Jump to content

What Are You Listening To?


khaos

Recommended Posts

It is indeed' date=' as is Abject, I actually think Ingrate is the easier listen of the two. Planning on reviewing both by the end of the week.[/quote'] Both are great. I love the intensity of Abject and have listened to it more than Ingrate. Def one of my faves @ the moment. Kicking myself for not have listened to these sooner. FA - Do you have any physical copies of Ingrate to purchase?
Link to comment
Share on other sites

Both are great. I love the intensity of Abject and have listened to it more than Ingrate. Def one of my faves @ the moment. Kicking myself for not have listened to these sooner. FA - Do you have any physical copies of Ingrate to purchase?
Yes, and thanks! I'm really happy you're enjoying it. I also finally got some more copies of White Light Came Down (our 2005 album) from the owner of our old label. PM me.
Link to comment
Share on other sites

Yes' date=' and thanks! I'm really happy you're enjoying it. I also finally got some more copies of White Light Came Down (our 2005 album) from the owner of our old label. PM me.[/quote'] Sweet, I think I just have that burned copy of White Light from when we traded for Ingrate, now I can get a full version. Sent from my HTC One_M8 using Tapatalk
Link to comment
Share on other sites

Yeah, Pecan Tree is definitely a stand-out. I love the final movement/build up that starts half way through the track. One of the moments that remind me most of GYBE!, which is defo not a bad thing. I think it's mostly the vocals I'm still on the fence about; at first they seemed pretty flimsy and one-dimensional, but I'm growing to like them more as I get more to grips with the music. Oddly enough, the record sorta remind me of Deftones at times, with the overall vibe/mood they seem to be going for. Intriguing album I'll defo be returning to. Would recommend you listen again as it seems quite the grower. NP: Fugazi - Repeater
Yeh.. I liked the first track too, so I recall. I read about this band and hear 'shoegaze' ...I do not know what 'shoegaze' is or 'post-rock'?.. I am no good with genres! I just listen to what makes me feel good. Hmm I love the Deftones White Pony album and the atmosphere on that. I will definitely give this another listen. Cheers.
Link to comment
Share on other sites

Jane Doe- Converge Does anyone think this band is an actual metal band? I am constantly finding lists of the best metal albums over some arbitrary amount of time(because humans have some inane compulsion to make lists of things) and I've found this album on a lot of those lists. Is it me or is this just a hardcore band?

Link to comment
Share on other sites

Jane Doe- Converge Does anyone think this band is an actual metal band? I am constantly finding lists of the best metal albums over some arbitrary amount of time(because humans have some inane compulsion to make lists of things) and I've found this album on a lot of those lists. Is it me or is this just a hardcore band?
They fit the label "metalcore" quite well. I think they have more of a hardcore punk outlook, attitude, and style, but there are plenty of metal influences in there as well. Sent from my HTC One_M8 using Tapatalk
Link to comment
Share on other sites

They fit the label "metalcore" quite well. I think they have more of a hardcore punk outlook, attitude, and style, but there are plenty of metal influences in there as well. Sent from my HTC One_M8 using Tapatalk
The music is good, it just doesn't fit the mold to me of a metal band.
Link to comment
Share on other sites

The music is good' date=' it just doesn't fit the mold to me of a metal band.[/quote'] Check out "When Forever Comes Crashing", the one before "Jane Doe". They're definitely a hardcore band, but the metal influences in the riffs and drum parts are undeniable. That album and Dillinger's "Calculating Infinity" are my two favorite examples of why metalcore doesn't have to suck.
Link to comment
Share on other sites

Check out "When Forever Comes Crashing"' date=' the one before "Jane Doe". They're definitely a hardcore band, but the metal influences in the riffs and drum parts are undeniable. That album and Dillinger's "Calculating Infinity" are my two favorite examples of why metalcore doesn't have to suck.[/quote'] Adding pop to the mix and using only the most base elements of metal and hardcore is a pretty sure fire way to plunge it into unrepentant suckage, which is all too often the case unfortunately. Sent from my HTC One_M8 using Tapatalk
Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.


  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...