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Heavy Metal Bands Info (webzine)


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Hey, Heavy Metal Bands Info is a new webzine featuring everything metal. You get album reviews before the records hit the stores, exclusive interviews and gig reviews. Heavy Metal Bands Info - Your source for everything metal Subscribe to the free newsletter and receive a bonus Hammerfall interview audio file. The current newsletter features: - Threshold interview - Devildriver/Whitechapel gig review from their first Australian show - Album reviews: Hammerfall, Bullet, Alestorm

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October Newsletter Available Now Free October Newsletter is available now Subscribe and get a bonus interview video with Alex Webster (Cannibal Corpse) http://heavymetalbands.info/newsletter-subscription/ Content: - Interview with Decapitated - Gig review Cannibal Corpse / Hour Of Penance - Album reviews Decapitated, Scar Symmetry, Slash - New section 'From The Underground' and lots more

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  • 1 year later...

Avatarium - 'The Girl With The Raven Mask' Album Review

Doom metal masters Avatarium have just released their second full-length album 'The Girl With The Raven Mask' on 23 October. The band around Candlemass founder and mastermind Leif Edling recorded 8 epic tracks with lots of different nuances, references to other genres and Jennie-Ann Smith at the top of ther performance. Check out our album review video below.

http://heavymetalbands.info/avatarium-album-review/

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Gods Of Eden - 'From The End Of Heaven'

Currently Australia’s metal scene is as vibrant as it has never been before. Especially in the more technical and progressive subgenres there is a myriad of bands old and new. One of the finest examples is Sydney’s Gods Of Eden. The five-piece was founded in 2010. The release of their debut EP in 2012 was followed with lots of sold out shows around the country and earned shows overseas with the highlight being an appearance at R.U.D.E. festival in Germany in 2013. Now the band has taken the next step and released their full-length debut album ‘From The End Of Heaven’.

Gods Of Eden’s musical style is hard to describe and even harder to categorise which is a good thing for band as it keeps their music somewhat mysterious and appeals to a wide range of fans from different genres. They describe their music as ‘technical, progressive metal’. I suppose that the description as ‘progressive’ these days is used for metal that cannot be really categorised. And this is what Gods Of Eden’s music is.

Read the complete review below

http://heavymetalbands.info/gods-of-eden-album-review-from-the-end-of-heaven/

GOE_FTEOH_COVER_HIGHRES.thumb.jpg.85b7ed

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  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

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    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
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