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RelentlessOblivion
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Hm' date=' je ne l'appellerais pas un problème. Je pense que ce contribue à une atmosphère sinistre, un des atouts de Hellsing[/quote'] C'est vrai, mais l'atmosphere serait plus utile si l'histoire etait interessant ou comprehensible.
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Really? The final fight of Gurren Lagann would blow all of those out of the water. Other good fights include the Death City vs. Arachne Fortess fight from Soul Eater, Kurapika vs. Uvogin from HunterxHunter, and Homura vs. Walpurgis from Madoka Magica.

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Really? The final fight of Gurren Lagann would blow all of those out of the water. Other good fights include the Death City vs. Arachne Fortess fight from Soul Eater' date=' Kurapika vs. Uvogin from HunterxHunter, and Homura vs. Walpurgis from Madoka Magica.[/quote'] I saw the Gurren Lagann movie in Japan. That shit was crazy. Any fight with Roy is a good fight in FMA
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I saw the Gurren Lagann movie in Japan. That shit was crazy. [...]Any fight with Roy is a good fight in FMA
I was laughing my ass off but the second 'movie' was the most epic thing I'd ever seen. It's funny you should mention Mustang (I'm talking Brotherhood, by the way, not seen the other one) since he's my best friend's favorite character from the series. My brother has also taken to snapping his fingers really loudly to emulate Mustang's ignition. As for fights, I tend to prefer ones with Alphonse and the Chimeras...one fight that really disappointed me was Hawkeye vs. Lust; I think Hawkeye broke down too easily considering how much of a consummate badass she is throughout the rest of the show. However, Mustang's fight with Lust was pretty cool, especially in the ignition of separated hydrogen and oxygen.
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I haven't watched or read FMA in ages' date=' so I really need to brush up, but I do recall that it was mainly the RoyAi feels that got me in later fights...[/quote'] My heart skipped a beat when I thought they'd killed Hawkeye near the end, she's my favorite character from FMA and probably in anything I've ever read.
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metalocaypse is one hell of brutallity' date='.. i jus enjoy it to the core[/quote'] Lol, I hate that show. I watched a few episodes and just found myself waiting to laugh, but the time never came. The music is also absurdly bad, a hodgepodge of metal stereotypes delivered in a most empty and unsatisfying fashion. Sent from my HTC PH39100 using Tapatalk 2
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    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
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    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
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    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
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