Jump to content

Favorite Records of 2014 so far?


Os Abysmi Vel Daath

Recommended Posts

So far, Dead Congregation's "Promulgation Of The Fall" and Thantifaxath's "Sacred White Noise" take the top spots for me. I've also been favorably impressed by the new Behemoth and Triptykon albums. Since I had no real expectations of Belphegor, Cannibal Corpse, Sanctuary, or At The Gates, I can't say I'm disappointed - their albums all feel like safe career moves, easily overshadowed by their previous output. I can't get behind that Opeth album, either.

Link to comment
Share on other sites

  • Replies 55
  • Created
  • Last Reply

Top Posters In This Topic

Let's see... Dead Congregation - Promulgation of the Fall Howls of Ebb - Vigils of the 3rd Eye Morbus Chron - Sweven Thantifaxath - Sacred White Noise Secret Cutter - Self Titled Emptiness - Nothing but the Whole Bädr Vogu - Agglomeration XXIV Doom:VS - Earthless Fórn - The Departure of Consciousness

Link to comment
Share on other sites

I get a really uncomfortable feeling while listening to this album.
Yeah, this really is a nightmarish album, but it's easily in my top 3 black/death albums. I love the music, lyrics, structure and everything else. NbtW is one of the very few albums which actually make me proud of being Belgian.
Link to comment
Share on other sites

Yeah' date=' this really is a nightmarish album, but it's easily in my top 3 black/death albums. I love the music, lyrics, structure and everything else. NbtW is one of the very few albums which actually make me proud of being Belgian.[/quote'] And don't forget the album cover. It's disturbing, yet so great.
Link to comment
Share on other sites

And don't forget the album cover. It's disturbing' date=' yet so great.[/quote'] Yup. I believe I posted it in the album cover thread as well. I must admit I was pretty skeptical when I first saw it, but when you hear the opening track you immediately know that cover perfectly summarizes the album.
Link to comment
Share on other sites

So far' date=' Dead Congregation's "Promulgation Of The Fall" and Thantifaxath's "Sacred White Noise" take the top spots for me. I've also been favorably impressed by the new Behemoth and Triptykon albums. Since I had no real expectations of Belphegor, Cannibal Corpse, Sanctuary, or At The Gates, I can't say I'm disappointed - their albums all feel like safe career moves, easily overshadowed by their previous output. I can't get behind that Opeth album, either.[/quote'] I need to check out Dead Congregation. I haven't listened to them before.
Link to comment
Share on other sites

Although, I listen to a lot of international bands, most of my favorites this year were from India. 1. Bhayanak Maut - 'Man' (It's a story based album. Each song has a twisted story that makes you uncomfortable. I thought the stories were beautifully written and the songs really grew on me after reading the stories). 2. Scribe - 'Hail Mogambo'. They aren't your traditional metal band. Some of it is very non-serious. Eccentric vocals. I call it metal dance music with grit. Also a story based album. The members are all into 90s bollywood so expect a lot of subculture references. Slightly influenced by Sikth. 3. The Down Troddence - 'How are you? We are fine. Thank you'. Most of it is straight up groove metal. Slightly djent. But they fuse indian folk elements into it in a way that it doesn't sound weird to me. In fact, it fits in pretty well. 4. The contortionist - Language. Beatiful aesthetic. I haven't heard it enough to get the concept yet but the new sound put it on the top shelf for me. Waiting for the new Skyharbor which probably won't really even be metal haha.

Link to comment
Share on other sites

The new Horrendous (Ecdysis) is anything but. Goddamn it's been a while since I've heard some really good DM and this is it. Death/early AtG/early Entombed vibe with some proggish-sounding atmosphere. Seriously bought the album after one listen.
I liked it, but didn't hear much in the way of Death, ATG, or prog. More than anything it sounded like early Scandinavian stabs at incorporating rock/blues influence, with angular stuff reminiscent of old European DM thrown in. It's good, I like the vocals, production, etc. - but it strikes me as a period piece, if that makes sense.
Link to comment
Share on other sites

My favorite album this year is definitely The Pagan Manifesto by Elvenking. This might be their best album yet; almost every song is 5 stars. Here's the rest of my list: 2: Scar Symmetry - The Singularity 3: The Unguided - Fragile Immortality 4: Sonic Syndicate - Self-Titled 5: Poets of the Fall - Jealous Gods 6: Dead by April - Let The World Know 7: Tuomas Holopainen - The Life and Times of Scrooge 8: Vallenfyre - Splinters

Link to comment
Share on other sites

  • 2 weeks later...
That Fallujah cd was pretty damn sweet' date=' also been digging Within The Ruins - Phenomena I believe? And The Atlas Moth the old believer, both bad ass albums[/quote'] I remember not being too impressed with The Atlas Moth. The Fallujah CD was good though.
Link to comment
Share on other sites

Guest
This topic is now closed to further replies.

  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...