Jump to content

Avenged Sevenfold


The Strategos

Recommended Posts

Hi Everybody (Hi Dr. Nick :x ), I was listening to some avenged sevenfold (that's a looootttttt of avenging!) and thinking that the first album, Sounding the Seventh Trumpet (great, more on the list of chores to do!) was way better than the stuff which followed. I mean, it really was choas in the best possible way. I wonder what any Ax7 fans on this forum think (I know that you are out there, be brave and come forwards, we will not let others bring forth tears to our eyes :lol: ).

Link to comment
Share on other sites

Re: Avenged Sevenfold

Hi Everybody (Hi Dr. Nick :x ), I was listening to some avenged sevenfold (that's a looootttttt of avenging!) and thinking that the first album, Sounding the Seventh Trumpet (great, more on the list of chores to do!) was way better than the stuff which followed. I mean, it really was choas in the best possible way. I wonder what any Ax7 fans on this forum think (I know that you are out there, be brave and come forwards, we will not let others bring forth tears to our eyes :lol: ).
Not to be rude but there are a few a7x threads on here and not one of them is warranted because they are neither Metal or good. I suggest you check out some better bands. :D
Link to comment
Share on other sites

Re: Avenged Sevenfold Eek, sorry about the repeat posting! :oops: As to whether they are metal or not, I'm really not going to argue the point, as I can see good reasons for denying them the title. Nevertheless, I can't personnally bring myself to think that Metalcore is not metal, though I can see it is hardly its purest form.

Link to comment
Share on other sites

  • 2 weeks later...

Re: Avenged Sevenfold Avenged Sevenfold has always frustrated me because they've got so much potential, but they squander it away with the terrible vocals and all-around trendiness of their output. They've got a great, almost queen-like sense of harmony in both the vox and the guitars, and a knack for writing catchy songs, but... Sigh. Same with Trivium, the guitarists are incredible(Check their collab with King Diamond on the Roadrunner United album), but it's all so trendy and lame it makes me feel dirty for enjoying it even a little bit.

Link to comment
Share on other sites

Re: Avenged Sevenfold

well you feel bad for liking it so suppose I can't be too judgemental' date=' especially since I like bands like The Who and Pink Floyd that have absolutely NOTHING to do with metal[/quote'] Lol, I don't feel bad. I feel frustrated because I hear potential and I'm like, "Come on guys, break out of that mallcore mold, you can do it!" lol. As far as listening to stuff that has nothing to do with metal, I wouldn't feel bad about that at all. I listen to a wide variety of things. Metal just happens to be my favorite genre, the one I identify most with.
Link to comment
Share on other sites

Re: Avenged Sevenfold

for me it's all about metal' date=' hard rock, classic rock like Zepplin and the Rolling Stones, blues, jazz, classical and flamenco I despise modern pop, rap, hip hop, techno, dubstep and most of all reggae[/quote'] I like metal, hard rock, classic rock, classical, old rap/hip hop, old punk/hardcore, '80s synth pop stuff like Depeche Mode, New Order, the Cure, etc, some new age instrumental stuff, film scores, some older country like Johnny Cash or Dwight Yoakam, etc. I too hate modern pop, it sucks. No time is taken to craft a song anymore, it's all dance beats with a novelty hook that people can use for a ringtone.
Link to comment
Share on other sites

Re: Avenged Sevenfold Love 300, great movie to watch before a hockey match. :lol: Murph you should listen to lots of different stuff, that way you know what is shite. I hate all the modern pop stuff, it's just so manufactured. Metal is my genre of choice but I do listen to all sorts from opera to cybergoth to folk etc.

Link to comment
Share on other sites

  • 1 year later...

Can't stand bands like them, a few years ago I worked with 2 girls who were into those bands and played them often, and I could not get into it. It really bothers me how they sound kind of like 80s metal with the power taken away over pop vocals. I'm not condemning them, I can hear that they can play their instruments and the singer is obviously good at singing emotional songs for teenagers, but I can't stand the sound personally. It also bothers me cause, when I was a kid in the 90s, I was always getting crap from Korn fans and being made fun of for liking classic metal, and now guitar solos and Maiden type influences are cool. Just shows how fickle the mainstream is. Not that I respect any of the emo-metal bands for having Maiden influences, they play such a neutered form of them.

Link to comment
Share on other sites

Re: Avenged Sevenfold

Can't stand bands like them, a few years ago I worked with 2 girls who were into those bands and played them often, and I could not get into it. It really bothers me how they sound kind of like 80s metal with the power taken away over pop vocals. I'm not condemning them, I can hear that they can play their instruments and the singer is obviously good at singing emotional songs for teenagers, but I can't stand the sound personally. It also bothers me cause, when I was a kid in the 90s, I was always getting crap from Korn fans and being made fun of for liking classic metal, and now guitar solos and Maiden type influences are cool. Just shows how fickle the mainstream is. Not that I respect any of the emo-metal bands for having Maiden influences, they play such a neutered form of them.
It became en vogue to emulate the 80's again around the time Guitar Hero was selling like crazy. That is a good analogy, a cheap sterilized version of the real thing more about ironic worship of some characteristics of heavy metal, while missing the point entirely. Heavy metal is not guitar solos, guitars solos can be a consequence of heavy metal. Writing insipid songs to surround those regurgitated leads is a huge was of time, and is the antithesis of heavy metal itself, which is why most retro bands suck. Sent from my HTC PH39100 using Tapatalk 2
Link to comment
Share on other sites

Guest
This topic is now closed to further replies.
  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...