Jump to content

any band recommendations that just feel great?


Ozzy__

Recommended Posts

3 hours ago, GoatmasterGeneral said:

"vibes that mutter gives"

I am not knowing what this is supposed to mean. Is that by chance a typo? If so, why don't you fix it?

But is "feeling great" the goal?

Judging by that one band you said you liked, I don't think I have anything that's gonna make you feel great. 

no I mean like, Mutter by Rammstein just gives an oob experience you know?

9 minutes ago, RelentlessOblivion said:

Feel good metal huh? Something tells me Worship’s Last Tape Before Doomsday fails the vibe check?

I've never heard that actually

Link to comment
Share on other sites

35 minutes ago, Ozzy__ said:

no I mean like, Mutter by Rammstein just gives an oob experience you know?

No, I've never listened to Rammstein, didn't know that was the name of a song. Capitalizing it might have given me a clue. But at least your post makes sense to me now. I'm sensing we're not gonna be on the same musical wavelength you and I. What's "oob" mean, out on bail?

Link to comment
Share on other sites

5 hours ago, Ozzy__ said:

no I mean like, Mutter by Rammstein just gives an oob experience you know?

I've never heard that actually

I had a post worked out which poked fun at "oob" music, until I realised it most likely stands for out-of-body experience. Tip: using capitals for an acronym is a really useful way of avoiding confusion.

So, it's unlikely that @RelentlessOblivion's interpretation of OOBE music as merely feel good metal is accurate as such. Although feel-good metal can also be surprisingly hard to come by.

I think King Gizzard & The Lizard Wizard might qualify as feel good metal.

PetroDragonic Apocalypse; or, Dawn of Eternal Night: An Annihilation of Planet Earth and the Beginning of Merciless Damnation | King Gizzard & The Lizard Wizard (bandcamp.com) 

I checked out Karybdis which was mentioned in your intro. It's not too bad, although I wouldn't describe them as an out of body experience (or "feel good" for that matter), since they sound pretty similar to a lot of shouty death/metalcore type bands. Reminds me of Sylosis maybe. However, they're good enough that I'd consider going to see them live, since it turns out they're playing about 40 minutes drive from me in a few weeks.

I haven't bought a Rammstein album since the mid 90s but I have heard a few tracks since then. I watched the Deutschland video over and over a few years ago as it was a fantastic marriage of sound and visuals. I suppose it was a bit transcendent/OOB.

Actual OOBE/transcendent metal is, I guess, the holy grail. Some people would rate Tool that way. I'd say Type O Negative for me. Devin Townsend is going for the transcendent vibe. He doesn't often nail it but some people love him for trying. Biomech/Ocean Machine (reissued as Devin solo album). That shizz is transcendent. Ocean Machine | Devin Townsend | InsideOut Music (bandcamp.com)

There is a scientific correlation between the application of absurd amounts of stereo delay and transcendence according to the Devin Townsend playbook.

There was a somewhat related thread which might have what you're looking for

 

 

 

 

Link to comment
Share on other sites

4 hours ago, JonoBlade said:

I had a post worked out which poked fun at "oob" music, until I realised it most likely stands for out-of-body experience. Tip: using capitals for an acronym is a really useful way of avoiding confusion.

So, it's unlikely that @RelentlessOblivion's interpretation of OOBE music as merely feel good metal is accurate as such. Although feel-good metal can also be surprisingly hard to come by.

I think King Gizzard & The Lizard Wizard might qualify as feel good metal.

PetroDragonic Apocalypse; or, Dawn of Eternal Night: An Annihilation of Planet Earth and the Beginning of Merciless Damnation | King Gizzard & The Lizard Wizard (bandcamp.com) 

I checked out Karybdis which was mentioned in your intro. It's not too bad, although I wouldn't describe them as an out of body experience (or "feel good" for that matter), since they sound pretty similar to a lot of shouty death/metalcore type bands. Reminds me of Sylosis maybe. However, they're good enough that I'd consider going to see them live, since it turns out they're playing about 40 minutes drive from me in a few weeks.

I haven't bought a Rammstein album since the mid 90s but I have heard a few tracks since then. I watched the Deutschland video over and over a few years ago as it was a fantastic marriage of sound and visuals. I suppose it was a bit transcendent/OOB.

Actual OOBE/transcendent metal is, I guess, the holy grail. Some people would rate Tool that way. I'd say Type O Negative for me. Devin Townsend is going for the transcendent vibe. He doesn't often nail it but some people love him for trying. Biomech/Ocean Machine (reissued as Devin solo album). That shizz is transcendent. Ocean Machine | Devin Townsend | InsideOut Music (bandcamp.com)

There is a scientific correlation between the application of absurd amounts of stereo delay and transcendence according to the Devin Townsend playbook.

Obviously I'm well out of the loop on this whole matter of transcendent music as my tastes are just too far removed from what the rest of you normies like to listen to. You couldn't pay me enough to stand and watch either Karybdis or Rammstein, so I have no idea what type of feelings you guys might be getting from their music. Don't even get me started on Tool.

I can only hope for your sake Jon-O that you get hung up at the Crewe station and fortuitously miss the gig altogether. Except Crewe is not on the way to Wellingsborough is it, so let's say Northampton this time. Although I'll admit I'm keen to hear your report on the gig and the venue and see your pics 'n stuff, I always enjoy your reports from the road. (bit of pointless trivia, I see that gig falls on my son's 10th birthday) Did you ever tour at all with Monsterworks even locally, or was that essentially a studio only project?

I really don't see how any band's music could be expected to be one size fits all and to have the same effect on multiple different listeners, even among the non goats. Aren't we all searching for something a bit different from one another? Don't we all receive music differently, each and every one of us? One man's best band ever is another man's mainstream trash, and visa versa. I saw your boy DT live one time about 15 years ago (quite by accident, I didn't even know who they were at the time or that they were playing that night) and his music didn't transport me anywhere.

Link to comment
Share on other sites

22 minutes ago, GoatmasterGeneral said:

I really don't see how any band's music could be expected to be one size fits all and to have the same effect on multiple different listeners, even among the non goats.

Yup, it's totally subjective.

I like Rammstein but I definitely don't get any kind of out-of-body transcendent vibes from them, it's just simple fun music.

Link to comment
Share on other sites

5 hours ago, JonoBlade said:

I had a post worked out which poked fun at "oob" music, until I realised it most likely stands for out-of-body experience. Tip: using capitals for an acronym is a really useful way of avoiding confusion.

So, it's unlikely that @RelentlessOblivion's interpretation of OOBE music as merely feel good metal is accurate as such. Although feel-good metal can also be surprisingly hard to come by.

I think King Gizzard & The Lizard Wizard might qualify as feel good metal.

PetroDragonic Apocalypse; or, Dawn of Eternal Night: An Annihilation of Planet Earth and the Beginning of Merciless Damnation | King Gizzard & The Lizard Wizard (bandcamp.com) 

I checked out Karybdis which was mentioned in your intro. It's not too bad, although I wouldn't describe them as an out of body experience (or "feel good" for that matter), since they sound pretty similar to a lot of shouty death/metalcore type bands. Reminds me of Sylosis maybe. However, they're good enough that I'd consider going to see them live, since it turns out they're playing about 40 minutes drive from me in a few weeks.

I haven't bought a Rammstein album since the mid 90s but I have heard a few tracks since then. I watched the Deutschland video over and over a few years ago as it was a fantastic marriage of sound and visuals. I suppose it was a bit transcendent/OOB.

Actual OOBE/transcendent metal is, I guess, the holy grail. Some people would rate Tool that way. I'd say Type O Negative for me. Devin Townsend is going for the transcendent vibe. He doesn't often nail it but some people love him for trying. Biomech/Ocean Machine (reissued as Devin solo album). That shizz is transcendent. Ocean Machine | Devin Townsend | InsideOut Music (bandcamp.com)

There is a scientific correlation between the application of absurd amounts of stereo delay and transcendence according to the Devin Townsend playbook.

There was a somewhat related thread which might have what you're looking for

 

 

 

 


 

Alright i’m going to level with you here, I was kind of poking fun at the OP assuming They wanted catchy, feel good stuff, and recommending the most depressing album I could think of at the time instead. Now that I actually think about it though there is a lot of Funeral Doom which has a meditative quality to it.

Link to comment
Share on other sites

23 hours ago, GoatmasterGeneral said:

No, I've never listened to Rammstein, didn't know that was the name of a song. Capitalizing it might have given me a clue. But at least your post makes sense to me now. I'm sensing we're not gonna be on the same musical wavelength you and I. What's "oob" mean, out on bail?

sorry 😭 I don't have auto capitalise on, I meant out of body and I realised my cock up after I posted it

Link to comment
Share on other sites

Well the obvious choice would probably be to look at some other bands in the same vein/genre. Rammstein is pretty much industrial in my mind so of course you've probably heard Ministry and a few of their more radio friendly peers like Faith No More or Nine Inch Nails. That side of the musical world has never really interested me though. It actually probably hindered me from delving deeper into the bottomless abyss of metal. In truth, I can't really hold much of a grudge against Rammstein since there have been and are much worse plagues afflicting the radio at any given moment.

I would say stay away from bands like Fear Factory and Machine Head who were both the waste byproduct of metal post-Ministry, and I'm sure there are people who would award things like Skinny Puppy or even Bauhaus or Type O Negative the 'metal' tag. That type of stuff was all over the place in the late nineties and early aughts. If you want to go a little more obscure you could always go with Coil, but travelling that path is going to lead you to some weird places of questionable value. If you want something more modern with some honest real metal in it that's not used just as window dressing for pop-industrial you could try a number of black metal influenced bands kicking around. My personal pick of that litter would be Progenie Terrestre Pura.

Outside of the genre though the question almost becomes too broad. There's upbeat versions of just about anything on the market. As a general rule though it's all about your preference as to how overtly 'happy' you want something to sound. Then the out of body thing suggests weirdness to me so perhaps Voivod if you want to keep the metal and the weirdness, but lose the radio friendly sensibilities.

Link to comment
Share on other sites

If you are looking for Rammstein-alikes, the style you're looking for is called Neue Deutsche Härte. You might enjoy Megaherz:

 

Oomph:

 

Eisbrecher:

 

I never got too into these or other NDH bands because they all sound too close to Rammstein to be anything other than ripoffs. But the style is poppy and formulaic no matter what, and I guess being ripoffs doesn't stop them from still writing good songs if this is the kind of thing you're looking for. I could imagine myself having a playlist of this kind of stuff in the background if I'm, I dunno, cleaning out the basement or something.

Link to comment
Share on other sites

They're better than Rammstein. But then who isn't?

But if it makes you feel any better Vic, I got myself good this time. Ever since I posted that stupid video I've been humming that falsetto vocal line from the chorus over and over again while cooking dinner and doing dishes. You know what they say, play with fire and you might get burned.

I do have my death metal list to work on though, so hopefully some gnarly cavernous death metal will help push the Callboy earworm out of my head.

Link to comment
Share on other sites

On 1/15/2024 at 7:56 PM, GoatmasterGeneral said:

 Did you ever tour at all with Monsterworks even locally, or was that essentially a studio only project?

Alas, not really. In the last decade I've only done studio projects. Before that MW did play live, but pretty rarely. I always found organising gigs in London to be a massive ball ache compared to the old days in Wellington when it was much easier.

I'd get back into playing live in a heartbeat if I had guys close enough to jam with regularly. The guys in my bands are spread over a hundred mile radius (or intercontinental) which is just enough to make it a hassle.

Bring on zero latency internet jamming!

Perhaps the one shining regret I have in life is not playing live enough. It makes one a wayyy better player/vocalist.

Link to comment
Share on other sites

3 hours ago, JonoBlade said:

Alas, not really. In the last decade I've only done studio projects. Before that MW did play live, but pretty rarely. I always found organising gigs in London to be a massive ball ache compared the old days in Wellington when it was much easier.

I'd get back into playing live in a heartbeat if I had guys close enough to jam with regularly. The guys in my bands are spread over a hundred mile radius (or intercontinental) which is just enough to make it a hassle.

Bring on zero latency internet jamming!

Perhaps the one shining regret I have in life is not playing live enough. It makes one a wayyy better player/vocalist.

Monsterworks performed more than once at The Stomach in Palmerston North right? I was there. 

Link to comment
Share on other sites

22 hours ago, Sardonicist said:

Monsterworks performed more than once at The Stomach in Palmerston North right? I was there. 

Crazy.

Yes. First album was recorded there too.

I don't remember how many times we played at the Stomach. It could have been a few times. I only remember the first gig ever with no bass player.

5 bands for 5 bucks.

 

Link to comment
Share on other sites

On 1/16/2024 at 8:27 PM, FatherAlabaster said:

If you are looking for Rammstein-alikes, the style you're looking for is called Neue Deutsche Härte. You might enjoy Megaherz:

Despite liking Rammstein in small doses, I never knew nor wanted to know there was a universe of Ramm-alikes out there.

Link to comment
Share on other sites

On 1/15/2024 at 3:52 PM, JonoBlade said:

I had a post worked out which poked fun at "oob" music, until I realised it most likely stands for out-of-body experience. Tip: using capitals for an acronym is a really useful way of avoiding confusion.

So, it's unlikely that @RelentlessOblivion's interpretation of OOBE music as merely feel good metal is accurate as such. Although feel-good metal can also be surprisingly hard to come by.

I think King Gizzard & The Lizard Wizard might qualify as feel good metal.

PetroDragonic Apocalypse; or, Dawn of Eternal Night: An Annihilation of Planet Earth and the Beginning of Merciless Damnation | King Gizzard & The Lizard Wizard (bandcamp.com) 

I checked out Karybdis which was mentioned in your intro. It's not too bad, although I wouldn't describe them as an out of body experience (or "feel good" for that matter), since they sound pretty similar to a lot of shouty death/metalcore type bands. Reminds me of Sylosis maybe. However, they're good enough that I'd consider going to see them live, since it turns out they're playing about 40 minutes drive from me in a few weeks.

I haven't bought a Rammstein album since the mid 90s but I have heard a few tracks since then. I watched the Deutschland video over and over a few years ago as it was a fantastic marriage of sound and visuals. I suppose it was a bit transcendent/OOB.

Actual OOBE/transcendent metal is, I guess, the holy grail. Some people would rate Tool that way. I'd say Type O Negative for me. Devin Townsend is going for the transcendent vibe. He doesn't often nail it but some people love him for trying. Biomech/Ocean Machine (reissued as Devin solo album). That shizz is transcendent. Ocean Machine | Devin Townsend | InsideOut Music (bandcamp.com)

There is a scientific correlation between the application of absurd amounts of stereo delay and transcendence according to the Devin Townsend playbook.

There was a somewhat related thread which might have what you're looking for

 

 

 

 

omg you checked out karybdis you're my new favourite person 

Link to comment
Share on other sites

54 minutes ago, Ozzy__ said:

OMG you checked out Karybdis, you're my new favourite person.

Yeah I did, but I thought they were fucking horrible. But you have to understand I'm an old man. Your dad would probably think I'm an old man. These modern sounding bands with their modern sounding production and their djenty 9 string guitars fuck me off to no end. It's nothing personal Ozzroy. 

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...