Jump to content

Deep Purple!!! :D


Recommended Posts

Re: Deep Purple!!! :D

and Ritchie Blackmoore's guitar playing coupled with Jon Lord's keyboard playing' date=' how is that "just another hard rock band"[/quote'] Because people are morons. Heavy metal this many years after its inception has evolved way past Deep Purple's sound, so shortsighted revisionist idiots have declared that they are not metal because they don't sound like today's metal. It's probably the most backwards fucked up logic I've ever heard, it's like saying that Chuck Berry isn't rock and roll because he doesn't sound anything like Nickelback.
Link to comment
Share on other sites

Re: Deep Purple!!! :D They've had more line-ups than a world record-holding pornstar, but most of those line ups have been class. An often overlooked gem is the Purpendicular album. Cannot stop playing that CD. And, of course, Gillan (with John McCoy/Colin Towns/Mick Underwood) was also a great band. Great fun. Just cannot stick Coverdale, though Burn is a great album.

Link to comment
Share on other sites

  • 4 months later...

Re: Deep Purple!!! :D I think the biggest show I've ever seen was Iron Maiden, which was outdoor to my dismay. The only other shows I've seen in arenas were Judas Priest with Anthrax, Slayer with Megadeth and Anthrax, Gigantour with Opeth, Overkill, Arch Enemy, and Megadeth, and Tool with Isis. The majority of shows I see are at bars and smaller venues, which is better for sound and experience. Sent from my HTC PH39100 using Tapatalk 2

Link to comment
Share on other sites

I don't get to enough shows, it's too hard with my limited vision getting to and from gigs and finding people with similar taste to me, plus we Aussies don't get many metal bands head our way and especially in my home state, normally bands come down here and play Melbourne and Sydney very rarely they'll play Brisbane, Perth and Adelaide (my home town) so unless it's a major show like Maiden or Priest or Sabbath there's no chance of me going interstate to see a gig

Link to comment
Share on other sites

  • 3 weeks later...
Guest
This topic is now closed to further replies.
  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...