Jump to content

everyones favourite metal record labels.


DoomedFromTheStart

Recommended Posts

hello im doing this post to find out what are  other forums members favourite metal labels especially the less well known ones. recently i discovered dusktone records of italy as noctu released on this label in september and found it on metal archives. but i found other music i liked on the label which is an interesting selection of various forms of mainly black metal. 

Link to comment
Share on other sites

I no longer have one.

Used to Noise, Roadrunner, Nuclear Blast, Century Media and Earache back in the early 2000s.  Some of those were defunct at that stage (Noise) or turned to shit (Roadrunner) but back catalogue was generally awesome.

But these days the labels are all totally erratic so I don't bother.

Link to comment
Share on other sites

I typically like 2-3 bands at most on any given label's roster and then there's a whole bunch of stuff that doesn't appeal to me. 20 Buck Spin, Willowtip, Debemur Morti, WTC, Avantgarde, Pagan, Norma Evangelium Diaboli, Lavadome, Season Of Mist, Peaceville, Candlelight, bigger names like Relapse, Nuclear Blast, Century... I dunno. One person's trash is another's treasure.

Link to comment
Share on other sites

I don't go by labels since you can hear just about whatever you want before you decide to buy. But some of the better underground labels I've gotten stuff from would be:

Transcending Obscurity, Iron Bonehead, Godz of War, Invictus Productions, 20 Buck Spin, Dark Descent, Deathlike Silence, DeBemer Morti, Profound Lore, I Voidhanger, Agonia Records, Satanath, Me Saco Un Ojo, Everlasting Spew, Sentient Ruin, Burning Coffin Recs, Redefining Darkness, Unspeakable Axe, Sepulchral Voice, Osmose, Nuclear Winter, Caligari Records, Xtreem Music, Memento Mori, Iron Pegasus, Veins Full of Wrath, World Terror Committee (WTC) Awakening Records...

Link to comment
Share on other sites

I gotta give it to I, Voidhanger. Their roster is heavy and varied, and whoever does their scouting has a great nose. Most of all though their signings have one all important factor: is it interesting? Even if I don't like something, being intriguing can almost always swing an album in my favor or, failing that, at least give me pause to remember to go back and listen again. Not all of their signings are good, and there's no such thing as an 'I, Voidhanger' sound to identify an album like with say 20 Buck Spin, Razorback, or Unique Leader, but they are all interesting and theyh've brought some of the most eye-opening metal experiences to the table for me for years now.

Link to comment
Share on other sites

Back when Relapse was mostly a grindcore/death metal label I could pick up almost anything blind and it would be at least a 3/5. Not so much now a days.

I think some labels that I almost always trust to at least be interesting is Debemur Morti, 20 Buck Spin, Deathprayer, I, Voidhanger, Norma Evangelium Diaboli and Sentient Ruin.

Link to comment
Share on other sites

  • 6 months later...

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...