Jump to content

Technical Death Metal


Iceni

Recommended Posts

Not quite. Their technical prowess is indisputable' date=' but it's used in a much more subtle way than any tech-death band I can think of. Their focus is more on crushing grooves than using more overtly technical patterns.[/quote'] That is sort of a weird trend that seems to crop up every now and then - referring to basically any death metal band with a modicum of talent as a 'technical death metal' band. On occasion people will refer to Cannibal Corpse as tech-death, which I find a bit baffling. Wikipedia even had Oceano on their list of tech-death groups at one point.
Link to comment
Share on other sites

  • Replies 202
  • Created
  • Last Reply

Top Posters In This Topic

Their second album Unquestionable Presence is even better.
I took some time a couple of months ago to listen to Atheist, and weirdly enough I was actually less wowed by them that I was previously. One odd thing I noticed is that they sounded a lot like progressive thrash rather than death metal specifically, so that is interesting in that they almost serve as one 'bridge' band between thrash and the death metal that (I think, not good on my dates) was emerging at that time.
Link to comment
Share on other sites

Re: Technical Death Metal

I took some time a couple of months ago to listen to Atheist' date=' and weirdly enough I was actually less wowed by them that I was previously. One odd thing I noticed is that they sounded a lot like progressive thrash rather than death metal specifically, so that is interesting in that they almost serve as one 'bridge' band between thrash and the death metal that (I think, not good on my dates) was emerging at that time.[/quote'] They were definitely on the thrashy side of death metal, but all death metal was in the 80's. Most things don't evolve fully formed out of their influences overnight, but that does not make those bands less death metal. Remember, you can't judge the past based on what is happening right now, listen with a frame of reference and context, as the modern wouldn't exist without the old. Sent from my HTC PH39100 using Tapatalk 2
Link to comment
Share on other sites

They were definitely on the thrashy side of death metal' date=' but all death metal was in the 80's. Most things don't evolve fully formed out of their influences overnight, but that does not make those bands less death metal. Remember, you can't judge the past based on what is happening right now, listen with a frame of reference and context, as the modern wouldn't exist without the old.[/quote'] OK, but I said they were more of a bridge band. I could hear the death metal very easily on some tracks, and the actual instrumentation itself was death metal, but I focused mainly on the vocals, which sounded like a sort of pre-Schuldiner screaming that alternated between harsh and sort of clean.
Link to comment
Share on other sites

Re: Technical Death Metal

OK' date=' but I said they were more of a bridge band. I could hear the death metal very easily on some tracks, and the actual instrumentation itself was death metal, but I focused mainly on the vocals, which sounded like a sort of pre-Schuldiner screaming that alternated between harsh and sort of clean.[/quote'] Early death metal vocals, like early black metal vocals didn't have a "set format" like modern bands do. Check out the vocal differences between other early death metal bands, Deicide, Dismember, Grave, Pestilence, Carcass, Morbid Angel, Nocturnus, Order From Chaos, Bolt Thrower, all had very different styles. Sent from my HTC PH39100 using Tapatalk 2
Link to comment
Share on other sites

I know Carcass and Obituary from what I've heard had higher-pitched vocals and I do listen to a handful of higher-pitched vocal DM bands like Illogicist. I also did listen to a bit of Nocturnus recently and I think I just didn't get it because the first few times I heard them I thought they were crazy good but this most recent time they seemed a little weaker. My main point is that Atheist seemed to have cleaner vocals that many of those bands. I haven't heard them all so I can't say.

Link to comment
Share on other sites

  • 2 months later...

hmmm let's see if I can be of assistance Alethian, Centaurus-A, Gorod, Miseration, Sickening Horror, Nile (maybe but really more brutal DM), Sympathy (maybe but they're a fucked up hybrid of many things and I mean fucked up in a good way), Kronos (again more brutal then tech), Element (see Kronos) and Death from Individual Thought Patterns onwards is all I can think of from the top of my head

Link to comment
Share on other sites

Just looked through the rest of the thread, I had never heard of Pavor before! That was good stuff. Also I don't think I saw Cephalic Carnage mentioned here, though I know we talked about them in the grindcore thread. Of their more mature stuff, I still like Lucid Interval the best. A lot of tech-for-tech's-sake bands, I just really can't get into, like Neuraxis, Psycroptic, most Psyopus (I can't help but like some of that stuff for being so weird)... even Necrophagist to be honest. If I want musicianship and fragmentary song structures, I'll go for grind or even some hardcore like Converge's "When Forever Comes Crashing" before I'll listen to most tech death.

Link to comment
Share on other sites

That song is fucking cool' date=' though I wouldn't call them newer, they've been around for something like 20 years. I don't remember their old stuff anymore.[/quote'] As in newer than the old school of tech-death, Gorguts, Atheist, Hellwitch, Atrocity, Pestilence, Cryptopsy, etc... They didn't start releasing albums until 1998, well after death metal's golden age had died off, and were not quite as technical early on as they ended up. That song was from their last album (supposedly they're working on a new one though), and I think these guys are top shelf. I tend to not be into the newer school of tech-death (or newer school of death metal in general), so finding a band that I enjoyed that much was a big deal for me. Decapitated was another, but they sort of sputtered after their magnificent debut, releasing only good to decent albums since then. I like Necrophagist, but I have to be in the right mood, and their sound definitely works better in the live setting. Give their debut a shot if you haven't, it's not quite as overwhelming as Epitaph.
Link to comment
Share on other sites

Re: Technical Death Metal There's a ton around, especially if you get into more brutal death metal. Having the talent to play a bunch of notes and having the talent to play music at that level of complexity are two different things though, with many unfortunately falling into the former camp. Also, have you tried Darkane? Check out their Layers of Lies album, it's pretty awesome technical melodeath/thrash. Sent from my HTC PH39100 using Tapatalk 2

Link to comment
Share on other sites

Eh, Darkane is alright. I've had them in my collection for a while. The problem with what you said is that I don't like super brutal shit. I don't like gore (though sometimes it's alright, if it's filled with hate) or rape or whatever the usual topics they choose. Reasons that I don't really listen to Infant Annihilator, Carcass, or Cannibal Corpse.

Link to comment
Share on other sites

As regards "technical" music and the "talent" to play it - it's very easy to get pulled down the "technical" rabbit hole, especially now with computers. You can write all kinds of shit, splice it together, and then learn how to play it. Once you can tremolo pick, palm mute, do a bit of tapping, and switch between them, all it takes is practice. I kind of think it's too bad, because so many people are getting into that sound and writing shit music for the simple reason that they learned to run before they could walk. Maybe it's good that new musicians are challenging themselves with difficult material, but there doesn't seem to be much discipline as far as song structure, or really being able to play your riffs cleanly when it counts. I can't tell you how many local acts I've seen over the past few years trotting out "brutal technical death grind" garbage with zero feel and fifty percent attention to detail. Getting tired of that crap was what got me listening to Portishead and Jerry Cantrell again.

Link to comment
Share on other sites

being technical for the sole purpose of playing technical music leads to sterility and boring crap. Spawn Of Possession are a great example of that. But there are tech bands that actually craft music that whilst technical isn't just cold and bland. Arsis for example (though I'm basing that on 'United In Regret, A Celebration Of Guilt and the Diamond For Disease EP)

Link to comment
Share on other sites

Guest
This topic is now closed to further replies.

  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...