Jump to content
Sign in to stalk this  
dilatedmind

SAMMY HAGAR To EDDIE VAN HALEN: 'F**k You. You're A Liar'

Recommended Posts

Former VAN HALEN singer Sammy Hagar has branded Eddie Van Halen "a liar" after the legendary VH guitarist claimed in an interview that Eddie had to show ex-VAN HALEN bassist Michael Anthony "how to play all the parts" to the band's classic songs before they would go on tour.Speaking to Billboard.com, Eddie Van Halen defended his decision to enlist his son Wolfgang to play bass for VAN HALEN following the dismissal of Anthony. He said: "Every note Mike ever played, I had to show him how to play. Before we'd go on tour, he'd come over with a video camera and I'd have to show him how to play all the parts." Van Halen also downplayed the role Anthony's harmonic backing vocals play in creating the group's signature sound. "Mike's voice is like a piccolo trumpet. But he's not a singer. He just has a range from hell," Eddie said. "Mike was just born with a very high voice. I have more soul as a singer than he does. And you know, people always talk about Mike's voice on VAN HALEN songs, but that’s a blend of Mike's voice and my voice. It's not just him."Earlier today, after being told of Eddie's latest comments about Michael Anthony, Hagar released a video message defending the bassist, with whom he currently plays in THE CIRCLE, also featuring Jason Bonham on drums and Vic Johnson on guitar. He said (transcribed by BLABBERMOUTH.NET): "It's really irritating to see them go after Mikey. Mikey didn't do anything — ever — to VAN HALEN. Mikey was the most loyal guy in the band. He was the first guy there at rehearsal, the last guy to leave, the guy that was… the first guy at the gig, the guy that flew the… carried the banner, the flag, the VH banner… he carried it every night. And the horseman with the flag, the flagman on the horse in the calvary. That was Michael Anthony, okay?! [He was] a hundred percent dedicated. [He] never did anything to hurt those guys. And they try to hurt him again, and again, and again."He continued: "For Eddie to say he had to show [Michael] what to play and had to teach him all those songs, that is the biggest line of bullshit I've ever heard in my life. I was in that band for eleven years, and there was never a video camera involved of Eddie showing him what to play. Eddie would tell him what to play once in a while, and say, 'No, Mike, don't play with that many notes. Just stay on one note — boom, boom, boom, boom, boom, boom, boom, boom, boom — so that I can fuck up and nobody will know it.' It was that kind of shit. And I am telling you straight up, especially on the '04 reunion tour, if Mike would have played any more than one note, it would have been showing that Eddie wasn't playing the right chords again and again and again; I couldn't sing to 'em, you couldn't play bass to 'em. So… that is a lot of bullshit. And I don't know why they go after him like that. He doesn't deserve it. He's one of the greatest rock and roll bass players ever in the world. Michael Anthony is Top 5 rock and roll bass player in the world. Any bass player will tell you that, any musician will tell you that. Listen to him play on THE CIRCLE. He ain't going 'boom boom boom boom boom boom boom boom' unless it was called for. Michael Anthony is a bad motherfucker. Fuck you, Eddie Van Halen, for saying that about Mikey. You're a liar."Anthony, for is part, offered the following rebuttal to Eddie's comments in the Billboard.com interview: "I am proud to say that my bass playing and vocals helped create our sound. I've always chosen to take the high road and stay out of the never-ending mudslinging, because I believe that it ultimately ends up hurting the VAN HALEN fans."

During an interview with Sammy someone read what Eddie said about Mikey in Billboard and here’s Sammy's spontaneous response that he wanted to share in defense of his brother.Original Billboard article:
http://www.billboard.com/articles/columns/rock/6605231/eddie-van-halen-addiction-david-lee-roth-touring
Posted by
Sammy Hagar (The Red Rocker)
on Friday, June 19, 2015

Read more... then come back and comment below.

Share this post


Link to post
Share on other sites
Your Ad Here
Support the forum, get a special badge and promote yourself to thousands of Metal fans. Click the above link to get started!

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
Sign in to stalk this  

  • Join Metal Forum

    joinus-home.jpg

  • Your Ad Here
    Support the forum, get a special badge and promote yourself to thousands of Metal fans. Click the above link to get started!
  • Our picks

    • Variety is the spice of life, so they say.  Someone might want to mention this to Legion of the Damned.  Picking up right were Venom left off last week in the the generic stakes, "Slaves of the Shadow Realm" churns out a largely unvaried, unremarkable and unmemorable thrash metal with the odd splash of death and black metal smatterings here and there.  To give you some idea of how hard going this is I have to wait three whole tracks to here a lead guitar!  I love good chug fest as much as the next man but when it is the only flavour in the dish its impact on the palette diminishes quickly.

      I can't honestly tell if the album is supposed to be one long song accidentally edited to give gaps to give the illusion of it being several tracks?  Some tracks just start very lazy (Slaves of the Southern Cross) whilst others just allude to some slight break of pace from the previous track before going off on the exact same pace, in the exact same direction (Nocturnal Commando).

      The frustration is that when they get it at least half right and vary things just a touch, they can put together some enjoyable pieces (Warhounds of Hades) but the memorability factor still struggles to register much above a 0, even in these moments.


      By far the pinnacle of the record is "Black Banners in Flames", a menacing thrasher of a track that allows for some relent in the ferocity stakes to apply some melody to create that aforementioned menace.  Otherwise I feel that I have had a sub par meal at a restaurant.  The chefs are perfectly competent (no Michelin stars here though folks) and the ingredients are all of reasonable quality, sourced responsibly enough, but there's little attempt at seasoning and so everything just seems bland.  It sounds like the vocalist is holding this together really.  Swinkels performance on all tracks is obviously a notch up from his band mates' which is a shame because he deserves better really.



      2/5 (2019 is not starting well)
      • Reputation Points

      • 0 replies
    • 37 years on, can Venom still cut it? Find out here:
      https://www.metalforum.com/blogs/entry/40-venom-storm-the-gates/
      • Reputation Points

      • 0 replies
    • At the start of pulling this list together I had thought it to have been a "light" year for BM releases.  It was only when I got into compiling my "Best of 2018" that I realised it had in fact been quite a good year.  2018 in BM saw the return of some well established acts, some of them doing what they have always done well whereas others took to the recording studios minus long standing members.  When all is said and done, I think it all turned out rather well.

      Click the link to read more.

      • Reputation Points

      • 10 replies
    • It was 2014 when Corpsessed released their debut full length and mighty fucking good it was too.  Some 4+ years later and it is time for the sophomore release to land in my music stream and seek my attention.  When I say seek I actually mean possess my attention.  Although the album is by no means perfect, this record grabs hold of you by your very soul, dragging it off on a journey littered with horror, darkness and crushing heaviness to boot.  One of its main successes is the atmosphere that is obvious from the opening of "Impetus of  the Dead" and plays an integral part over the remainder of the release.

      It is a very well structured album too, with strong song writing that layers tracks up to behemoth size and proportions.  Yet at the same time there's a real sense of balance too, for every cavernous and mammoth like structure there's shorter and more intense bursts that whilst moving the pace slightly away from the heaviness, don't distract too much from it.  "Paroxsymal" and "Sortilege" are great examples of this, two well placed tracks that add a variety to the pace and increase the memorability of the whole experience.


      The album only has two weak points for me.  The penultimate track on the record seems just a random and not altogether necessary inclusion, especially given the quality of "Forlorn Burial" before it and the vast ending of "Starless Event Horizon" after it.  Secondly, the production does seem to give off a muddled sound on some tracks although the horror of the atmosphere and those lead guitars certainly do rescue the day on more than one occasion.  In a year that has struggled overall to bring many standout DM records, "Impetus of Death" will be a welcome addition to any fan's Top 10 DM Albums of 2018 no doubt.  It is one of the stronger records of 2018 and also a fine step up from their debut offering also which makes me excited for album number 3.

       

      4/5
      • Reputation Points

      • 0 replies
    • Behemoth "I Loved You At Your Darkest"
      The first song I heard ahead the full 2014 release ("The Satanist") from Behemoth was "Blow Your Trumpets Gabriel".  It immediately peaked my interest, setting the tone nicely for what was to become one of my favoured full lengths of that year.  This time around I heard "God = Dog" (which I think means the band are more cat people?).  It sounded blunted and frankly restrained.  Yes, there was a brief passage of some interesting string work towards the end but generally it just passed me by.  Sadly, just as my experience of the lead song/single from 2014 was an excellent benchmark for my expectation of the full length, the same has happened in 2018 but with a very different outcome.

      "I Loved You At Your Darkest" rarely achieves touching distance of the band's previous full length.  There's lots of things that stop it from doing this, indeed the list is as long as either one of my lanky and lengthy arms.  The songwriting is poor, it lacks any real structure the majority of the time.  As a result there is a constant sense of this just being a very hastily written, rush of ideas.  Tracks like "If Crucifixion Was Not Enough" and "Ecclesia Diabolica Catholica" show this in abundance, the former nailing the lid down on its own coffin with one of the laziest attempts at a menacing riff I have heard in a while.

      When we do actually settle into some sense of structure it actually works well.  "Bartzabel" is a sole triumph in the songwriting/structure stakes here and this is almost ruined by the annoying double layered, chanting backing vocals.


      Next on my list of grumbles?  The sound.  It is one of the most sterile and strained sounding mixes I think I have ever heard on a record.  The drums sound like they were tracked for a completely different purpose on some of the tracks, "Wolves ov Siberia" and "Rom 5:8" in particular.  I can't believe that this was the intended sound the band wanted to achieve.  I follow Behemoth on Instagram and they make much majesty and menace over their theatre and general pomp when performing live it seems.  Surely then they haven't listened to the final playback of this record?

      Now then.  I don't recall chanting children on a record ever working well?  But there's a couple of tracks here of children chanting their disdain for Christianity alongside Nergal and co.  It sounds frankly fucking ridiculous and trite even over only two tracks!

      In summary, this is a massive disappointment whether you enjoyed "The Satanist" or not.  Hastily put together, poorly arranged and mixed terribly to boot.

      1/5 
      • Reputation Points

      • 2 replies
×