Jump to content

A non-Metal singers take on 5 greats


NTNR

Recommended Posts

Re: A non-Metal singers take on 5 greats now I really do feel sorry for the guy, starting his own solo career and producing nothing but sub-par music, although it has to be said that he hasn't exactly had much guidance in that regard, with the exception of Judas Priest he's performed with a band who used up all their riffs two albums before he joined them and have been recycling ever since, and someone who has absolutely no idea how to properly structure a song

Link to comment
Share on other sites

Re: A non-Metal singers take on 5 greats

now I really do feel sorry for the guy' date=' starting his own solo career and producing nothing but sub-par music, although it has to be said that he hasn't exactly had much guidance in that regard, with the exception of Judas Priest he's performed with a band who used up all their riffs two albums before he joined them and have been recycling ever since, and someone who has absolutely no idea how to properly structure a song[/quote'] His debut with Priest was one of the best Priest albums of all time. Top three no question. I don't think they used up all their riffs either. Demolition wasn't a good Priest album but it was full of new ideas and riffs. They seemingly ran out when Halford came back. At least Nostradamus redeemed that dismal excuse of an album. I actually waited anxiously for him to release something on his own like Blaze did, but his efforts were way to little too late. The first two Blaze albums are excellent. Where as Ripper is only good with an established act.
Link to comment
Share on other sites

Re: A non-Metal singers take on 5 greats I was actually referring to Iced Earth, don't think they've had an original riff since The Dark Saga, and the other comment was directed towards Yngwie, the guy only knows how to write solos, and rip off classical music, I like what Ripper did with Priest though, and I didn't like what Blaze did with Maiden, for some reason his voice just irritates me

Link to comment
Share on other sites

Re: A non-Metal singers take on 5 greats

I was actually referring to Iced Earth' date=' don't think they've had an original riff since The Dark Saga, and the other comment was directed towards Yngwie, the guy only knows how to write solos, and rip off classical music, I like what Ripper did with Priest though, and I didn't like what Blaze did with Maiden, for some reason his voice just irritates me[/quote'] I couldn't agree more with you regarding Iced Earth. I love the Dark Saga, if Matt hadn't be the vocalist it probably would've been their best. Yngwie's worth seeing, not owing. Being his vocalist would be a boring job. I thought Blaze did excellent work with Maiden, I just thought his vocals were a bit low for what we've been accustomed too. It did work however.
Link to comment
Share on other sites

Re: A non-Metal singers take on 5 greats I've always found Dark Saga to be extremely overrated, like a watered down version of Burnt Offerings that fans could for some reason never stop salivating over. The riffs on Something Wicked This Way Comes are far better, as are the overall song and album structure, with its massive ending epic only being trumped by their Dante's Inferno epic. Dark Saga tries way too hard in every area and falls flat on its face, I even like Horror Show better than that album.

Link to comment
Share on other sites

Re: A non-Metal singers take on 5 greats It (the Dark Saga) was intentionally stripped down and simplistic, as opposed to what followed. I've never thought it tried to be Burnt Offerings II. Both stand on their own merits, the one exception being Matt could actually sing on BO and vocally rapped DS. Either way the bulk of IE's catalog is shit.

Link to comment
Share on other sites

  • 3 weeks later...

Re: A non-Metal singers take on 5 greats

getting back to good singers though Sanctuary's singer (at least on "Refuge Denied") has some incredible talent' date=' that guy hits high notes that would put Rob Halford to shame, especially on the track "Battle Angels"[/quote'] WTF? No. Warrel is a great singer but Halford is a much better screamer.
Link to comment
Share on other sites

Guest
This topic is now closed to further replies.
  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...