Jump to content

Am I just weird or...


7YearsOfBlood

Recommended Posts

Re: Am I just weird or...

Personally' date=' I like to consider other metalheads my brothers and sisters. Fighting for the same cause as it were. I guess I kind of think of it as a tribal sort of thing as we're all dedicated to the same music and most of us would die for it (I assume, feel free to correct me). Is that just me or?[/quote'] No, not atall that is waht i think too :)
Link to comment
Share on other sites

Unfortunately it's the same where I live, mainly because I'm the only person I know who actually listens to metal and not shitty pop rock like You me at six. I know 2 guys who go to my school who are like 3 years older and one is an insane Iron Maiden fan (he taught me how to play Enter Sandman on guitar) and one guy who wears Metallica shirts alot. It's different at festivals though, or so I've heard. Apparently at Bloodstock it is literally like a tribal gathering.

Link to comment
Share on other sites

Personally' date=' I like to consider other metalheads my brothers and sisters. Fighting for the same cause as it were. I guess I kind of think of it as a tribal sort of thing as we're all dedicated to the same music and most of us would die for it (I assume, feel free to correct me). Is that just me or?[/quote'] Fight is the right word, because make no bones about it, the music business and media would rather we did not exist. They just don't get us at all.
Link to comment
Share on other sites

  • 1 month later...
Stink 182' date=' bullshit for my valentine, balls out boy, black fail brides, no erections, yeah loads of people love thoae at my high school[/quote'] Arent you forgetting bring me the hairstraighteners and all time blow? :P Joking aside, I do feel a kind of brotherly connection to most metalheads I meet, I love the fact that I can go up to a guy at a gig, say "nice shirt" and end up having a long conversation him :P (Generally with women, I must come across as creepy, cos I only get dirty looks. Not always, but mostly hahaha)
Link to comment
Share on other sites

You''re my metal church family, so to speak.

I honestly doubt that they care much. They make so much money off of their mainstream artists' date=' we don't even register as a blip on the radar.[/quote'] We'd need to be sufficiently successful to get the attention of the music industry. The media respond only to the preconceived notions of the people, so I really wouldn't blame them so much as society writ large for the bizarre, myopic and stupid impression many people have of metalheads.
Link to comment
Share on other sites

the media have very little control over what they actually report or how it's reported, they are restricted by the interests, morals and notions of their target audience, as metal is still widely regarded as "evil" the moral panic surrounding it is reported in this way by the media. I've seen this with metal and in sport, seriously it is baffling that in my state there are two AFL teams (Adelaide and Port Adelaide, the local competiton, SANFL there is no Adelaide only Port Adelaide) and one club (Adelaide) can do no wrong according to the media, even deliberately breaching AFL salary caps was spun in favour of that club, the other however is universally criticised for everything it does, even positive aspects of the club are twisted into negatives and the same thing happens in metal

Link to comment
Share on other sites

The funny thing is that you never see more intellectual bands like Dream Theater' date=' Circus Maximus, Chthonic or Seventh Wonder on the news. They always try to find a group of rangy scatterbrained alcoholics.[/quote'] I know that you don't agree with their stance, but I would put Akercocke into this group too. One of the coolest things I've ever seen was an interview with them by a fundamentalist Christian TV program in Ireland that was protesting their playing there, the fundies were ludicrous as usual, and Akercocke were calm, collected, and articulate: dl9oM4f1xdQ
Link to comment
Share on other sites

You know, the first thing it made me want to do was listen to them... I honestly laughed at a lot of this. I was a bit confused about why they said they were not anti-Christian, but then the guy on the right clarified it by saying 'despite the failings of the dogma you follow, we're not anti-Christian'. Odd phrase, I kind of wonder what it means - I imagine they're just not fond of organized Christianity, although their lyrics suggest a more severe opposition. Nonetheless their panache was just hilarious, especially the fact that they had a wine glass. My favorite line by far was when the guy on the left said 'the Christian faith has brought a lot of great art into the world'...I suspect he was referring to any one of the several paintings of Venus. Great stuff, and exactly what I would have hoped for. :D

Link to comment
Share on other sites

I think it's quite clear what Agercocke are trying to say in that interview Iceni, they aren't against christianity however it is their opinion the teachings of the church fail to a certain extent, I would have liked to hear where they felt the church failed to further clarify but it appears they have an appreciation for some of the frankly magnificent works of art christianity has inspired, perhaps if that interview was conducted more professionally we could have quite an interesting discussion on the issues it raises but I agree with the band regarding censorship and freedom of speech, to censor artisitci expression on the grounds that some find it offensive is ludicrous, Christians raising such an argument should understand that their logic would restrict the preaching of a christian message just as it would a satanic message. This would also force virtually all great works of art to be hidden away lest they offend the eye of any individual. As the man who spoke last said if you don't like what's being said you do not need to listen to them however you have no right to demand a party remain silent because you are offended by what's being said

Link to comment
Share on other sites

Guest
This topic is now closed to further replies.
  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...