Jump to content

top fives


RelentlessOblivion

Recommended Posts

so here's how this will work, I'll start with a topic and make a list, if the next person agrees with all five then you start a new topic, if you disagree then put in your list and so on OK first topic will be best drummer in metal (living or dead) 1. Nicko Mcbrain 2. Dave Lombardo 3. Nick Menza 4. Vinnie Paul Abbot 5. Charlie Benante

Link to comment
Share on other sites

  • Replies 52
  • Created
  • Last Reply

Top Posters In This Topic

Re: top fives Oh, this will be hard... I'm almost certainly going to revise it. Favorite Guitarists: Marcus Sigfridsson (Harmony, 7days, Darkwater) Nick Van Dyk/Bernie Versailles (Redemption) Jeff Loomis (Nevermore) Michael Romeo (Symphony X) Jani Stefanovic (Divinefire, Solution .45, Miseration, Essence Of Sorrow, Mehida, Sins Of Omission) I need honorable mentions... Malek Ben Arbia (Myrath) Johan Liefvendahl (Seventh Wonder) Bart Frydrychowicz (Quo Vadis) Piet Sielck (Iron Savior)

Link to comment
Share on other sites

Re: top fives

if Grim Vocalist means what i think it means then Alan Dubin from Gnaw (Ex-Khanate) :P
I'm guessing it has to do with the tone of voice rather than harsh vs. clean vocals, but that's what I want to figure out.
Link to comment
Share on other sites

Re: top fives

Growling, shrieking, etc... Death/Black Metal vocalists.
Ahh. My top favorite death growlers: 1 Stephane Pare (Quo Vadis) 2 Joel Thorpe (Aletheian) 3 Jani Stefanovic (Divinefire, Miseration) 4 Christian Alvestam 5 Dharok (Sympathy)
Link to comment
Share on other sites

Re: top fives Top 5 Bassist: 1. Steve Harris (Iron Maiden) 2. Peter Steele (Type O Negative) 3. Alex Webster (Cannibal Corpse) 4. Steve DiGiorgio (Artension, Autopsy, Control Denied, Charred Walls Of The Damned, Dragonlord, Futures End, Iced Earth, Painmuseum, Quo Vadis, Sadus, Scariot, Testament, Vintersorg) 5. Felipe Andreoli (Angra)

Link to comment
Share on other sites

Re: top fives

Orchestration's a bit too heavy. And not quite enough bombast. Sure, Serenity is very symphonic but they are still power metal. I guess given that...what do you think of Epica?
Over hyped, trite & generic. :D I have a friend who gets hard every time someone mentions Simone and he's tried for years to get me into their music but I can't simply can't stand it. Her voice doesn't fit, the orchestrations are pompous at best and the music is painfully banal. There are plenty of Traditional and Power Metal bands playing the same riffs at the same speeds and ya. It's one of the bigger reasons I stopped listening to that kind of Metal years ago. I like Edenbridge a little bit, but they aren't based on speed and the singer isn't over the top (and her accent is cute as a button, lol). So to answer your question, I don't think too much of them. :D
Link to comment
Share on other sites

Re: top fives Started listening to them recently. I really don't think they're that bad, but they are over-hyped...possibly because of Simmonds' good looks. :D I suppose Edenbridge does have their corny power metal moment though...like this. r1dJDzB2OFU Do try not to have any water in your esophagus when watching it.

Link to comment
Share on other sites

Guest
This topic is now closed to further replies.

  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...