Jump to content

Cradle of Filth


General Metal

Recommended Posts

Re: Cradle of Filth I was introduced to them when I was in high school, I can't recall what grade. I thought (and still think) that their name was stupid, that is until the store owner played 'Cuthulu Dawn' from Midian. I was a die hard fan from that second forward. I've got all their material and was fortunate enough to see them once. I've never understood why they've received such intense hatred over the years as they are an original band that keeps reinventing themselves.

Link to comment
Share on other sites

Re: Cradle of Filth

They're one of my favourite bands' date=' and I would say that they fit into the Black Metal genre, just not well. It's probably closest in my opinion. I like Dani Filth, and how intelligent he is, and how funny he is. I mean, his comment that CoF were "Heavy Funk" made me laugh so hard.[/quote'] He is funny, especially in their older days. I don't consider them BM, I've always considered them to be Occult Metal or Gothic Metal. Then again if doesn't sound like Venom its NOT BM to me. :mrgreen:
Link to comment
Share on other sites

  • 4 weeks later...

Re: Cradle of Filth I hope their next release is better then their last two. Not that those albums were necessarily bad, but they fell beneath the bar on over all quality. I like that they've gotten heavier (since Damnation and a Day) but they've lost their signature sound in the process. Due to personal changes of course but its apparently worked out for them. They're one of those few bands that I could be happy with if they still sounded like they did on their third or fourth album. Some bands you want to grow and expand, I think CoF shouldn't have been one of them.

Link to comment
Share on other sites

  • 4 weeks later...

Re: Cradle of Filth I like all of their stuff, but they haven't really been black metal for some time. The influence is still there, and even in their death metal days, the gothic influence was there, so they've really just shifted focus over the years. That being said, I don't think they'll ever top Vempire or Dusk.

Link to comment
Share on other sites

Re: Cradle of Filth I used to be a huge fan but now not so much, I don't mind listening to them every now and then but not a band that I play frequently, I think they're somewhere between black and death metal but I haven't heard anything they've done since Godspeed On The Devil's Thunder

Link to comment
Share on other sites

  • 4 weeks later...

Re: Cradle of Filth I agree to a point regarding them peeking at Damnation. I didn't like Nymphetamine so much upon the first few listens but its grown on me. I do agree that from said album back was when they made their best material. I'd rate the following as such: Nymphetamine - 7/10 Thornography - 5/10 Godspeed On The Devil's Thunder - 6/10 Darkly, Darkly, Venus Aversa - 4/10 I like that they've gotten heavier but they don't really sound like themselves anymore.

Link to comment
Share on other sites

Re: Cradle of Filth Mmm, actually I agree - Godspeed is better than Thornography. Nymphetamine has some of my favorite songs on it - Absinthe with Faust and the title track come to mind, but there's too much filler on that one. Damnation isn't actually my favorite (that would be Dusk... and Her Embrace), but it is the one where I feel like they accomplished exactly what they were trying to - and in many ways the albums following it feel like they are trying to recapture that.

Link to comment
Share on other sites

Re: Cradle of Filth This might be controversial - Andrea Meyer/Nebel/Haugen/whatever the hell she goes by nowadays (the vocalist on the debut) had a more haunting and sexy speaking voice than Sara. Discuss. :D (Also, were you guys aware that she's also Samoth from Emperor's ex-wife? Lady gets around - she did the Cradle thing then moved to Norway and married Samoth, then divorced him and moved back to England :D)

Link to comment
Share on other sites

Re: Cradle of Filth

This might be controversial - Andrea Meyer/Nebel/Haugen/whatever the hell she goes by nowadays (the vocalist on the debut) had a more haunting and sexy speaking voice than Sara. Discuss. :D (Also, were you guys aware that she's also Samoth from Emperor's ex-wife? Lady gets around - she did the Cradle thing then moved to Norway and married Samoth, then divorced him and moved back to England :D)
I figured as much as, regarding your favorite. Damnation is a good CoF album but hardly their best. Principals was my favorite for several years before Cruelty took it over. Dusk is brilliance (I never understood why so many said it was their best however). I hated Vempire for the longest time, but it's grown on me. The same goes for Bitter Suites. That album was 90% filler when I first heard it. I've since lowered that to about 45%, lol. I think Midian was their most professional in terms of production and solidified style. It took the best of their original sound and blended it with what they were heading towards. A favorite for a long time as well. My biggest complaint about it was the fact that they used PRS guitars and they ALL sound the same to me. That and hundreds of bands in both metal and rock were using them and the stagnant tones they produce litter what should've been a better album. I also never understood why Sara was only a "session" member when she was practically the only person aside from Dani to be on every album. Her presence was negligible at best IMO. She never did enough to make or break any given song. I never know about Andrea however.
Link to comment
Share on other sites

Re: Cradle of Filth I don't think Cruelty is as good as the first few, or Midian for that matter. The production may have something to do with it, as my favorite CoF album, Vempire, has some of their thickest and heaviest guitar sounds. It also has their best songs, with the superior version of The Forest Whispers My Name, so it wins on all fronts for me.

Link to comment
Share on other sites

Re: Cradle of Filth From what I heard CoF has always been heavier. I'm sure I'd probably have liked more Emperor more if they had actually had good production. Shitty production doesn't equate "heavy" or "good" too me. It can play in a bands favor at times but over all it's a bad thing to be overcome. As it turns out, Anthems is the only Emperor album I like.

Link to comment
Share on other sites

Re: Cradle of Filth Agreed about IX Equilibrium (Although the first track, Curse You All Men, sounds really awesome when they've played it live). Prometheus is the one I've never been able to get into at all. Ihsahn's newest solo record is quite good, anyone heard it? Oh, and I've never heard any of Sara's stuff. I'm not a big enough fan of her voice to care, to be perfectly honest.

Link to comment
Share on other sites

Guest
This topic is now closed to further replies.
  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...