Jump to content

What Are You Listening To?


khaos

Recommended Posts

1 hour ago, Arioch said:

Coroner - Grin (1993)

I don't like this album. Just this morning I tried to listen to it but it didn't do anything for me.

I heard that a new Coroner album will be released in 2023. I won't dwell on it.

Grin is definitely my least favorite Coroner album, but I have to say it's grown on me over the years. Will never move out of last place or anything, but I can listen to it now and then.

They've been promising a new album forever. Will believe it when I see it.

Link to comment
Share on other sites

Testament - Dark Root of Earth, 2012. Not real familiar with any of the 21st century Testament releases but I think this is the one more people have said is good. And it has garnered an 82% rating on M-A, second only to 1987's The Legacy.

 

Testament - Souls of Black, 1990. And here we have the much maligned Souls of Black. Everyone I know used to shit on this record. I haven't listened to it in at least 15 or 20 years. This one has a 78% rating, putting it 4th highest out of their 13 full length albums so there must be some redeeming qualities here.

 

Link to comment
Share on other sites

Personally, I don't think Testament has evolved much since The Formation of Damnation.

Between 2008 and 2020, the band released 4 albums but when I listen to the first of the 4 albums and the last one, I don't feel like I hear big differences.

So yes, when Dark Roots of Earth came out, I listened to it a lot but very quickly I moved on and forgot all about it.

I much prefer Souls of Black that you listened to today. It's not too far from Practice What You Preach, although I find it darker and less edgy.

 

Link to comment
Share on other sites

Speedwolf - Bark at the Poon - crusty speed metal in the Motorhead/Venom vein

Gehenna - Malice (Our Third Spell) - bah, played this by accident.  Was meant to be Gehennah the blackened speed mob from Sweden and instead played this black metal from Norway.   Listened to it out of curiosity.  No bite and lots of keyboards and "atmosphere".  Really not my style.

Gehennah - Too Loud To Live Too Drunk To Die - now this is more like it.  Blackened speed metal.  

Pungent Stench - For God Your Soul...For Me Your Flesh

 

And I think the two Gehenna(h)'s highlight very much my attitude to black metal.  My main preference for black metal is essentially 1980s speed/thrash throwbacks - essentially the successors to Venom, Celtic Frost, Bathory, Kreator, Sodom and Motorhead.   So fast, furious and sleazy.

Occasionally I don't mind some blackened heavy or doom metal ala modern Darkthrone - again this is a natural follow on from older bands like Celtic Frost, Cirith Ungol and NWOBHM.

 

(Though I do have a spot for some late 1990s-early 2000s Cradle of Filth and Dimmu Borgir but one is channelling Hammer Horror films and the other has an almost more carnival freakshow vibe - in essence both are very theatrical and almost cinematic).

 

I generally don't like the Norwegian stream with its thin sound, overuse of keyboards and emphasis on "foresty" atmosphere and more about texture than arse kickings.  At best it's meandering and mindless and at worst grating.  

Link to comment
Share on other sites

Sporadically I've revisited and upgraded classic hard rock. Glad Jon convinced me to dig into Queen's early discography. Their first 3 are my favorite 1-2-3 punch. Just so many brilliant, quirky, weird and pretentiously grandiose ideas packed into these songs. 

Queen

Queen/II

Queen/Sheer Heart Attack 

And Thin Lizzy/Jailbreak

Link to comment
Share on other sites

4 hours ago, KillaKukumba said:

I agree. They couldn't have done that album with Joey, but John was the prefect choice.

 

Obituary - Slowly We Rot

(nearly at the end of my 80's jaunt for the Top 10 lists.)

 

Agreed+1. Bush is a better singer IMO and the good stuff on that album is as good if not better than anything else they did with Joey. 

Today is random playlist day. On the road for the last fest of the year. One last blowout (although not the last show of 22). Mediocre lineup, but I'll have fun regardless. Benediction, Sacramentum, Deicide, Mortician, Bulldozer, PLF, Tsjuder, Ares Kingdom, Trenchant, Hirax, Sardonic Witchery... No MDF, but enough good shit for 3 days.

https://massdestructionmetalfest.com/lineup/

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.


  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...