Jump to content

What Are You Listening To?


khaos

Recommended Posts

3 hours ago, KillaKukumba said:

I don't see a problem with that. I like early NA and even with their lack of gigs over the last 5-10 years it's still sad to hear they are finishing the band.

Incubus - Supernatural Death

 

Saw them last year and may check out their set this weekend. Glad I got to see them but I think they are making the right choice. Set was tight, but they were never a huge draw and they are getting up there. Probably not worth the time and money to go on the road anymore at their age.

Link to comment
Share on other sites

53 minutes ago, navybsn said:

Saw them last year and may check out their set this weekend. Glad I got to see them but I think they are making the right choice. Set was tight, but they were never a huge draw and they are getting up there. Probably not worth the time and money to go on the road anymore at their age.

Yeah I tend to agree. They never made it to Australia (as far as I remember), but as unique as John's voice was and as different as some of their stuff was they have never been the biggest draw card. I'm more surprised Dan thought there was a need to announce the band finishing up. I'd have thought most people already considered them finished.

NP: Orange Goblin - Coupe De Grace

 

Link to comment
Share on other sites

1 hour ago, KillaKukumba said:

Yeah I tend to agree. They never made it to Australia (as far as I remember), but as unique as John's voice was and as different as some of their stuff was they have never been the biggest draw card. I'm more surprised Dan thought there was a need to announce the band finishing up. I'd have thought most people already considered them finished.

Well their hey-day was 35 years ago. I don't think I've ever heard anything they did past their first 3 albums. They don't seem like they were ever big enough to warrant an Australasian tour. But they have stayed semi-active playing some gigs around here and there and some small festival slots 'n stuff. Seems somehow they'd developed a bit of a cult following in the states over the last several years.

I remember the year they played MDF and basically my whole crew seeemd pretty excited about the prospect of seeing them. I actually went and sat cross-legged on top of a picninc table just over to the side while they were onstage and used that 35 minutes to catch up on my texts and emails. So I could hear them, but I wasn't looking at them. I had the first 3 records back in the day but they were never in heavy rotation. Game Over was the best of the bunch I guess. I could take them or leave them basically. 

 

Nuclear Assault - Game Over, 1986

 

Link to comment
Share on other sites

3 minutes ago, KillaKukumba said:

You might be surprised by what 'big enough to tour Australia' really means.

Nuclear Assault ‘The Final Assault’ 2017 Australian Tour

Who the fuck flies 8 billion miles over 4 oceans to play at Max Watt's House of Music in Melbourne, Crowbar in Brizzy and Manning Bar at the University of Sydney? 3 gigs in 3 nights they were on the plane three times as long to get down there than they were on stage all 3 nights combined. 

Link to comment
Share on other sites

5 minutes ago, SurgicalBrute said:

Figured that would be a bit too synth heavy for your tastes

Finland trumps synths.

It really wasn't bad, I didn't find the synths to be overdone or annoying at all. Not sure yet if they're gonna be a purchase, and they'd be a longshot to make an appearance on my year end list. But I thought it was a good album.

3 minutes ago, KillaKukumba said:

As I said, you might be surprised.

No might about it, I'm absolutely surprised.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.


  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...