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MORTUORIAL ECLIPSE - Urushdaur
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MORTUORIAL ECLIPSE "Urushdaur" combines Blackened Death Metal with Symphonic compositions, through dark and intense passages assembled into exquisite dramatic sections. "Urushdaur", MORTUORIAL ECLIPSE's second offering, is a dark and majestic, yet brutal and chaotic masterpiece. A perfect mixture of relentless top notch Blackened Death Metal, blended along with perfect orchestral arrangements. An truly epic album to say the least.

LISTEN: https://www.youtube.com/watch?v=JchX5I6m3OU
ORDER: https://blackmarketmetallabel.bigcartel.com/product/mortuorial-eclipse-urushdaur

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NUCLEAR OMNICIDE - Nuclear Omnicide
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Simple, Nuclear Omnicide and their new self titled album is a Thrash Metal monster of an album. More dangerous, violent and vicious then their previous works. Playing an in your face style of Thrash Metal with a nice old school vibe, and a bit of Crossover thrown in the mix. Every track guaranteed to incite furious headbanging and fist pumping!

LISTEN: https://www.youtube.com/watch?v=1IAotiKKhbs
ORDER: https://blackmarketmetallabel.bigcartel.com/product/nuclear-omnicide-nuclear-omnicide

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ANGEROT - The Splendid Iniquity
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South Dakota-based death metallers, Angerot rise from the ashes of Midwestern Metal to announce their crushing debut album, ‘The Splendid Iniquity’. Featuring a cast of seasoned veterans who share roots that reach back to the very beginnings of the Death Metal Movement, Angerot are more than a nod to early Swedish Death Metal, they are pure Swede Death Worship. Recorded with Eddie G at Underground Studios, mixed by Tomas Skogsberg (Entombed, Dismember, Carnage, Grave, At the Gates) at Sunlight Studios and mastered by Brad Boatright at AudioSeige, ‘The Splendid Iniquity’ is a savage 40 minute sonic assault of 90’s Earache Records-era buzzsaw on your ear drums.

Featuring guest appearances by some of the greatest names in Death Metal; LG Petrov (Entombed, Entombed AD, Firespawn), James Murphy (Death, Cancer, Disincarnate, Obituary, Testament ), ‘The Splendid Iniquity’ is an absolute must listen for any fan of 90s Death Metal.

LISTEN: https://www.youtube.com/watch?v=HzsS4J0XdY4
ORDER: https://blackmarketmetallabel.bigcartel.com/product/angerot-the-splendid-iniquity

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SOL DE SANGRE - Sol De Sangre
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The album features the classic death metal sound while presenting the band's own spin with the vocal aggression of thrash and hardcore to grab everyone by the throat and spit on their faces. The album was mixed by Tomas Skogsberg (Entombed, Dismember, Grave) at Sunlight Studios in Stockholm, Sweden, and mastered by Toxic Holocaust's Joel Grind (Power Trip, Cavalera Conspiracy). Featuring members/ex-members of well-known Colombian acts like HeadCrusher, Absolution Denied and Cromlech, SOL DE SANGRE succeeds in keeping the classic Death Metal sound alive.

LISTEN: https://www.youtube.com/watch?v=VHdWKK2kSH0
ORDER: https://blackmarketmetallabel.bigcartel.com/product/sol-de-sangre-sol-de-sangre

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OV SHADOWS - The Darkness Between Stars
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"The Darkness Between Stars" is amazingly well-written, atmospheric Black Metal suffused with the feel of deep forests and dark winters. With every song on "The Darkness Between Stars" like a journey carried across a frozen landscape by rolling, epic riffs that turn from mournful to triumphant in a way that is stirring and emotionally satisfying. This album has everything that one could possibly want out of a Black Metal album. It has atmosphere, an epic feel, right mix of melody and grimness, and engaging song structure.

LISTEN: https://www.youtube.com/watch?v=yYCAHZUCJp4
ORDER: http://blackmarketmetallabel.bigcartel.com/product/ov-shadows-the-darkness-between-stars

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  • Our picks

    • Sacred Reich "Awakening"

      MacabreEternal posted a blog entry in Album Reviews,

      Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
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    • Immortal Bird "Thrive on Neglect"

      MacabreEternal posted a blog entry in Album Reviews,

      I
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    • Vltimas 'Something Wicked Marches In'

      MacabreEternal posted a blog entry in Album Reviews,

      https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
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    • Candlemass "The Door to Doom"

      MacabreEternal posted a blog entry in Album Reviews,


      https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
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    • Overkill "The Wings of War"

      MacabreEternal posted a blog entry in Album Reviews,

      Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

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