Jump to content

Exodus


khaos

Recommended Posts

  • 3 weeks later...

Re: Exodus I think they are a hit and miss band with Bonded by blood being a good album not a classic, with Baloff as as shitty vocalist, Fabulous Disaster being mediocre, and I have yet to hear Pleasures of the Flesh. Tempo of the damned is easily better than any of their early nineties mid-paced crap, as the band clearly got tired of thrashing and wanted to bore everyone to death with Impact is imminent and Force of habit.

Link to comment
Share on other sites

  • 2 weeks later...
  • 3 months later...
  • 4 weeks later...

Re: Exodus well yeah, Megadeth were strong until RISK, then started getting back to what Megadeth was about with United Abominations and Endgame, but they've gone downhill again with Th1rt3eN. if Exodsu had kept on going with albums like Tempo they too would fit into the return to form category but since that album they've really gone off the rails in my opinion

Link to comment
Share on other sites

Re: Exodus I can't say I agree about Megadeth, Countdown and Youthanasia were alright, but Cryptic Writings is where I draw the line. Some of their new stuff is good though. I like Exodus' albums with Dukes, but they aren't as good as Tempo. Not sure why he sounds hardcore-ish on the albums either, because live he sounds a great deal like Souza.

Link to comment
Share on other sites

  • 3 months later...
  • 9 months later...
  • 1 year later...
One of my favorite thrash albums is Fabulous Disaster. Bonded' date=' Pleasures, Impact, and Tempo are greatly enjoyable, too. I have not heard Forces of Habit so no opinion for that, but anything with Dukes on vocals I just can't get into.[/quote'] It doesn't seem to be the popular opinion, but Fabulous Disaster is my favorite Exodus album as well. Bonded By Blood is a classic with some killer songs, no question about that, but Fabulous Disaster was much more original and varied, while still being plenty vicious. The slightly off-kilter riffing and the drumming paint a pretty manic picture, and Zetro is in top form their, his phrasing and vocal lines are totally unique to him, and they compliment the music perfectly. Now that he's back in the band, maybe they'll play more than just The Toxic Waltz live. Sent from my HTC PH39100 using Tapatalk 2
Link to comment
Share on other sites

  • 2 months later...

I dig aggression as much as the next headbanger but to me Fabulous Disaster is Exodus at their very best. I struggle to tell songs apart on Bonded By Blood they get a bit samey. I have the same problem with the more savage thrash bands like Dark Angel and Morbid Saint. Coroner are my favourite thrash band as they combine aggression with technicality and variety in a way few bands can replicate.

Link to comment
Share on other sites

Fabulous Disaster is alright' date=' but nowhere near as good as Bonded. Aggression always beats variation.[/quote'] Fabulous Disaster is still plenty aggressive, and Souza's sneering vocals seem more vicious than Baloff's more wild delivery. You can't tell me that the title track, The Last Act of Defiance, Verbal Razors, etc... can't stack up in terms of intensity to Piranha, A Lesson in Violence, or Metal Command. It seems like people focus on the cover songs and Cajun Hell and forget how raging the other tracks are, but Bonded By Blood has slower tracks on it too, like And Then There Were None.
Link to comment
Share on other sites

Guest
This topic is now closed to further replies.
  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...