Jump to content

Bands You'd Like to See


Iceni

Recommended Posts

The idea behind this thread is to post ideas for bands whose concerts you'd attend and whose material you'd buy if only these bands existed. For example, I wish there were some band which sang about Old English history such as fighting the Danes and the Normans. I'd also like to see a tech death version of Omnium Gatherum... and some scarier symphonic power metal with harpsichords and a pipe organ. Anyhow, whatever oddball or downright awesome bands you want to see, feel free to put them on here!

Link to comment
Share on other sites

Re: Bands You'd Like to See

i'd like to see the sonisphere lineup of 2011, but instead of the big 4 headlining, it would be the other way around if that makes sense like i want all the little bands on top, because those were the bands i really liked :L
Well, that's not really what I meant. There are so many bands I want to see perform that I've got a whole Word document to keep track of them. I meant to ask: what bands would you like to exist that as of yet don't exist? I posted a couple of my ideas to get the discussion started. But I can somewhat relate to that...this year's ProgPower USA lineup has Sanctuary, Therion and Dream Evil, none of which I really like...but Darkwater was a last minute addition and I'd DEFINITELY want to go see them.
Link to comment
Share on other sites

Re: Bands You'd Like to See oooh i see! like Matt Halpern from Periphery on drums Daniel Tompkins from TesseracT on lead vocals Mikee Goodman from SikTh on secondary lead vocals Mårten Hagström from Meshuggah on rhythm guitar John Petrucci from Dream Theater on lead guitar . . . Les Claypool on bass . . . . . . .

Link to comment
Share on other sites

Re: Bands You'd Like to See So djenty prog-death with slap bass...yeah, I could go for that. :) I'll make a more detailed contribution: Rain Irving - lead vocals Michael Romeo-lead guitar Jani Stefanovic - rhythm guitar, growling Nick Van Dyk- keyboards, programming Rolf Pilve - drums Of course, for different moods different lineups work, but a synthesis of Redemption, Symphony X and Solution .45 with death growling and While Heaven Wept's vocals could, I think, be ownage.

Link to comment
Share on other sites

Re: Bands You'd Like to See Devin Townsend - vocals, guitars Roine Stolt - vocals, guitars Neal Morse - vocals, keyboards Mike Portnoy - drums Hm, weird combination. Would be interesting to see a fusion of these. Stolt, Portnoy and Morse work brilliantly together (as seen in the supergroup Transatlantic), seeing them combine with Townsend would be epic if it worked. On bass, not too sure, I don't really pay attention to bass :P

Link to comment
Share on other sites

Re: Bands You'd Like to See Good, this is rolling now! Interesting. I'll have to check out Transatlantic. Maybe put Jeroen Paul Thesseling of Obscura on bass...I suspect you'd like John Entwhistle, but sadly he's dead. But Neal Morse sounds like a great guy. I don't know about his music, I suppose I'll give that a shot too. But he reminds me a lot of Brahms, actually. Brahms was humble and witty, and he espoused a lot of the values I do. :)

Link to comment
Share on other sites

Re: Bands You'd Like to See You've got to listen to Neal Morse, it's like Christian symphonic prog rock/metal. And Transatlantic create the best epic songs ever. Their latest release, "The Whirlwind" (2009) is a single as well as a full-length album. It contains only one song: the 78-minute epic "The Whirlwind". Also, I got another idea today. If we combine: Devin Townsend - vocals, guitars Jem Godfrey - keyboards, vocals, guitars Andy Tillison - keyboards, vocals That would be awesome. You'd get the pure awesomeness and versatility of Devin Townsend, the brilliant, up-lifting jazz fusion-prog of Andy Tillison and the epic composition and pop-influences of Jem Godfrey.

Link to comment
Share on other sites

Re: Bands You'd Like to See Something I thought of on the black metal thread: I had actually always wanted a kind of 'monk metal'... Something based on hymns or Byzantine-type singing, along with guitars based somewhat around central pipe organ melodies, where all of the members wore robes like that. It may well be something original to bring to the scene, especially with songs structured like hymns with the same long, basic theme repeated over a couple of verses, with added elements thrown in. You could very easily take in classical elements if you're composing long melodies, so that's an added bonus. I think it would reach back to older church history and provide something original to the metal scene.

Link to comment
Share on other sites

  • 2 months later...
Guest
This topic is now closed to further replies.
  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...