Jump to content

Cheers from London!


Alyy_A4

Recommended Posts

Hello everybody, I am a Spanish nurse living in London recently, discovering everyday the metal world here. I'm into all sorts of metal, from trash to hard rock, glam and power. But overall, I love their satanic majesties, The Rolling Stones. I usually go every year to a festival, I've been twice in Wacken and this year in Hellfest. It's great to meet new bands, that is what I'm looking forward here and also, meet metalheads from all over the world. See you around!

Link to comment
Share on other sites

Wow - The Rolling Stones described as satanic majesties? Fair enough, never been a fan of them myself but each to their own. Welcome to the forum anyway, stick about it's a decent place. I work for the NHS also (unless you work private sector) but not in a clinical capacity (anymore). Are you general nursing or psychiatric?

Link to comment
Share on other sites

Re: Cheers from London!

Wow - The Rolling Stones described as satanic majesties? Fair enough' date=' never been a fan of them myself but each to their own. Welcome to the forum anyway, stick about it's a decent place. I work for the NHS also (unless you work private sector) but not in a clinical capacity (anymore). Are you general nursing or psychiatric?[/quote'] They did have an album called Their Satanic Majesties Request, and were once a pretty dark blues rock band. Sent from my HTC PH39100 using Tapatalk 2
Link to comment
Share on other sites

welcome to this hall of the damned we call the metal forum :D Personally I feel satanism is the most hackneyed, over-used, ludicrous theme in metal. Predominantely satanism is used to make talentless bands appear frightening. That being said there are many excellent bands which flirt with the idea of satanism and satan in general.

Link to comment
Share on other sites

Hi guys! Thank you for the welcome! The Rolling Stones are known as Their Satanic Majesties from 1967 because of the song Sympathy for the Devil and obviously, for the Album Their Satanic Majesties Request. And this name is not related with Satanism, the title is a play on the "Her Britannic Majesty request and requires..." text that appears inside the British passport. But, at the same time, they were known for being the bad guys in Rock and Roll as well as The Beatles were the good guys, so this nickname was perfect. macabreeternal I am working for the NHS too, in a lovely hospital here in London, in PICU.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...