Jump to content

Leaves' Eyes


The Strategos

Recommended Posts

Re: Leaves' Eyes

But before you make such merciless mockery of them' date=' good sir, prithee consider whether anyone else in the Nine Realms of the universe has done anything quite like they have. Now stick that up your Ragnarok![/quote'] :? I would recommend NOT doing this in the future...Only NTNR is allowed to poke fun at BlutAusNerd. :D I know, Leaves' Eyes is basically Atrocity's lineup with a female singer. I actually know a girl here who looks a lot like Liv Kristine. I know Atrocity is death metal but what's their good material? Apparently their early stuff is technical death metal...
Link to comment
Share on other sites

Re: Leaves' Eyes

I appreciate the effort, but I don't need defending. Only their first two albums were really death metal, but they're two of the best tech-death metal albums ever IMO. Gorguts took a great deal of inspiration from Hallucinations, but Atrocity never seems to get the credit Gorguts does, they're just remember for their new-wave covers by most. Todessehnsucht is one of my favorite death metal albums, give it a listen if you're interested.
Link to comment
Share on other sites

Re: Leaves' Eyes So, I just checked out some of Atrocity, Todessehnsucht specifically, and I come back with the same problem I have with Death: the vocals. I don't like the way they're done at all. The two songs I did like (and could see the tech-death influence in) were 'Necropolis' and 'Sky Turned Red'. By the way, I actually checked out Leaves' Eyes because this folk metal-loving friend of mine kept saying good things about them. So, Liv Kristine is only on the first two TOT albums, right?

Link to comment
Share on other sites

Re: Leaves' Eyes

So, I just checked out some of Atrocity, Todessehnsucht specifically, and I come back with the same problem I have with Death: the vocals. I don't like the way they're done at all. The two songs I did like (and could see the tech-death influence in) were 'Necropolis' and 'Sky Turned Red'. By the way, I actually checked out Leaves' Eyes because this folk metal-loving friend of mine kept saying good things about them. So, Liv Kristine is only on the first two TOT albums, right?
They're the old school kind of guttural vocals, which I honestly like a lot more than the modern mic-cupping/gurgling/squealing approach. He uses more of a Mike Browning high pitched delivery on Hallucinations which may or may not work more for you, like this: s-WIATFF7xg Also, Liv Kristine is on the first 3 ToT albums, but I only have the first 2, which are awesome gothic and classical doom/death.
Link to comment
Share on other sites

Re: Leaves' Eyes You're right, I did prefer the vocals, but the music was more on the brutal rather than technical side of this, which I think is a bit of a disappointment. Anyhow, I suppose I'll go give the TOT albums a shot. Also, I'll see what Njord from Leaves' Eyes is like.

Link to comment
Share on other sites

Re: Leaves' Eyes

s-WIATFF7xg Also, Liv Kristine is on the first 3 ToT albums, but I only have the first 2, which are awesome gothic and classical doom/death.
I love this album! Killer old school Death Metal! You really need the third ToT album. It's decidedly gothic but it's just great. Their last good album until 'Storm' anyway.
Link to comment
Share on other sites

Re: Leaves' Eyes

You're right' date=' I did prefer the vocals, but the music was more on the brutal rather than technical side of this, which I think is a bit of a disappointment. Anyhow, I suppose I'll go give the TOT albums a shot. Also, I'll see what Njord from Leaves' Eyes is like.[/quote'] Remember that this is from 1990, and at this time Hallucinations was the most technical beast out there, the only other tech-death being produced at the time was by Atheist and Hellwitch, but I think Atrocity wins the battle of the three. I find that modern interpretations can often narrow perspectives regarding the foundations of various sounds, i.e. just because this isn't Necrophagist doesn't mean it isn't tech-death. I frequently run into similar problems with bands like Deep Purple, Venom, Possessed, and various other pioneers of genres that are often forgotten because of how far the sound has evolved from their initial pioneering, but that doesn't make those bands any less heavy metal, black metal, or death metal respectively.
Link to comment
Share on other sites

Re: Leaves' Eyes

Hi BlutAusNerd, That's really interesting you calling Deep Purple metal (I do like Deep Purple :) ) because they themselves always seem to claim that they where hard rock. P.S. since you like DP, do you like Rainbow - I love Stargazer in particular, it's so progressive - though I don't think that Rainbow are even remotely metal are they? P.P.S. Iceni, hope you enjoy Njord! :mrgreen:
Link to comment
Share on other sites

Re: Leaves' Eyes

Deep Purple were absolutely heavy metal, even if it was mostly restricted to their In Rock - Machine Head period with Ian Gillian, however there are metal songs on some of their David Coverdale albums, like Burn. Motorhead has always claimed to be a rock band as well, and that's certainly where their roots lie, but they're also a heavy metal band. Yes, I do like Rainbow, Ritchie Blackmore + Dio = win, it's too bad Ritchie would really distance himself from metal after that.
Link to comment
Share on other sites

Re: Leaves' Eyes

There was a lot more diversity back when the style exploded. People weren't afraid to be different. There were a lot of good bands and early Atrocity is a prime example of GOOD tech Death. Now everyone is trying to be more technical or brutal then the next guy because they can.
Link to comment
Share on other sites

Re: Leaves' Eyes

There was a lot more diversity back when the style exploded. People weren't afraid to be different. There were a lot of good bands and early Atrocity is a prime example of GOOD tech Death. Now everyone is trying to be more technical or brutal then the next guy because they can.
This is another good point, when a genre is developing, most bands are stretching out the borders of any given sound with merely some of the same central influences as a guide. Once the initial burst dies out, most bands will either focus on recreating the sounds of a few artists within that style, or focus on only a couple of aspects of what the originators were striving for. Today with death metal, we have a lot of Suffocation, Cannibal Corpse, Incantation, and Entombed clones, a few of which do have an original take on the sound those bands pioneered, and only a few bands that are really trying something different. What is interesting is that some sounds just die out for no reason and only a few paths seem to be followed, where are all of the bands trying to sound like Master, Order From Chaos, Pan.Thy.Monium, Pungent Stench, etc...?
Link to comment
Share on other sites

Re: Leaves' Eyes ...and this thread has officially been hijacked to planet old school death metal by the Nevertanezrans. *Imperial March starts playing* BRAAM BRAAM BRAAM BROM BRAH BROM BROM BRAH BROOOM... Anyhow, the interesting thing I notice is that no one's actually said that Leaves' Eyes is bad. I've just seen recommendations for Theatre Of Tragedy and Atrocity. I should say that 'Meredead' seems a bit low-energy compared to their other stuff. Liv Kristine seems less enthusiastic in particular. As for Theatre Of Tragedy (may as well keep on them, they are still gothic metal) I do like their first self-titled and Liv Kristine's voice sounds great, but it sounds like she's mumbling the words sometimes. Weird, because she usually has very good enunciation.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...