Jump to content

Preview STONE SOUR's Cover Version Of BLACK SABBATH's 'Children Of The Grave'


Recommended Posts

Acclaimed rockers STONE SOUR will release "Meanwhile In Burbank…", a five-song "Record Store Day" exclusive EP featuring covers of legendary artists BLACK SABBATH, METALLICA, KISS, JUDAS PRIEST and ALICE IN CHAINS, this month. Recorded live at Room 237 in Burbank, California, "Meanwhile In Burbank…" will be available on vinyl exclusively at select record stores on April 18."Meanwhile In Burbank…" track listing: 01. We Die Young (ALICE IN CHAINS cover)02. Heading Out To The Highway (JUDAS PRIEST cover)03. Love Gun (KISS cover)04. Creeping Death (METALLICA cover)05. Children Of The Grave (BLACK SABBATH cover)STONE SOUR's cover version of BLACK SABBATH's "Children Of The Grave" can be previewed below.In a 2013 interview with ARTISTdirect, STONE SOUR singer Corey Taylor spoke about the first time he heard BLACK SABBATH. He said: "The first time I heard them I was at a friend's house in Waterloo, Iowa. His uncle was living in the basement. He had this massive, crazy seventies stereo. You know, the ones that are made of sweet, rich mahogany and giant speakers that were always crappy. [Laughs] He was playing 'Sabotage'. I can remember 'Paranoid' coming on, and my friend's uncle was playing along to it on guitar. Not only was it the first time I heard SABBATH, but it was the first time I heard someone playing guitar in a live sense like that. I remember going, 'This is heavy as hell! What is this?' It was really cool. For one of my birthdays, I had my grandma get me BLACK SABBATH's 'Greatest Hits'… It actually had this cover that was an old painting. I want to say it was a Dark Ages painting or something like that. It looked like 'The Black Death'. It was famine and death, and I was fascinated. I remember looking at these images and going, 'Wow!" Listening to the music was incredible. I didn't even realize Ozzy Osbourne was the singer. I knew who he was through 'Diary Of A Madman' and 'Bark At The Moon'. I didn't put two and two together that he was the singer. [Laughs]"STONE SOUR guitarist Josh Rand commented on the EP: "Back in February of 2014 while STONE SOUR was touring, Corey [Taylor, vocals] approached me about STONE SOUR doing a cover of the METAL CHURCH song 'The Dark' for the movie 'Fear Clinic'. I thought it would be cool not only to record 'The Dark', but the five cover songs that we had played on that tour." Rand added: "The idea was not to shy away from a song because it was popular or pick a band that most people might not have heard, but to pick ones that truly meant something to one of us at some point in our life." In Febraury, STONE SOUR released a new digital single "The Dark", which was recorded for the film "Fear Clinic", the latest excursion into unrelenting terror by Anchor Bay Entertainment starring horror icon Robert "Freddy Krueger" Englund alongside STONE SOUR and SLIPKNOT frontman Corey Taylor in his acting debut. Originally performed by METAL CHURCH, "The Dark" is currently available via iTunes with a companion video piece streaming on "Fear Clinic"'s official YouTube channel. "Fear Clinic" is available now on Blu-ray and DVD.Corey Taylor said on "The Jasta Show" podcast about the record, "This is something that we've been talking about since the first album came out, with STONE SOUR. We've always wanted to do this. Even as people have come, people have gone, this is still something we've always come back to, and we just never had the opportunity to do it. And we just kind of said, 'Well, screw it.'"Taylor added, "You're going back to these songs that you just love to listen to, not only just sing. And that's why it's called 'Meanwhile In Burbank', because, without giving too much away, that's where Roy lives — he lives in the Valley — so that's why we call it that. Because it's, like, that's what we're doing right now."On its last North American tour, STONE SOUR played a different cover every night, including METALLICA's "Creeping Death", KISS' "Love Gun", JUDAS PRIEST's "Heading Out To The Highway" and PETER GABRIEL's "In Your Eyes".Guitarist Christian Martucci joined STONE SOUR in late 2013 as the replacement for Jim Root, who was fired from the group after deciding he wanted to sit out the band's last tour in order to start work on the next album from SLIPKNOT, of which he is also a member.

Listen to a preview of our cover of "Children of the Grave" by Black Sabbath, off of "Meanwhile in Burbank", available in record stores THIS SATURDAY, April 18th!Limited to 3000 copies worldwide and includes a free digital download of the album with purchase. Find a record store near you at
www.recordstoreday.com
or
www.recordstoreday.co.uk
#StoneSour #recordstoreday Posted by
Stone Sour
on Wednesday, April 15, 2015

stonesourmeanwhileinburbankcd.jpgRead more... then come back and comment below.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...