Jump to content

Soundtracks


The Strategos

Recommended Posts

  • Replies 104
  • Created
  • Last Reply

Top Posters In This Topic

  • 11 months later...

I think my favourite one is Arizona Dream. A damn good thing. Especially the second take of "In the dead car". Actually all the soundtracks of Emir Kusturica's films are great. I like as well those of The Boat that rocked and Forrest Gump. Recently I watched "Wonder Boys", I think the soundtrack was pretty good too. I am a big fan of "Hair" but I don't think it counts as a soundtrack. And hats off to the Shrek soundtrack for always adding a song from Nick Cave or Tom Waits :P

Link to comment
Share on other sites

Really more of a score than a soundtrack, I'm a big fan of Angelo Badalamenti's score to Mulholland Drive. Then again, I love all of the music that he created for David Lynch's movies and TV shows. I also really dig the Vangelis score on Blade Runner, the music is easily one of the best parts about the movie. Ennio Morricone typically does a great job as well, but I would say that The Thing was his high water mark.

Link to comment
Share on other sites

  • 2 months later...

Re: Soundtracks

It may still be my favorite Diabolical Masquerade release' date=' although I like all their stuff. It's been a while since I listened to it. I know it was a big joke to them, but actually I think it's cool to try to write an album as a movie score. It's a different framework for your songs. A different sort of flow.[/quote'] I thought it was a cool idea, and I love the way the recurring themes and flow are played out. Ravendusk is probably my favorite, but it's because those melodies are just so damn good. It sounds like early Katatonia as pure black metal, and early Katatonia is some of my favorite music ever. Sent from my HTC PH39100 using Tapatalk 2
Link to comment
Share on other sites

HELL YES, my second favourite behind Star Wars. The Hobbit was pretty sick in the soundtrack department as well.
I was actually really disappointed with The Hobbit soundtrack. While "The Misty Mountains Cold" theme was great, it seemed like a huge percentage of the music used was recycled from the trilogy. "Okay, Bilbo's going to see The Ring now, cue the mournful violin solo from Fellowship!" I did like the songs though, even though I thought they were a little ill-placed initially.
Link to comment
Share on other sites

I've never cared for soundtracks unless they had several songs that were only available on said CD. The exception to the rule being movie specific soundtracks aka scores. The exception to that would be: Buffy the Vampire Slayer - Radio Sunnydale and Buffy the Vampire Slayer - Once More With Feeling. :D Repo! The Genetic Opera was pretty badass as well.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.


  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...