Jump to content

What Are You Listening To?


khaos

Recommended Posts

1 hour ago, Thatguy said:

I listened again just now while gardening. There are riffs galore. More riffs than your average doom metal album. The riffs are slowly evolving and distorted but they are  there.

I know 90% or more of people won't get it. Their loss.

I got you TG. We'll do this tag team pro wrestler style. For the record I'm no pro wrestling fan, but I live in 'merica and I know the culture. so, tag me, Bro.

OK, GG, did you listen with headphones and give at least 3 tracks your full gotee attention? Look,  know this is not your thing, but you volunteered for this assignment, and I solute you. To do this correctly and with credibility, you have to put on a different hat. You must listen not at the Notorious  B.I.G.G.,  but slip into the ears of the observer. If you truly can do that grasshopper, the curtain will open and you will hear controlled feedback and lots of interesting sounds, bits of melody, dissonance and the beauty of abstract impressionistic visual art. This is controlled chaos. It is glorious. 

Link to comment
Share on other sites

2 hours ago, Thatguy said:

I listened again just now while gardening. There are riffs galore. More riffs than your average doom metal album. The riffs are slowly evolving and distorted but they are there.

I know 90% or more of people won't get it. Their loss.

There's a reason I don't listen to a whole lot of doom. Because I just don't have the patience for that 'slowly evolving' thing. I prefer rapidly evolving and constanty changing. You claim there were riffs galore, and I'm not calling you a liar Doc but I certainly couldn't find them. Just a lot of noise. Evidently we define "riffs" differently you and I. But that's OK. You did stipulate right up front that I wouldn't like it. And I wouldn't have even bothered with it until Mark gave it his seal of approval and got me all curious. I knew I should have simply believed you in the first place and kept it moving. But it's cool, I don't regret listening to it.

And just as I'm forever trying to explain to a certain off the board friend of mine, it's not my loss when it's something I took the time to listen to and found out for an incontrovertible fact that I didn't like it. It's only my loss when it's something I might have actually enjoyed, but for some reason I didn't get around to listening to it.

 

NP: Extinction of Mankind - The Nightmare Seconds, UK crust 2004. Now these albums have riffs galore.

 

Cruz - Confines de la Cordura, Spanish death/crust 2022 (I skip the pointless 3 minute intro)

 

57 minutes ago, markm said:

I got you TG. We'll do this tag team pro wrestler style. For the record I'm no pro wrestling fan, but I live in 'merica and I know the culture. so, tag me, Bro.

OK, GG, did you listen with headphones and give at least 3 tracks your full gotee attention? Look,  know this is not your thing, but you volunteered for this assignment, and I salute you. To do this correctly and with credibility, you have to put on a different hat. You must listen not as the Notorious  B.I.G.G., but slip into the ears of the observer. If you truly can do that grasshopper, the curtain will open and you will hear controlled feedback and lots of interesting sounds, bits of melody, dissonance and the beauty of abstract impressionistic visual art. This is controlled chaos. It is glorious. 

I feel you Homes, but unfortunately I'm not looking for "controlled feedback and lots of interesting sounds, bits of melody, dissonance and the beauty of abstract impressionistic visual art." That's all well and good, but what I'm actually seeking is riffs. I'm the dragger of knuckles, remember?

Link to comment
Share on other sites

8 minutes ago, GoatmasterGeneral said:

 

I feel you Homes, but unfortunately I'm not looking for "controlled feedback and lots of interesting sounds, bits of melody, dissonance and the beauty of abstract impressionistic visual art." That's all well and good, but what I'm actually seeking is riffs.

I get that-you won't get that here. I don't think anyone would accuse Big/Brave as being riffy.

Link to comment
Share on other sites

17 minutes ago, markm said:

I get that-you won't get that here. I don't think anyone would accuse Big/Brave as being riffy.

Well Doc did, "riffs galore" is what he said. But he's operating on a higher plane and on a different frequency than the rest of us unworthy mortals. And again, I'm not sorry I listened to it, I like to try to stay somewhat abreast of what you cool kids are listening to. I can appreciate that other people like different stuff than I do and have vastly different criteria for judging music. I just have trouble with the ones that my brain doesn't even recognize as "music." Not that there's anything wrong with interesting sounds and dissonance and all that abstract kinda stuff, it's just not as you said my thing.

Link to comment
Share on other sites

6 hours ago, RelentlessOblivion said:

Obituary - Dying of Everything

Of the new releases I’ve heard thus far in 2023 this is the best. Whilst it’s good I hope better albums are coming.

I found this to be immensely front-loaded.  The ideas start to get regurgitated or die off altogether after the first four tracks.  Had much higher hopes for this one.

Link to comment
Share on other sites

8 hours ago, Thatguy said:

Yeah, baby.

Well we tried, Mark, and so did he.

And don't you worry Doc my old curmudgeonly comrade in arms, I shall continue to try undaunted. I care not if the Mark Brothers (I'm now picturing the two of you in the ring, standing high up on the ropes in your ill-fitting singlets) want to gang up on me. I say bring it on and try your best to discourage, demean and discredit me, for I have both the fortitude and the temerity to withstand such would be devastating blows that would surely deter the average goat.

And in case you've been wondering, the reason I keep trying in the face of such harrowing adversity Mark #2, is because I've found some interesting things from you two Marks' non-metal recos that even when it's not something I'd want to own or ever hear again, I often still come away feeling enriched, like I've gained some secret knowledge from the exercise of listening to some of what can only be described as the esoteric nonsense you guys have posted from well outside my wheelhouse and my comfort zone. Just quietly, truth be known every now and then you guys even manage to surprise me by coming up with a hidden gem. But don't let that go to your already enormous Mark Brothers heads, these rare occasions are most certainly the exceptions, not the rule.

Link to comment
Share on other sites

11 hours ago, AlSymerz said:

Sadistic Messiah - Dehumanizing Process

 

Since you mainly post thrash metal, would it be safe to assume this band was formed in São Paulo in 2018 by the Brazilian musicians Rhodz and Angelcorpse with the purpose to execute killer thrash metal in the vein of 80's thrash legends like Exodus, Destruction, Dark Angel, The Mist, and Necronomicon? Or would I be way off?

Link to comment
Share on other sites

3 hours ago, GoatmasterGeneral said:

Since you mainly post thrash metal, would it be safe to assume this band was formed in São Paulo in 2018 by the Brazilian musicians Rhodz and Angelcorpse with the purpose to execute killer thrash metal in the vein of 80's thrash legends like Exodus, Destruction, Dark Angel, The Mist, and Necronomicon? Or would I be way off?

Yeah I assume so, they are Brazilian. I know nothing about them, I'm still going through thrashmania's 2022 list but I'm not really looking into bands, just listening to their music to see what I like.

 

NP: Anacrusis - Screams and Whispers

 

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.


  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...