists. Problem is usually the stuff I buy lately I've ended up liking and keeping for my personal collection, so I haven't sold anything in about two weeks. I did at one time, sell a lot of the stuff I bought from Hell's Headbangers and IFB records even though I liked it and now I regret that because some of these albums were color vinyl and I realized in retrospect that I missed them.

See the thing is, when someone tries to tell me that I am "not allowed" to have something or listen to, watch, read, it... it makes me want to do so that much more & that stems from my childhood when tools like Jerry Falwell and Pat Robertson were trying to get Deicide, Slayer, Cannibal Corpse, and even Marilyn Manson banned for being "occult". When an obnoxious preacher would come out against a video game or a band, I knew immediately that I had to have that CD or video game and it's kind of the same way now: when people I do not respect try to get a band's shows shut down or have their music banned, it just makes me that much more resolved to get that item because I'm being told that I "can't" have it & "shouldn't" listen to it.

I've found a lot of bands that I actually like this way. Watain was one of them; people complained about their live shows and protested them, so that just tells me "I've got to check them out if these people don't like them" and surprise surprise, I ended up really liking Watain.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...