Jump to content

What Are You Listening To?


khaos

Recommended Posts

  • a4201619274_3.jpg 
    In the Shadows
    by Mercyful Fate
     
     
  • a4240442010_3.jpg 
    Innate Passage
    by Elder
     
  • a3222557118_3.jpg 
    The Graveyard
    by King Diamond
     
    Fairly meagre haul today. I saw Elder in my wishlist but not sure if I'd actually listened to it. Sounded cool so picked up. 
    Also, KD and MF I hadn't heard because you can hardly go wrong with those. And supporting a "major" label, Metal Blade, that does actually make releases available on bandcamp. 
Link to comment
Share on other sites

12 hours ago, markm said:

TG is much more well versed in all things weird than I,

Nadja don't generally seem weird to me - more warm and fuzzy, especially my favourite 'The Stone Is Not Hit By The Sun...'. This one seems weird because of the vocals, I think.

NP - TARDIGRADA - Vom Bruch bis zur Freiheit. Excellent album by an excellent band. Also warm and fuzzy.

1 hour ago, navybsn said:

Would agree. I really liked Lore but can't remember hearing anything after Reflections which I liked too. May have to investigate.

I think they just keep getting better.

Link to comment
Share on other sites

2 hours ago, Thatguy said:

Nadja don't generally seem weird to me - more warm and fuzzy, especially my favourite 'The Stone Is Not Hit By The Sun...'. This one seems weird because of the vocals, I think.

NP - TARDIGRADA - Vom Bruch bis zur Freiheit. Excellent album by an excellent band. Also warm and fuzzy.

So not being at all familiar I went to see if Nadja had any other previous albums out, and fuck me if they don't have 28 full length albums to their credit since 2002, and that's not counting 14 live albums and numerous splits, singles and EP's. So where do I start? They didn't seem weird to me either which is good because weird would have been a deal breaker. Whichever track that was with the female vocals was hands down my favorite part of Labyrinthine.

Never bought this sophomore Vom Bruch bis zur Freiheit album after having bought Tardigrada's frst one. I remember the cover with the dam breaking. Listened to this a few times when it was new a year ago and decided nothing about it really stood out enough to warrant a purchase. Suppose I'm a bit particular about my atmo-black checking all the right boxes. Vocals are a bit buried in the mix, I'll assume intentionally, but that was one of the things I did like about it.

Anyway I'm going to try some more Nadja now, I've chosen the awkwardly titled TSINHBTSNCWAK simply because it has the highest rating on M-A with a 96%. Not sure I'd rate this higher than Labyrinthine personally though, but I'm only on the first track. GIve me a few of their titles you'd think a goat could possibly appreciate.

Nadja - The Stone Is Not Hit by the Sun, nor Carved with a Knife

 

Link to comment
Share on other sites

18 minutes ago, GoatmasterGeneral said:

Not sure I'd rate this higher than Labyrinthine personally though, but I'm only on the first track. GIve me a few of their titles you'd think a goat could possibly appreciate.

Gonya for giving Nadja a red hot go, but there isn't much in their catalogue likely to appeal to a goat. I just checked and I have 18 of their albums - including live sets. It's the blurry drone atmospherics that gets me. There are riffs but they evolve very slowly. Mostly no vocals. Perhaps 'Belles Bêtes' would appeal as much as anything.

I won't think less of you if you don't like them. My wife hates them.

Link to comment
Share on other sites

11 hours ago, GoatmasterGeneral said:

So not being at all familiar I went to see if Nadja had any other previous albums out, and fuck me if they don't have 28 full length albums to their credit since 2002, and that's not counting 14 live albums and numerous splits, singles and EP's. So where do I start? They didn't seem weird to me either which is good because weird would have been a deal breaker. Whichever track that was with the female vocals was hands down my favorite part of Labyrinthine.

Never bought this sophomore Vom Bruch bis zur Freiheit album after having bought Tardigrada's frst one. I remember the cover with the dam breaking. Listened to this a few times when it was new a year ago and decided nothing about it really stood out enough to warrant a purchase. Suppose I'm a bit particular about my atmo-black checking all the right boxes. Vocals are a bit buried in the mix, I'll assume intentionally, but that was one of the things I did like about it.

Anyway I'm going to try some more Nadja now, I've chosen the awkwardly titled TSINHBTSNCWAK simply because it has the highest rating on M-A with a 96%. Not sure I'd rate this higher than Labyrinthine personally though, but I'm only on the first track. GIve me a few of their titles you'd think a goat could possibly appreciate.

Nadja - The Stone Is Not Hit by the Sun, nor Carved with a Knife

 

Weird wasn't the right word...my Spotify account lists them as an experimental drone duo and I think of experimental drone like Sun0))) to be weird to people who aren't drone friendly. Labyrinthine caught my attention on one of the EOTY lists from one of the newer 9C writers who clearly likes droney experimental stuff....I also like the new Ken Mode album who I've loosely followed since the late aughts....Null moves closer to No Wave noise from the sludge/metallic hardcore that won me over originally when I was exploring Converge and metallic hardcore. 

https://ninecircles.co/2023/01/05/best-of-2022-d-morriss-list/

I agree, I'd be quite surprised if experimental drone were something GG would "kin to"....

Link to comment
Share on other sites

3 hours ago, markm said:

Weird wasn't the right word...my Spotify account lists them as an experimental drone duo and I think of experimental drone like Sun0))) to be weird to people who aren't drone friendly. Labyrinthine caught my attention on one of the EOTY lists from one of the newer 9C writers who clearly likes droney experimental stuff....I also like the new Ken Mode album who I've loosely followed since the late aughts....Null moves closer to No Wave noise from the sludge/metallic hardcore that won me over originally when I was exploring Converge and metallic hardcore. 

https://ninecircles.co/2023/01/05/best-of-2022-d-morriss-list/

I agree, I'd be quite surprised if experimental drone were something GG would "kin to"....

I don't mind the drone if there's also a little something going on musically. That first Nadja album I listened to (Labyrinthine) had some structure to it, enough that my brain identified it as "music." I wouldn't call it riffs, but there was some instrumental stuff happening there for my mind to focus on as well as some much needed vocals. Not an every day kinda listen, it'd be mood dependent for sure, but I liked the ominous atmosphere. I might end up grabbing just that one album Labyrinthine, the other three Nadjas I listened to didn't have the same effect on me. I will say I liked the Labyrinthine album's experimental drone a lot better than something like Chelsea Wolfe which is more traditionally structured music but doesn't check any boxes for me at all. But if I ever find myself in desperate need of some more defined fuzzy doom riffs over female vocals I can always go back to my Windhand, which always feels like coming home after a long hard day of work.

 

24 minutes ago, FatherAlabaster said:

Tardigrada - Emotionale Ödnis - did not last with the kiddos and chores and shit

Killing Joke - Night Time 

Killing Joke - Outside The Gate

Could totally imagine house cleaning to Eighties.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.


  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...