Jump to content

What's on your mind?


Apoc

Recommended Posts

There's only so much shit one person can deal with though. It's really the perfect storm at present my home life sucks, university no longer offers relief and I was sadly mistaken when I thought I'd broken free from the crushing grip of clinical depression. Perhaps the solution is embracing the darkness rather then resisting it.

Link to comment
Share on other sites

Man, I hate that. I'm sorry you have to go through it. My depression got really savage about eight or nine years ago. The best thing I ever did was write music about it - at least something productive came out of my misery. It's not as frequent anymore but it still hits me hard sometimes. The times when I'm not depressed, I'm really glad that I didn't give in to it. I guess I shouldn't listen to Shining! :P

Link to comment
Share on other sites

Re: What's on your mind?

Test post... did I get flagged for something? The last thing I tried to post, I got a message saying it had to be "approved". How, I wonder, could I, a simple Knight, have so angered the Forum Masters? edit: hmm, no... that one worked. Weird.
That happens once in a while, and I'm not sure what does it. At least it tends to be fairly isolated, maybe only once every two or three weeks do I hear of it happening. Sent from my HTC PH39100 using Tapatalk 2
Link to comment
Share on other sites

Re: What's on your mind?

Vocals or guitar harmonies? Why don't you like it?
For some reson, there is one note we're harmonizing as a major third and it sounds like shit every time we try. Other notes prior to and after that note use the same harmony (but not all of them), it's just this one that we can't get to work. Sent from my HTC PH39100 using Tapatalk 2
Link to comment
Share on other sites

What's the issue, does it not fit the song or does it actually sound out of tune? Is your bassist hitting the right note? Shit like that does just happen sometimes... I treat it as a sign to pare things back. I just did a really nice vocal harmony intro that doesn't seem to fit with my song the way I'd intended, so you're not alone...

Link to comment
Share on other sites

No bass it's just two guitars and when we play the individual notes of a fragmented chord together the note(s) sound horrible. When strummed individually they sound right. The theory is sound but the practicality isn't. We'll figure it out eventually but it didn't work like it should've. A friend of mine said it was probably the F# that was throwing us off, we tune to B,E,A,D,F#,B. He said if we played in the key of C it should work but I think we tried it. Either way it's befuddling.

Link to comment
Share on other sites

Re: What's on your mind?

No bass it's just two guitars and when we play the individual notes of a fragmented chord together the note(s) sound horrible. When strummed individually they sound right. The theory is sound but the practicality isn't. We'll figure it out eventually but it didn't work like it should've. A friend of mine said it was probably the F# that was throwing us off' date=' we tune to B,E,A,D,F#,B. He said if we played in the key of C it should work but I think we tried it. Either way it's befuddling.[/quote'] We didn't use the F# string though, so I don't think that's it. And no Murph, we didn't try a different octave, which is actually a good idea. Sent from my HTC PH39100 using Tapatalk 2
Link to comment
Share on other sites

Sometimes I've had problems when the two guitars have different intonation, but little tuning issues aren't usually as apparent in a third, at least not to me. Eh. Theory is all great, but I usually just use my ear and when something sounds cool, I figure it out afterwards. I'm sure you guys will get it sorted out. I'll be interested to hear new stuff, I like what you've got on soundcloud.

Link to comment
Share on other sites

What's really on my mind now: My kid figured out how to pour milk into his glass. Unfortunately he's not great at it just yet. So half the carton wound up in his glass; the other half is on the floor. Now he's swirling a spoon around in his glass and taking out spoonfuls of milk and dumping them on the table. Yes! Amazing! And my beloved Galaxy Note II has a malfunctioning USB port, so it won't charge. So it's dead. And my wife forgot hers at work on Long Island, by sheer coincidence. I'm liking phoneless life, I'd forgotten how relaxing it was.

Link to comment
Share on other sites

What's on my mind? VICTORY!!! Once again when given no hope of winning Port Adelaide, the AFL's overwhelming underdog, pull through for the win. I don't even care what happens for the rest of the week 'cause nothing is going to keep me from smiling. I get not many on here get sports (and to be honest sometimes I don't get why it's such a big deal either) but as a supporter I have to say moments like this are what it's all about.

Link to comment
Share on other sites

Re: What's on your mind?

What's really on my mind now: My kid figured out how to pour milk into his glass. Unfortunately he's not great at it just yet. So half the carton wound up in his glass; the other half is on the floor. Now he's swirling a spoon around in his glass and taking out spoonfuls of milk and dumping them on the table. Yes! Amazing! And my beloved Galaxy Note II has a malfunctioning USB port, so it won't charge. So it's dead. And my wife forgot hers at work on Long Island, by sheer coincidence. I'm liking phoneless life, I'd forgotten how relaxing it was.
I mostly just use my phone as a computer, since I don't have a home computer, I hate cell phones. They give the illusion of freedom, being hands free and allowing you to communicate whenever you choose, but they're more of a tether tying you to everything else. Cell phones come with the expectation that you should always be available whenever somebody wants something from you, diminishing any sense of freedom that they should bestow. Sent from my HTC PH39100 using Tapatalk 2
Link to comment
Share on other sites

I'm impressed that you manage to run the forum without a home computer. Smartphones are insidiously addicitive. I didn't even realize how frequently I looked at the thing until it died. I still find myself glancing at it every so often. Behavioral conditioning. Unfortunately, in NYC, they're the lifeblood of professional and social circles. I miss having the camera to take pictures of my kid when he does cute stuff. And I used it as my mp3 player, so I kind of miss that, but I shouldn't use earbuds for a while anyway. I have something wrong with one of my ears - it keeps filling up with fluid, especially at night. It sucks because I'm close to finishing my recording and I want to have my ears fresh for any mixing tweaks that need to happen. No way I could pay a pro to mix the stuff for me.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.


  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...