Jump to content

What's on your mind?


Apoc

Recommended Posts

I spent some time this afternoon looking into the history behind the religious organization my parents are part of, out of curiosity and because I think it'll relate to the lyrics I'm writing for the quartet. Somewhat disturbingly, I very quickly stumbled upon quite a bit of material describing the seedy underbelly of this organization, about which I'd previously only heard cursory explanation and sanitized rumor. It's all extremely biased; I have no idea how much of what I read is either true, or at least written "in good faith", as opposed to being part of cynical smear campaigns. That's not a question of urgent concern to me, because I left my interest in this religion behind 21 years ago and I found myself even more repulsed when I revisited it in my early twenties. But the research makes me even happier to have left at an early age, and it makes me wonder how my parents can maintain their (relatively peripheral) involvement.
Sounds like some serious shit... I'm finally done. What's left is inviting a pianist over and finding an album cover as well as a place to record.
Link to comment
Share on other sites

Feel metal retarded on here so far.... I "think" I know a wide range of music' date=' especially metal, but just within the few days I've been on here soooo many band names have ran across my sight that I know nothing about.... Hopefully ill catch up one of these days[/quote'] Don't worry, you'll catch on. That's definitely how I felt at first. I thought I knew "obscure" music until I came here :D
Link to comment
Share on other sites

Feel metal retarded on here so far.... I "think" I know a wide range of music' date=' especially metal, but just within the few days I've been on here soooo many band names have ran across my sight that I know nothing about.... Hopefully ill catch up one of these days[/quote'] I agree with Abysmi on this. Most of the music I now know and love has been introduced to me on this forum. I believe BAN once mentioned that one of Metalforum's strong points is a combination of youthful members and more seasoned metalheads and that's pretty much on the spot if you ask me. There's always new music to discover and forums like this are a great way to get access to it.
Link to comment
Share on other sites

I spent some time this afternoon looking into the history behind the religious organization my parents are part of, out of curiosity and because I think it'll relate to the lyrics I'm writing for the quartet. Somewhat disturbingly, I very quickly stumbled upon quite a bit of material describing the seedy underbelly of this organization, about which I'd previously only heard cursory explanation and sanitized rumor. It's all extremely biased; I have no idea how much of what I read is either true, or at least written "in good faith", as opposed to being part of cynical smear campaigns. That's not a question of urgent concern to me, because I left my interest in this religion behind 21 years ago and I found myself even more repulsed when I revisited it in my early twenties. But the research makes me even happier to have left at an early age, and it makes me wonder how my parents can maintain their (relatively peripheral) involvement.
I really appreciate you sharing this. Are you close with your parents? I know that I've jokingly talked about my parents regarding their religious beliefs and behaviors but it actually is something very painful and sad to think/talk about. There is no relationship there because of it. But I'm not going to go on about it. It's good to hear that you've found a outlet with your writing. I haven't really found mine except for listening to music (which helps) and keeping my mind focused on my children & occupied with the day to day. But it's always there. I'd like to ask you though, have you found that when the subject, your parents or upbringing, come up in a conversation, that you've encountered disbelief or skepticism from those on the receiving end. I have many times. Maybe it's due to not knowing how to process the information? That has def discouraged me from talking about it (unless I feel comfortable) and the fact that I've convinced myself that no one really wants to hear about that stuff. It's nice to know that someone can relate, to some extent anyway :)
Link to comment
Share on other sites

I really appreciate you sharing this. Are you close with your parents? I know that I've jokingly talked about my parents regarding their religious beliefs and behaviors but it actually is something very painful and sad to think/talk about. There is no relationship there because of it. But I'm not going to go on about it. It's good to hear that you've found a outlet with your writing. I haven't really found mine except for listening to music (which helps) and keeping my mind focused on my children & occupied with the day to day. But it's always there. I'd like to ask you though, have you found that when the subject, your parents or upbringing, come up in a conversation, that you've encountered disbelief or skepticism from those on the receiving end. I have many times. Maybe it's due to not knowing how to process the information? That has def discouraged me from talking about it (unless I feel comfortable) and the fact that I've convinced myself that no one really wants to hear about that stuff. It's nice to know that someone can relate, to some extent anyway :)
I do have a good relationship with my parents, though it hasn't been without its bad times. I stopped attending the meetings at their religious center when I was fourteen, and they were pretty good about not pressuring me to go back. I have had issues with my mom from time to time, though. Frankly, she drank the Kool-Aid at some point, and can get very self-righteous. I highly doubt we could ever have a conversation about some of the stuff I read today, for instance. And reading about cults made me conscious of some aspects of my upbringing that still affect me now, that I'm going to have to counteract. But philosophically, my parents' belief was pretty easy to walk away from. I think I was lucky that their religion (which is a form of Hinduism, despite what they claim) isn't popular or influential where I was living, because I didn't have to put up with any additional peer pressure. I was already an outsider in the Bible Belt anyway and I had zero common ground with anyone I knew, from a religious standpoint. It wasn't until years later that I realized how thoroughly and completely I'd left their faith behind, though, and my first reaction was a profound sadness. I felt like I'd lost part of my childhood, that I'd realized it was based on lies. That was certainly a formative experience. It's inspired many of my lyrics and paintings, and stimulated my interest in evolution and psychology. As far as encountering disbelief in dealing with other people, I mean, yeah - I lived in an ashram in upstate NY for a few years as a child, and my family went back to visit regularly until we moved to NC. It doesn't say "Kishor" on my driver's license because that's not my birth name; I received it from my parents' guru when I was six months old. It's pretty outlandish. I didn't even realize what an issue it was until I had to provide all kinds of documentation from schools to prove who I was when I started working, because my parents hadn't put my birth name on my Social Security card. It's almost as if they were determined to make me seem like as much of an outsider as possible. I probably gravitated back towards NYC because it's the one place I know where that's fine: here, you are who and what you say you are until you prove differently. It's nice not having to choose between lying to everyone and being ostracized. These lyrics aren't dealing with that experience, though. I've actually moved beyond it pretty well, and I'm trying to use this opportunity with the quartet to express something that's ultimately hopeful - angry, but not scornful, and invoking the language of rejection only as a first step towards growth and freedom.
Link to comment
Share on other sites

Right on' date=' definitely hope to catch on, cause I have a feeling I'm probably missing out on some pretty good stuff[/quote'] A great place to start is the recommendation threads in genre-specific subforums. Lots of video links, plenty of stuff to listen to. Even if you don't like a lot of it, it's worth checking out, just to know what's out there.
Link to comment
Share on other sites

I do have a good relationship with my parents, though it hasn't been without its bad times. I stopped attending the meetings at their religious center when I was fourteen, and they were pretty good about not pressuring me to go back. I have had issues with my mom from time to time, though. Frankly, she drank the Kool-Aid at some point, and can get very self-righteous. I highly doubt we could ever have a conversation about some of the stuff I read today, for instance. And reading about cults made me conscious of some aspects of my upbringing that still affect me now, that I'm going to have to counteract. But philosophically, my parents' belief was pretty easy to walk away from. I think I was lucky that their religion (which is a form of Hinduism, despite what they claim) isn't popular or influential where I was living, because I didn't have to put up with any additional peer pressure. I was already an outsider in the Bible Belt anyway and I had zero common ground with anyone I knew, from a religious standpoint. It wasn't until years later that I realized how thoroughly and completely I'd left their faith behind, though, and my first reaction was a profound sadness. I felt like I'd lost part of my childhood, that I'd realized it was based on lies. That was certainly a formative experience. It's inspired many of my lyrics and paintings, and stimulated my interest in evolution and psychology. As far as encountering disbelief in dealing with other people, I mean, yeah - I lived in an ashram in upstate NY for a few years as a child, and my family went back to visit regularly until we moved to NC. It doesn't say "Kishor" on my driver's license because that's not my birth name; I received it from my parents' guru when I was six months old. It's pretty outlandish. I didn't even realize what an issue it was until I had to provide all kinds of documentation from schools to prove who I was when I started working, because my parents hadn't put my birth name on my Social Security card. It's almost as if they were determined to make me seem like as much of an outsider as possible. I probably gravitated back towards NYC because it's the one place I know where that's fine: here, you are who and what you say you are until you prove differently. It's nice not having to choose between lying to everyone and being ostracized. These lyrics aren't dealing with that experience, though. I've actually moved beyond it pretty well, and I'm trying to use this opportunity with the quartet to express something that's ultimately hopeful - angry, but not scornful, and invoking the language of rejection only as a first step towards growth and freedom.
I'm enjoying reading about your experiences, man.
Link to comment
Share on other sites

Feel metal retarded on here so far.... I "think" I know a wide range of music' date=' especially metal, but just within the few days I've been on here soooo many band names have ran across my sight that I know nothing about.... Hopefully ill catch up one of these days[/quote'] Don't worry about it, everyone has been there. I have made the mistake of thinking that I was more knowledgeable than I was more times than once, and it's only become more apparent how much I'm still unfamiliar with. I have over 2000 albums in my collection, but the more I add, the more I discover and the faster that my want list grows.
Link to comment
Share on other sites

I do have a good relationship with my parents, though it hasn't been without its bad times. I stopped attending the meetings at their religious center when I was fourteen, and they were pretty good about not pressuring me to go back. I have had issues with my mom from time to time, though. Frankly, she drank the Kool-Aid at some point, and can get very self-righteous. I highly doubt we could ever have a conversation about some of the stuff I read today, for instance. And reading about cults made me conscious of some aspects of my upbringing that still affect me now, that I'm going to have to counteract. But philosophically, my parents' belief was pretty easy to walk away from. I think I was lucky that their religion (which is a form of Hinduism, despite what they claim) isn't popular or influential where I was living, because I didn't have to put up with any additional peer pressure. I was already an outsider in the Bible Belt anyway and I had zero common ground with anyone I knew, from a religious standpoint. It wasn't until years later that I realized how thoroughly and completely I'd left their faith behind, though, and my first reaction was a profound sadness. I felt like I'd lost part of my childhood, that I'd realized it was based on lies. That was certainly a formative experience. It's inspired many of my lyrics and paintings, and stimulated my interest in evolution and psychology. As far as encountering disbelief in dealing with other people, I mean, yeah - I lived in an ashram in upstate NY for a few years as a child, and my family went back to visit regularly until we moved to NC. It doesn't say "Kishor" on my driver's license because that's not my birth name; I received it from my parents' guru when I was six months old. It's pretty outlandish. I didn't even realize what an issue it was until I had to provide all kinds of documentation from schools to prove who I was when I started working, because my parents hadn't put my birth name on my Social Security card. It's almost as if they were determined to make me seem like as much of an outsider as possible. I probably gravitated back towards NYC because it's the one place I know where that's fine: here, you are who and what you say you are until you prove differently. It's nice not having to choose between lying to everyone and being ostracized. These lyrics aren't dealing with that experience, though. I've actually moved beyond it pretty well, and I'm trying to use this opportunity with the quartet to express something that's ultimately hopeful - angry, but not scornful, and invoking the language of rejection only as a first step towards growth and freedom.
If you don't mind me asking, which religious organization might this have been, Hare Krishna or something like that?
Link to comment
Share on other sites

Feel metal retarded on here so far.... I "think" I know a wide range of music' date=' especially metal, but just within the few days I've been on here soooo many band names have ran across my sight that I know nothing about.... Hopefully ill catch up one of these days[/quote'] Probably not what you want to hear but I've been here 3 years and still feel like I'm oblivious to the vast majority of what's out there.
Link to comment
Share on other sites

I'm enjoying reading about your experiences' date=' man.[/quote'] Hah, ok. It honestly feels a little strange to be posting about all of this, but it's nothing I haven't shared with friends in conversation, so I guess it's not that strange. It's certainly given me a wide variety of things to write about. I love my parents and have a lot of respect for them, but I don't want my kid to grow up the way I did.
Link to comment
Share on other sites

Hah' date=' ok. It honestly feels a little strange to be posting about all of this, but it's nothing I haven't shared with friends in conversation, so I guess it's not that strange. It's certainly given me a wide variety of things to write about. I love my parents and have a lot of respect for them, but I don't want my kid to grow up the way I did.[/quote'] Maybe enjoy wasn't the right word. Or it is, but maybe it doesn't give the right connotation. All I meant was that it was interesting.
Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.


  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...