Jump to content

Jazz


AkselJ

Recommended Posts

Re: Jazz Hm, okay. I will give you three albums to look into first, from the same artist no less. :P For some traditional sounding jazz, go for Miles Davis - Kind of Blue. Everyone and I mean everyone that wants to get into jazz must hear this one. For something that was a heavy influence on fusion, go with Miles Davis - Miles in the Sky. Lots of neat soul and funk influence. Then for something nearly everyone loves, check out Miles Davis - Bitches Brew. Let me know what you like and what you don't like.

Link to comment
Share on other sites

Re: Jazz "Kind of Blue" was very good. The first two tracks were kind of tedious after a while, but "Blue in Green" was brilliant, and the mood he captured in "Flamenco Sketches" was pretty amazing. "Miles in the Sky" was brilliant. "Stuff" and "Paraphernalia" were amazing, the technicality was awesome and I absolutely loved the bass and trumpet. The guitar on the latter was great too. "Black Comedy" and "Country Son" were also great. "Bitches Brew" was.. interesting. I could definitely get more into this sort of stuff. Very experimental at times. Reminds me of Pink Floyd's "A Saucerful of Secrets". I'm unable to pay much attention at the moment, after 2 hours of non-stop Jazz-listening my ears get kinda tired.. :P But I can tell this is a great album.

Link to comment
Share on other sites

Re: Jazz Those are the impressions I was looking for! I suppose I was a little forward with Bitches Brew. I've just seen a lot of people that like it, myself included. :P Once you've digested these three albums thoroughly, I'll pass more stuff along if you'd like. P.S. I also frequently find jazz tough to listen to for extended periods of time. Sometimes I have to be in the right mood. Nevertheless, it's still one of my favorite genres.

Link to comment
Share on other sites

  • 2 weeks later...
  • 4 months later...
  • 2 months later...
  • 1 year later...

I am just finding my feet in the genre of Jazz. I picked up "Kind Of Blue" by Miles Davis and life was never really the same again. I have since gone off on the start of a journey that so far has lead to me taking in John Coltrane's "Blue Train" vjI8ruaL4D0 Ornette Coleman strpf7FEe2U and also Thelonius Monk Quartet Alw-EQxAmSA At some point I plan on listening to some Charles Mingus as well but I find jazz baffling at times and therefore I take s few listens of one album before I move onto the next. It's great having a new genre to explore - I have been struggling for sometime to find much within metal that truly blows me away or challenges my thoughts enough. Jazz is perfect for this.

Link to comment
Share on other sites

Guest
This topic is now closed to further replies.
  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...