Jump to content

ANDREAS KISSER: SEPULTURA Is 'In A Much Better Place Today' Than It Was 20 Years Ago


Recommended Posts

Maximum Metal recently conducted an interview with guitarist Andreas Kisser of Brazilian/American metallers SEPULTURA. A couple of excerpts from the chat follow below.On SEPULTURA playing with Steve Vai at the Rock In Rio USA festival in Las Vegas:"We've known each other for a long time, but more like backstage type of vibe, in Brazil. He's played there many times and every time he's there, I'm there because I'm big fan of his music. I've followed his career from Frank Zappa, to David Lee Roth, of course, when he exploded into the world, and then his solo career. And then to have him together to play with us was amazing. Everything was so 'right!' Much better than we already expected. And also, we have people who work together with SEPULTURA and him — lawyers and people from labels, like that. Actually I talked with him a few years ago; there was talk that our album was to be released through his label. But, that was before we signed to Nuclear Blast. But that was also a cool time to talk about different stuff, too. He's a gentlemen, he's a genius. We love his music so much and for him to accept this challenge for him to play with us on stage was amazing. He had a great time as well. We did the percussion song 'Kaiowas' for him to improvise on the guitar and it was great. We also did a little bit of one of his songs, 'Bad Horsie', which is very heavy, very groovy. I think it fit so well for the stuff that what we do and it was great to represent both bands, not just Steve Vai playing SEPULTURA music, but we playing his music, as well. It's great, because we did so many different things with so many different groups; percussion groups from Brazil and Japan, we've played with Mike Patton and Jason Newsted, so many different musicians. And now to celebrate our 30 years with such a special show, Rock In Rio, in Las Vegas, the first time this Brazilian brand was brought to the States, is such a big honor for all of us. And it was great kickoff the tour, too. It was broadcasted to the Internet and millions of people saw that, so it was a real great start. And we thank Steve Vai for all his energy and professionalism, and love and passion for what he does. It was amazing. We were so privileged to have an opportunity like that. It was awesome."On whether he has any regrets about Max Cavalera leaving SEPULTURA:"It's not something to regret or not; it's just something that happened. And it's unfortunate, because he left at the peak of our career. SEPULTURA was touring around the world, we were playing arenas in Europe, and we had an amazing 1997 ahead of us. But, we couldn't go on with the way things were. Everything was so confusing, things were happening so fast at the time and we had different plans. We fired our manager, we tried renegotiating different terms so we could work as a band, but it didn't work out that way. It was his choice to leave, you know. That's what's very unfortunate. But I don't regret our move or attitude at all. It was a professional move that we had to do… I tell you, in dark times, when one door closes, 16 doors and windows open at the same time! You cannot really be there crying and let life pass through, so we never lost our aim or urge. We respect each other and what we're doing and what we learned throughout the process, like how to be more careful with the business end of it. We are in a much better place today. Of course, the 'Roots' period has passed, unfortunately, because we lost our momentum with Max leaving and everything. But we're in a much better place now. We're in a much more relaxed atmosphere. We're really together. We talk to each other, not just about music. We talk about family, football, women, whatever. We're really friends and we're doing what we really believe in."Read the entire interview at Maximum Metal.

Read more... then come back and comment below.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...