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Swans/Soundtracks for the Bind (1996)-It's been said by many, that in a career of making weird albums, this is the weirdest album Swans ever made. love it or hate it-and fans fall on both sides of the fence (I am on the love side) there is nothing like this album. The album that was the final straw breaking the Swans for 14 years. They reformed in 2010'ish and they came to more general notoriety in 2012 with their massive trilogy beginning with The Seer in 2012 which garnered a great deal of praise in all music internet sites that cover left of field experimental music, which is when I discovered them. 2012 was when I got into headfi and hifi gear, put together a proper listening system and started following the machinations beyond metal. At any rate, Soundtracks for the Blind (2 discs, 4 LPs) and 26 tracks is a herculean listen at over 2 hours. It's long been a favorite for fans of experimental rock music. Some would say it's been eclipsed post 2010 in terms of what Gira strove to achieve-some kind of transcendental music that pulls from many genres. It's an album that requires patience, there is over indulgence and bloat to be sure, but I find the entire experience utterly compelling. The roots to Soundtracks predates 1996 some 10 years to the beginning of the Swans existence and is as you might guess, conceived to be the soundtrack to movie that never existed. There's quite a bit ambient music and overall vibe of ambient drone on this album, but also explosive music and field recordings, and creepy, voyeuristic voice tracks. I believe Gira and Jarboe both recorded people in their lives with mental and physical health problems to create a sense of watching a film designed to give the listener a feeling of discomfort. The album is unsettling and beautiful. Much credit has to go to Jarboe, Gira's long time collaborator who has one of the most elastic, powerful, beautiful and at times brutal female voices in experimental music. In fact, the entire album has a combined effect of surrealist experience-reminiscent of a bizarre David Lynch movie and other worldly experience beyond the capacity to explain in words. The voice overs create a sense of watching a haunting documentary of some corner of the underbelly of twisted human existence-ne'er do wells living sordid, utterly depressing lives-something that draws me in, repels me but I just can't take my eyes off the screen--- or perhaps, turning to look at the multi car accident on the other side of the highway-traffic backed up for miles, emergency vehicles, cars burning, bodies on stretchers....and you just can't restrain yourself from slowing down to look at the carnage. There is nothing that I've heard that sounds like this album.

Afterbirth - In But Not Of (2023) Slimelord - Chytridiomycosis Relinquished (2024)

I haven't heard anything else quite like it either. It's been years since I put myself through it. The voice recordings are really unsettling. I remember reading somewhere that they combed through a lot of secondhand tapes from pawn shops and so forth, but I don't actually know the backstory for those. As far as the later stuff goes... kudos to them, and I like it. I really got into the immersive soundscape of To Be Kind. But none of it is as compelling to me as the pre-breakup material. Maybe that's just because I listened to it so much when I was younger. Maybe part of it is also what Jarboe added. I don't get into her solo stuff, but she brought so much depth and weirdness to the band.

Fair enough I suppose even if I think "demanding" is a little strong. I should probably profess my love of gritty hand drawn artwork more often, and especially if it's sub sword and sorcery b-grade fantasy related. I'll occasionally criticize some of it for having very poor depth of field (that new Cirith Ungol still hurts my eyes), or trying to mimic Dan Seagrave and ending up just looking too busy. Also musically maybe I am a little harsh on certain bands. If I'm being pulled both toward the extremely technical end of things or the simpler exposed raw nerve feeling over execution school, I probably resist the simpler one a little more. Still some of my personal favorites do come from that side. It might be that higher levels of complexity to my ears allow for a ton more variance and personal style. I can completely understand how somebody might hear Decrepit Birth and just hear later era Death worship. What's more they'd probably be correct to say so, but because of the abundance of musical choices made in the course of a given Decrepit Birth song I tend to listen to how and where they deviate from Death's style, and that's a little harder to do with a band that worships Under The Sign of The Black Mark era Bathory. When it hits me though, it hits hard. NP: Overpower - Becoming the Tyrant Becoming The Tyrant | Overpower | Mercenary Press (bandcamp.com) Nifty little EP. Crunchy guitar tone. The pace changes edge a little too close to crossover thrash/hardcore for me to rave about it.

So far in 2024- Dodsrit/Nocturnal Will-early EOY list contender for me Judas Priest/Internal Shield Borknagar/Fall Chelsea Wolfe/She Reaches Out to Shea Madder Morten/Old Eyes New Heart Ihsahn S/T The Smile/Wall of Eyes

No issue, no need to defend. I'm surprised that you love it. Knowing how demanding and analytical you are in your listening, it seems incongruous to me. I feel like if you heard the musical equivalent of something this derivative and poorly executed, you'd have a scathing review ready to go before the end of the first song. I do think there's a very broad spectrum of "good art", and something doesn't need to be technically impressive to be impactful and meaningful, and being a good illustration is outside of both of those considerations. But even with that in mind I think this cover art sucks. It flaunts a lack of effort. So many other images in the genre are just way cooler and better done. I don't really put a lot of stock in cover art either way but this makes me a bit less likely to want to listen to the music. So yeah, I'm a little surprised to see your high standards for music juxtaposed with genuine enjoyment of this piece. But I'm also not telling you what to enjoy... if this works for you, then great. You are the target audience. Love wins.

Slayer - Hell Awaits (album)

Set I saw Saturday night was only from the first 3 albums. Might have to pick those up. Another show tonight. Goth night with the girls. First local show I've ever managed to get the wife to. Twin Tribes - Pendulum Urban Heat - Wellness

Really? Unironically?

NP: MC @GoatmasterGeneral's Black Metal Mixtape Vol.666 (TM) I've been listening to some of Goatmaster's black metal recommendations from a few pages ago. It was fun to explore something different from my usual thrash & death. As I expected most of it wasn't my cup of tea. I just find most black metal boring. I like speed, good production with an evil sound. Too many bands play simple or slow riffs and go for an epic sound instead... Didn't get a chance to check everything but the bands I enjoyed were Armagedda, Deus Mortem, and especially Murg. Murg - Varg & Bjorn. This one I really liked. A lot of memorable, fast-paced melodies and interesting guitar layers. The raw production suits the guitarwork and adds depth to everything. Seems like you're always hearing a cool melody beneath everything. Riffs often wrap up with unusual / undecipherable chord combinations that create a timeless sounding atmosphere. Here's one of the slower tracks but those guitar layers starting at 30 seconds in teleported me to a different place and time. Pure magic.

Those two and Non Serviam are the ones I go for. I haven't warmed up to anything past that yet.

Rotting Christ - Triarchy of the Lost Lovers Rotting Christ - Thy Mighty Contract