When I was 14 I witnessed the video on Raw Power TV to the title track from Judas Priest's "Painkiller" album. I hadn't heard any Priest up until that stage despite me having a good selection of Iron Maiden and Saxon records under my belt by that age. "Painkiller" blew me the fuck away! I mean, what was not to love? Thunderous drums, a mix of gruff and shrill vocal antics and duelling lead guitars. I went straight out that afternoon and bought the album on blasted it for consecutive days fo
One of my favourite urban myths is that you will go blind if you masterbate too much. Listening to Portal might make you go blind as you ears frantically take resource from your brain that was needed for mundane tasks such as vision and bladder control as they try to cope with the relentless auditory assault of "ION", however pulling your pud won't affect your eyesight boys. Science bit over, on with the review.
"ION" seems instantly more refined than previous outings. Don't get me wrong
Fucking hell. Where to start really?
Nu-metal is apparently alive and well in 2018 and I don't like Nu-Metal, so the prospects for positive words in this review are slim. It is not that I don't like Machine Head. I mean I am not one of the mindless internet troll brigade who respond to every release with "These guys made "Burn My Eyes" and listen to this!". Get over it bell ends, there's no more "Burn My Eyes" nor is there anymore "The Blackening" left to come. Whilst I will openly adm
Watain's last album "The Wild Hunt" got slated on one internet review for being "Nu-Dark Funeral with the heart of Bon Jovi". Whilst a certain amount of butthurt contributed the scribe of aforementioned review choosing such a frankly ridiculous statement, it was unfortunately indicative of the direction change of the album that saw the raw and ferocious nature of the band be trimmed back to make way for more melodic, progressive and accessible aspects.
"Trident Wolf Eclipse" is a return to
Two album reviews in one day today. Boy, will I sleep tonight. Although perhaps not as easily as I might think. "X - Varg Utan Flock" has a bit flustered, a bit confused yet in a good way - like when I saw a magician at my friend's wedding and he wasn't just counting cards even though he didn't walk through a wall either.
Shining's latest album twists and turns as it unfolds in front of you like some venomous snake. Depressive tone? Tick. Demented vocals? Check! Sad piano track? That
After two singles – 2014’s poppy “inner Enemy” and the somewhat more straight-laced “The Promise” in 2016 – Swedish progressive metal maestros Seventh Wonder have recently announced their new album “Tiara”. The release is being mixed by Oyvind Larsen, the man responsible for mixing on the already-mentioned singles. The album has undergone mastering by Jens Bogren at Fascination Studios. Bogren has previously worked with other progressive metal stalwarts such as James Labrie, Katatonia, Opeth and
I call false album title. There's no doom on here folks. Any flare-wearing readers can stand down at this point of the review. I imagine the doom aspect of the title refers to the medieval threat of some Tolkien inspired fictitious army that Summoning have kindly recorded a soundtrack for. If you are familiar with Summoning there's little in the way of anything new here as the Austrians again bring their own brand of epic/atmospheric black metal to 2018. I would be interested to know what @
Sorry deathstorm, I don’t like it.
It took me a while to come round to Amaranthe. I first heard them when they were announced for the roster of ProgPower XIII and thought they sounded too poppy, sage musical critic that I was. I did entertain the idea that that was the entire point, but dismissed them as being too technically lacking in any case. Their second album, The Nexus, featuring the least inventive album art I’d seen in a while, was a marked improvement, with its title track nearly
Is there any success in avoiding failure? I mean there are no bones to make about it, Morbid Angels last offering was fucking terrible. In comparison to that "Kingdoms Disdained" is an absolute triumph with all hints at "experimental" (or just downright "shite" bits) thankfully lost to the annals of catastrophic album releases from 2011. But is it enough to improve on one of the worst releases ever by harking back to what you know with such totally that, inevitably, you risk judgement of bein
The thing I like about Death Metal is that it is not something that (to my ears at least) always needs to be evolved/done differently/combined with the chants of Goatherders. Don't get me wrong I like - what my old English teacher in High School would call - "a plethora" of DM styles/genres/sub genres/other neat pigeonholes and nicely labelled boxes, but motherfuckers a lot of the time I just want my DM rammed straight down my fucking throat by a large boot.
In this instance I am talking D
"Wizard Bloody Wizard" is like the lifting of a thick fog. From the off there's a feel of a dense weight being lifted from the band's signature occult/stoner blend of doom. By the time I get to track two "Necromania" things almost seem like a dark cock-rock affair which is odd. The over-arching feel though is of a band who have gone off the boil somewhat. Despite the aforementioned lifting of the heavy atmosphere "Wizard Bloody Wizard" seems more of ground out effort made under some duress
Whether you love or hate Cannibal Corpse, their penchant for churning out accessible, fun and consistent DM can't be denied. Yes when they suck they really do suck (Gallery of Suicide), but even if technically never more complicated than most Kinder egg toys there's always a familiarity to CC albums that appeals. I get those that hate that familiarity. If you prefer to become lost in a Portalesque vortex when enjoying your extreme metal then the obvious churn of CC won't be for you. However,
Like some journey whilst blindfolded and hogtied in the trunk of a kidnapper's car, you never quite know where you'll end up with Blut Aus Nord. The blend of near poetic melody contrasted with their harsh industrial leanings and complimentary darkest of ambience across their discography can leave the average metalhead spinning on their metallic shoulders. Counter-intuitively you end up waiting for the next change, chop, turn or trick whenever you listen to anything new by BAN and this almost s
Shut up, just shut up any naysayers out there already reading this going "Urgh, that's not a metal album and you can't review a non-metal album on a metal forum because it isn't HEAVY FUCKING METAL DUDE!" I have a Masters degree in pissing on other people's chips and so no amount of brandishing your "metul blud" at me will make me not do this. You frankly have more chance of setting up a successful business in North Korea selling BBQ's and Rimmel products (DISCLAIMER -other expensive face pain
There’s not enough circus metal. It is fundamentally a bit goofy, but performed correctly it’s one of the most irresistible concoctions the metal world produces, perfectly mating the technical with the catchy. Genre junkies like me rely on a clutch of specialized bands for consistent output, and with the 2015 demise of Unexpect, arguably the field’s greatest artist, we were left with one fewer reliable supplier.
Mercifully, this relative drought will be alleviated on December 8, 2017 by non
Contrarian is a sometimes international progressive death metal collaboration featuring George Kollias of Nile on drums, and on "To Perceive Is To Suffer", their second full-length, he steps up to perform vocals as well. If you like mid-90s Death, there's a good chance you'll like this album. Comparisons to the early Floridian prog-death scene are obvious from the outset, but this recording is no mere hero worship; it offers a fresh and sincere take on the style, brimming with intricate yet memo
Akercocke has always been an eclectic band. Eighteen years after the release of their debut, they're more eclectic than ever. "Renaissance In Extremis" finds their trademark pastiche of extreme metal, progressive rock, electronic textures, and moody atmospheres at its most varied and dynamic. Yet, for all of its expansiveness, there's still an evident connection with the brutish black/death metal of their early years.
Longtime fans of the band (especially their previous two albums, 2005's "
An hour and twenty three minutes is a significant period of time. I could clean my whole house or prepare and cook a three course meal in that time. Thankfully Bell Witch obviously have a cleaner and/or a chef as they decided to write one track during the time it would take most of us to commute to work. Fans of Bell Witch will already know their sound to be unusual in the sense that there's no guitar and they produced one of 2015's best releases when they dropped "Four Phantoms" to the doom
Essex, England is famous on Brit TV for reality TV shows portraying residents of the county as being sufficiently lacking in educational merit to be able to answer pressing questions like, "Which way is up?" without a significant pause for thought. Whilst the British TV watching public clearly enjoy watching the blissful ignorance of the beautiful but frankly thick as pigshit youth of Essex, the same masses are no doubt equally blissfully unaware of the mighty monolith of metal that is The King
I’ve been watching a bunch of nature documentaries recently. Dangerous animals only, for the most part, because I refuse to devote an hour of my life watching turtles mosey around the deep blue. Additionally, I’ve sought out very in-depth material so I can appreciate the animal being analyzed. As a result I’ve been able to watch a decent amount of material closely scrutinizing the habits of predators, and that’s given me a particularly good context for understanding Sadist’s 2015 album “Hyena”.