Jump to content

What Are You Listening To?


khaos

Recommended Posts

Katatonia - Brave Yester Days Katatonia - Dance of December Souls Katatonia - Brave Murder Day Katatonia - Discouraged Ones It is insane how good Katatonia's old material is, all of it different from themselves and others, but all of it unified by their unique vision and sound. Those early Blakkheim melodies are among the most sad and beautiful that you will find from any genre of music, let alone metal. Sadly, they really dropped the ball when they decided to abandon metal, it just sounds so dull and boring compared to their early work, like a totally different band with maybe only one member in common. Some of the leads on Discouraged Ones sound like they might actually have come from Blakkheim, and they're about the only parts that I like, the rest of the guitars (and every other performance, for that matter) sound like they're missing a great deal. I've only ever owned 2 of their non-metal albums, the other being The Great Cold Distance, which I traded in some time ago, and now Discouraged Ones will join it.
Discouraged ones is literally my favorite album. I love that depressing atmospheric sound of this album. I also agree with FA, that not as metal sound honestly worked well for them, because even in the great cold distance and newer albums there is still that depressing element. But Discouraged Ones is a great great album. I actually prefer Jonas's clean vocals, never was really a fan of his harsh vocals.
Link to comment
Share on other sites

BS' date=' the rock format really worked well for them. Honestly the songwriting on Dance Of December Souls is weak, though it survives on the strength of its parts - kind of like Turn Loose The Swans, I hear it as a collection of awesome riffs (and some really nice changes), haphazardly thrown together. It's got a certain charm to it. BMD and Sounds Of Decay are great, of course, but their other material is just as good, even if it's completely different.[/quote'] Heavily agreed. I also do not think just because a band no longer has harsh vocals and a semi black metalish sound makes them non metal.
Link to comment
Share on other sites

BS' date=' the rock format really worked well for them. Honestly the songwriting on Dance Of December Souls is weak, though it survives on the strength of its parts - kind of like Turn Loose The Swans, I hear it as a collection of awesome riffs (and some really nice changes), haphazardly thrown together. It's got a certain charm to it. BMD and Sounds Of Decay are great, of course, but their other material is just as good, even if it's completely different.[/quote'] I disagree completely, my ears cling to every portion of DoDS, and the songs get stuck in my head for longer than songs from almost any other band/album. The songs may not have as smooth of transitions as Brave Murder Day, for example, but they're also not as brave/daring (ironically) and are more adventurous, there was nothing that sounded anything like that then or since. I also prefer Jonas' more emotionally charged vocal delivery to Mike's more refined, but less moody sound on BMD and Sounds of Decay, though those are still excellent releases.
Link to comment
Share on other sites

Heavily agreed. I also do not think just because a band no longer has harsh vocals and a semi black metalish sound makes them non metal.
The vocals don't make their post Sounds of Decay material non-metal, the music does. Musically, Discouraged Ones reminds me of a combination of The Cure, uninspired My Bloody Valentine styled shoegaze, and some alternative/nu-metal influences, with the only thing tying it to Katatonia being the occasional lead that is reminiscent of their later metal material. Again, I'm not counting the fact that it's not metal against it, as other bands have been able to make the transition to rock with much better and more interesting results (Tiamat, Wino, Moonspell, Amorphis, even Opeth's mostly maligned prog-rock albums), it just sounds like a bland 90's rock album to me.
Link to comment
Share on other sites

I disagree completely' date=' my ears cling to every portion of DoDS, and the songs get stuck in my head for longer than songs from almost any other band/album. The songs may not have as smooth of transitions as Brave Murder Day, for example, but they're also not as brave/daring (ironically) and are more adventurous, there was nothing that sounded anything like that then or since. I also prefer Jonas' more emotionally charged vocal delivery to Mike's more refined, but less moody sound on BMD and Sounds of Decay, though those are still excellent releases.[/quote'] To each his own. I'm not a huge fan of Jonas's growls, or the song structures on that album; it all sounds immature to me. I'm not going to sit here and talk shit on the album, though, because I do still really like it. I probably prefer the first October Tide album for "harsh Jonas". One thing I've always admired about Katatonia, though, is their willingness to be awkward and fall on their faces - "experimentation", if you like - and I certainly don't think they lost that when they stopped playing melodic doom. I can understand that it's not to your taste. My first exposure to them was Discouraged Ones, right when it came out, and I was into a bunch of goth rock at the time so it wasn't a huge jump. The advent of the fully "modern" production, with Viva Emptiness, took me a while to get used to, but as I've often said, I love everything they've done. I guess that makes me lucky, I have lots more fun Katatonia to enjoy than you do. :D
Link to comment
Share on other sites

The vocals don't make their post Sounds of Decay material non-metal' date=' the music does. Musically, Discouraged Ones reminds me of a combination of The Cure, uninspired My Bloody Valentine styled shoegaze, and some alternative/nu-metal influences, with the only thing tying it to Katatonia being the occasional lead that is reminiscent of their later metal material. Again, I'm not counting the fact that it's not metal against it, as other bands have been able to make the transition to rock with much better and more interesting results (Tiamat, Wino, Moonspell, Amorphis, even Opeth's mostly maligned prog-rock albums), it just sounds like a bland 90's rock album to me.[/quote'] Is ok I understand, not for everyone;)
Link to comment
Share on other sites

I really like the vocals on DoDS' date=' they sound so tortured, it suits the music perfectly in my opinion. I really need more Katatonia in my life.[/quote'] Everything up to Sounds of Decay is well worth your time and money. All of their early releases are different from one another (despite some songs overlapping), but they are immediately recognizable as Katatonia.
Link to comment
Share on other sites

Can I help it if there's like 50 bajillion bands people have recommended to me? It's not like I won the lottery (and even if I had there are other things I'd spend it all on ahead of more albums) :D
I know the feeling. I'm kind of relieved in a way that my other forum has slowed down, I just can't keep up with everything that those guys are checking out with all of the old shit that I'm still catching up on.
Link to comment
Share on other sites

What Are You Listening To? Re Katatonia: Tonight's Decision has its moments but outside of that, I seldom listen to anything other than the early material. I bought Discouraged Ones and a few others eg LFDGD but the earlier stuff overshadows it all. Metal is better for having a band like Katatonia around but recent outputs don't really interest me so much. Sent from my iPhone using Tapatalk

Link to comment
Share on other sites

Re Katatonia: Tonight's Decision has its moments but outside of that, I seldom listen to anything other than the early material. I bought Discouraged Ones and a few others eg LFDGD but the earlier stuff overshadows it all. Metal is better for having a band like Katatonia around but recent outputs don't really interest me so much. Sent from my iPhone using Tapatalk
Discouraged Ones was the first one I got, but Tonight's Decision was the album that really drew me in. Among other things, his voice improved a lot on that album. I agree with BAN about one thing, anyway - I don't hear their music from Discouraged Ones on as "metal". Even when they incorporate metal riffs and guitar tones on their last few albums, they're still writing poppy dark rock songs. I don't think Tiamat, Amorphis, or Opeth handled their respective transitions any better, though they did it in a less formulaic way. Opeth's recent output, I at least respect, but I don't particularly enjoy it; Amorphis lost me around Tuonela; and I could never get into Tiamat, they just bore me.
Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.


  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...