Jump to content

What Are You Listening To?


khaos

Recommended Posts

2 minutes ago, navybsn said:

I should, you're right. Maybe I'll put a Rick 4001 on my Santa list.

King Gizzard - Polygondwanaland

Fuck yeah. Always wanted a Rick. I still haven't played one of their basses, kinda silly to want something I've never played maybe... but they look so cool and sound so good. Ugh. I am really happy with my good Ibanez 6-string bass though, the only thing I would really want is a 5-string version of it.

Link to comment
Share on other sites

41 minutes ago, FatherAlabaster said:

Fuck yeah. Always wanted a Rick. I still haven't played one of their basses, kinda silly to want something I've never played maybe... but they look so cool and sound so good. Ugh. I am really happy with my good Ibanez 6-string bass though, the only thing I would really want is a 5-string version of it.

Always loved the Soundgear basses. My last one was a cherry red 4 string. The neck just works for me. But nowhere near as sexy as a 4001. Plus that tone....

Link to comment
Share on other sites

Boris - Pink, Japan 2005, Mark's been mentioning Boris for years so I'm sinking the pink.

 

3 minutes ago, navybsn said:

Always loved the Soundgear basses. My last one was a cherry red 4 string. The neck just works for me. But nowhere near as sexy as a 4001. Plus that tone....

Fucking things are going for $4,000 used though. I don't play the bass but may I ask why you covet the pre-1981 4001 and not the "new and improved" 4003? Is it the neck? Electronics? Or you just like vintage shit?

Link to comment
Share on other sites

31 minutes ago, GoatmasterGeneral said:

Fucking things are going for $4,000 used though. I don't play the bass but may I ask why you covet the pre-1981 4001 and not the "new and improved" 4003? Is it the neck? Electronics? Or you just like vintage shit?

I'd take either, but if someone else is paying, 4001 all the way. but yeah, I will always choose vintage if given the choice. Shit was just made better then. That's why all of my receivers are 1970's model. They're rock solid and sound "just right". I'm not sold on the improvements either. Besides, I will probably only ever to get to own one, so why not go for the "one".

Enslaved - RITTIR

Link to comment
Share on other sites

Just now, navybsn said:

Always loved the Soundgear basses. My last one was a cherry red 4 string. The neck just works for me. But nowhere near as sexy as a 4001. Plus that tone....

They're great. Even the cheaper ones set up easily and play well, and the good ones are serious instruments. Really flexible sound. I got lucky and found a used SR1006 for a good price on fleabay a few years ago. It's a big old hunk of maple, neck through, with a really nice flame on top. It's no Fodera, but I love the way it looks and it's a joy to play. 

Getting a Rick would be pretty special though.

Link to comment
Share on other sites

1 hour ago, FatherAlabaster said:

They're great. Even the cheaper ones set up easily and play well, and the good ones are serious instruments. Really flexible sound. I got lucky and found a used SR1006 for a good price on fleabay a few years ago. It's a big old hunk of maple, neck through, with a really nice flame on top. It's no Fodera, but I love the way it looks and it's a joy to play. 

Getting a Rick would be pretty special though.

Mine was a cheap model because I was broke as a joke at that time. It was still pretty special and so nice to play. I do miss it. Yours sounds very nice. I've always wanted another. That, a Wal, a 4001, and a Jazz bass. Pretty much the holy trinity (for me anyway) and the Ibanez.

Vandal Moon - Queen of the Night

Link to comment
Share on other sites

2 hours ago, Thatguy said:

GOJIRA - The Way of All Flesh. This is still a great album. The drum sound alone is worthy - listen to 'The Silver Cord'.

I got a lot of mileage out of that album fairly early on in my crossing over. Should spin it again. 

Acephalix – Theothanatology-This deserves another spin for sure

Candlemass-Sweet Evil Sun-Candlemass' modern output has been pretty average IMO.....first listen to this one feels like a sweet spot....will revisit. 

Link to comment
Share on other sites

Coscradh - Nahanagan Stadial, Ireland

 

Ahnenkult - Wanderer, Germany

 

 

 

1 hour ago, Thatguy said:

CHAKA KHAN- Epiphany- The Best of Chaka Khan Vol.1. A compilation? 80's funk? What has come over Thatguy?...I had a dream and woke up with 'Ain't Nobody' running around in the tired old brain. What a voice. What a song.

Normal service will return shortly.

Ain't Nobody - Jon Gomm, Alex Misko & Dmitriy Toporov (Chaka Khan)

 

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.


  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...